| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Psycho 14 [UBM2139 - 14] |
0 | 2'07 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Dissonant, shimmering, bright. | relentless high-pitched cold hypnotic | Abm | 103 | |||
|
Psycho 24 [UBM2139 - 24] |
0 | 1'43 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Electronic, pulsating, guitar. | relentless cyclic scary fx delay | Cm | 138 | |||
|
Psycho 32 [UBM2139 - 32] |
0 | 1'50 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Dark, threatening, expectant. | sparse muffled mysterious relentless | Gb | 62 | |||
|
Dynamic 25 [UBM2114 - 25] |
0 | 2'47 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Pushing orchestra, pianobasses, accents. | warlike chaotic relentless scansion | Cm | 80 | |||
|
Crushed [CEZ4092 - 4] |
0 | 2'49 | Hoosky | Constant upbeat with a gospel feel. Piano & voice fx. | modern daytime TV fashion urban | C | 91 | |||
|
Z' Beatie Boyz [CEZ4092 - 23] |
0 | 2'01 | Hoosky | Rock collage. Heavy metal guitar riff, drums & synth. | electro rock street sports attitude action movie | Am | 111 | |||
|
Geekin' [CEZ4092 - 24] |
0 | 2'04 | Hoosky | Odd but easy electro dance. | attitude beat making urban landscape industry | Am | 100 | |||
|
Rush Hour [CEZ4092 - 25] |
2'15 | Hoosky | Wonky & odd electro dance beat. | advertising fashion urban landscape modern | Abm | 104 | ||||
|
Rush Hour (Voice Edit) [CEZ4092 - 37] |
Alt. | 2'38 | Hoosky | Efficient & nervous. Outro. Sampled voices, synth & rhythm. | beat making introduction advertising catchy | Abm | 104 | |||
|
Flash Forward [CEZ4092 - 32] |
0 | 2'23 | Hoosky | Constant & insistent hip-hop beat with scratch and synth pads. | attitude swaying urban landscape modern | G | 90 | |||
|
Hacking [CEZ4090 - 10] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Insistent & mysterious. Electronics & Fx. Break @ 1'04. | investigation cybernetics mysterious anticipation | C | 116 | |||
|
Leak [CEZ4090 - 19] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Enigmatic & constant. Electric keyboards & tennis table ball Fx @ | cybernetics interrogative patient time (tick-tock) | Fm | 75 | |||
|
Public Lives [CEZ4090 - 23] |
0 | 2'33 | Elisabeth Skornik, Guy Skornik | Confident & serious. Staccato strings & electronics. | confident spy swaying industry | G | 60 | |||
|
Swaps [CEZ4089 - 8] |
0 | 1'33 | Silvain Vanot | Clunky & rigid. Musical box, glockenspiel, electric guitar & | heavy childhood glockenspiel relentless | Dm | 95 | |||
|
War Dance [CEV3022 - 7] |
0 | 2'21 | Godard Michel | Determined & warlike. Tuba, serpent & zarb. | antiquity lost civilizations prehistory wild | Cm | 130 | |||
|
Bitter-Sweet Destiny [CEZ4084 - 2] |
0 | 2'28 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Tense & decided. Electric guitar & electronics. | contemporary series destiny clean electric guitar melancholic | Cm | 123 | |||
|
Always on the Run [CEZ4084 - 7] |
0 | 1'54 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Airy & repetitive. Electric guitar & electronics. | cyclic hypnotic social drama clean electric guitar | D | 105 | |||
|
Wide-Angle [CEZ4084 - 15] |
0 | 2'37 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Disturbing & plaintive. Electric guitar & ebow guitar. | cyclic disturbing investigation beds | Dm | 120 | |||
|
Rhythm Of Rain [CEZ4084 - 17] |
0 | 2'02 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Simple & restrained. Electric guitar & electronics. | luminous cyclic social drama acoustic organic | Em | 104 | |||
|
The Me Inside [CEZ4084 - 25] |
0 | 1'47 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Insistent & oppressive. Electric Guitar. | natural disaster tormented social drama flash back | Eb | 74 | |||
|
Waiting for Godard [CEZ4084 - 27] |
0 | 2'17 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Wandering & desolate. Electric guitar & electronics. | social drama nocturnal contemporary series wandering | Gb | 104 |