| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Song For Trees and Wind [CCB1029 - 5] |
0 | 3'45 | Christophe Zurfluh | Travel. Mysterious & panoramic. Synth pad, sequencing & electronic | neutral electroacoustic music relentless panorama | A | 118 | |||
|
Forced March [CCB1029 - 6] |
0 | 3'10 | Christophe Zurfluh | Geopolitics. Industry. Obstinate & mechanical. Traditional flutes & | geopolitics relentless scansion contemporary art | Dm | 107 | |||
|
Heritage Treasures [CEZ4314 - 32] |
3'04 | Gréco Casadesus, Gregory Cotti | Rigorous, driving & panoramic. Constant progression. Suggested for | heritage driving adventure historical narrative | Gm | 104 | ||||
|
Heritage Treasures Alternate 1 [CEZ4314 - 33] |
Alt. | 0'42 | Gréco Casadesus, Gregory Cotti | Rigorous, driving & panoramic. Constant progression. Suggested for | heritage adventure driving panorama | Gm | 139 | |||
|
Heritage Treasures Alternate 2 [CEZ4314 - 34] |
Alt. | 0'55 | Gréco Casadesus, Gregory Cotti | Rigorous, driving & panoramic. Constant progression. Suggested for | heritage driving adventure historical narrative | Gm | 139 | |||
|
Balafon [CCB1028 - 6] |
0 | 4'42 | Kevin Seddiki | Urgent, uneasy & fiery. Solo acoustic guitar. | acoustic guitar bustling prepared guitar relentless | Am | 172 | |||
|
New York Tsunami [CEO2046 - 4] |
1'12 | Mark Alberts | Violent & heavy. Electric guitar, rhythm & fx alarm. | aggressive & violent distorted electric guitar scary fx alarm | Em | 110 | ||||
|
New York Tsunami 2 [CEO2046 - 12] |
Alt. | 1'13 | Mark Alberts | Violent & heavy. Electric guitar & rhythm. | electric guitar aggressive & violent distorted electric guitar heavy | Em | 110 | |||
|
Dead Again [CEZ4313 - 2] |
3'05 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Aggressive, masculine & catchy. Metal band. | thrash metal horror distorted electric guitar double bass drum pedal | Am | 162 | ||||
|
Dead Again (extended) [CEZ4313 - 13] |
Alt. | 3'31 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Aggressive, masculine & catchy. Metal band. | thrash metal horror distorted electric guitar double bass drum pedal | Am | 162 | |||
|
Devastator [CEZ4313 - 3] |
0 | 2'50 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Obstinate, furious & percussive. Metal band. | thrash metal band distorted electric guitar introduction | Em | 162 | |||
|
No Loopholes [CEZ4313 - 6] |
0 | 2'39 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Fierce, rigorous & strong. Metal band. | thrash metal horror band distorted electric guitar | Em | 140 | |||
|
No Way in Hell [CEZ4313 - 7] |
0 | 3'06 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Brutal, violent & urgent. Metal band. | thrash metal aggressive & violent double bass drum pedal horror | Em | 98 | |||
|
Seal Fate [CEZ4313 - 8] |
0 | 3'07 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Relentless, aggressive & chaotic. Metal band. | thrash metal double bass drum pedal horror band | Am | 163 | |||
|
Maniac [CEZ4313 - 11] |
0 | 3'03 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Unchained, tense & urgent. Metal band. | thrash metal distorted electric guitar relentless aggressive & violent | Em | 150 | |||
|
All Right [MAG6025 - 1] |
0 | 2'16 | Yann Kesz | Real hip hop / beatmaking with intro. Heavy, catchy & authentic. Male | beat making urban catchy urban landscape | Am | 86 | |||
|
Respect Yourself [MAG6025 - 6] |
0 | 3'28 | Yann Kesz | Real hip hop / beatmaking with intro. Catchy, constant & urban. | beat making urban landscape street sports urban | Gbm | 84 | |||
|
An Endless Experiment
[CEZ4312 - 29] |
2'22 | Elisabeth Skornik, Guy Skornik | Constant, obstinate & patient. String orchestra playing staccato. | architecture & design steady corporate video relentless | F | 120 | ||||
|
An Endless Experiment [CEZ4312 - 6] |
Alt. | 2'25 | Elisabeth Skornik, Guy Skornik | Repetitive, confident & steady. Strings & electronic waves. | architecture & design confident steady corporate video | Dm | 120 | |||
|
Quoi qu'il Advienne [CEO2047 - 1] |
0 | 1'56 | Patrick Franchomme | Sad & moving. Electric guitar, male voice, synth & rhythm. | social drama electric guitar relentless crescendo | Dm | 90 | |||
|
Hacktivist [CEZ4309 - 8] |
0 | 2'12 | Claude Samard | Analog electro. Disturbing, obstinate then violent. Build-up and | building disturbing sudden analog synth | Am | 124 | |||
|
Vortex [CEZ4309 - 12] |
0 | 2'55 | Jeremy Levy | Analog electro. Build-up. Organic, whirling & intense. Arpeggiator, | sci-fi arpeggiator driving cybernetics | Abm | 162 | |||
|
Bit Rush [CEZ4309 - 14] |
0 | 3'14 | Vincent Leibovitz | Electro beat / hip hop. Precise, urban & percussive. Synth & rhythm. | urban modern corporate video fashion | F | 130 | |||
|
Android Alive [CEZ4309 - 19] |
0 | 2'41 | Franck Fossey | Analog electro. Dynamic, sustained & driving. Arpeggiator, analog | arpeggiator cybernetics electro beat relentless | Gm | 154 | |||
|
Encryption [CEZ4309 - 20] |
0 | 1'52 | Colo Colo | Analog electro. Cyclic, obstinate & mechanical. Arpeggiator & analog | modern cybernetics cyclic space | Dbm | 86 |