| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Family Affair 23 [CEO2002 - 23] |
0 | 0'27 | Arnaud de Buchy | Eminent danger. | scary paranormal strident disturbing | Am | 99 | |||
|
Family Affair 25 [CEO2002 - 25] |
0 | 0'48 | Arnaud de Buchy | Tension. Drone. | strident high-pitched steady psychotic | Gm | 111 | |||
|
Family Affair 26 [CEO2002 - 26] |
0 | 0'20 | Arnaud de Buchy | Sudden drama. | final aggressive & violent scary disturbing | Bm | 91 | |||
|
Family Affair 28 [CEO2002 - 28] |
0 | 0'28 | Arnaud de Buchy | Sudden drama. | disturbing sudden horror scary | G | 81 | |||
|
Da Znaesh [CEV3003 - 9] |
0 | 1'15 | Dzijan Emin, Olivier Samouillan | Balkans. Traditional song. Poignant & pathetic. Female voice & | Balkans female ethnic soloist voice geopolitics East European Gypsies | Db | 90 | |||
|
Kir Jana [CEV3003 - 10] |
0 | 4'17 | Dzijan Emin, Olivier Samouillan | Traditional Macedonian song. Melancholic & plaintive. Male voice, | Balkans East European Gypsies string section sad | Eb | 113 | |||
|
Welcome [CEV3003 - 11] |
0 | 4'06 | Dzijan Emin | Balkans. Plaintive & poignant. Clarinet & cello. | sad Balkans geopolitics destiny | Gbm | 83 | |||
|
Nadir [CEV3003 - 12] |
0 | 1'03 | Olivier Samouillan | Wandering & mysterious. Clarinet, double-bass & pads. | Balkans geopolitics suspended atmosphere sad | Em | 63 | |||
|
Tromegje [CEV3003 - 13] |
0 | 1'28 | Dzijan Emin, Olivier Samouillan | Balkans. Tragic & desolate. Traditional alto violin & ensemble. | Balkans ethnic & traditional (all) geopolitics East European Gypsies | Am | 118 | |||
|
Budenje [CEV3003 - 15] |
0 | 1'32 | Dzijan Emin, Olivier Samouillan | Balkans. Insidious & threatening. Alto violin & timpany. Brass @ 1'03. | geopolitics sad Balkans destiny | Dm | 82 | |||
|
Sable [CEV3002 - 28] |
0 | 1'23 | Zygmunt Krauze | Middle-East inspiration. Plaintive & desolate. Ethnic flutes. | hot desert harmonic flute Middle-East & Maghreb geopolitics | Em | 65 | |||
|
Assembly Line [CEZ4062 - 26] |
0 | 1'55 | Jean-Francois Morin, Nicolas Mizrachi | Industrial. Repetitive movement. Backwards guitar with shimmering | cybernetics industry robotic steady | Gbm | 116 | |||
|
The Hours [CEZ4062 - 33] |
0 | 2'44 | Alice Guerlot Kourouklis | Clock movement. Repetitive, crystalline & sad. Glockenspiel, keyboard | time (tick-tock) patient steady crystalline | Am | 77 | |||
|
Boree [CEZ4058 - 20] |
0 | 2'06 | Line Adam | Heavenly. Fast, flowing piano with cello melody & shimmering violins | undulating whirling underwater luminous | Gm | 129 | |||
|
Ouragan [CEZ4058 - 23] |
0 | 2'33 | Denis Levaillant | Powerful waves of sound. Latent force. Synth soundscape. | underwater muffled sinister natural disaster | Bm | 129 | |||
|
Decline & Breakdown [CEZ4056 - 14] |
0 | 2'21 | Nicolas Mizrachi, Jean-Francois Morin | Gnarled & twisted guitars, fx & slow loop @ 0'34. | disturbing investigation social drama urban landscape | Em | 100 | |||
|
Contestation [CEZ4056 - 16] |
0 | 2'14 | Nicolas Mizrachi, Jean-Francois Morin | Confusing. Acoustic guitar & aggressive synths riff with strings. | crime movie disturbing relentless investigation | Bm | 118 | |||
|
Insider Dealing [CEZ4056 - 22] |
0 | 1'32 | Nicolas Mizrachi, Jean-Francois Morin | Opaque. Quirky throbbing beat with dynamic cello improvisation. | pulsation tormented muffled crime movie | Abm | 106 | |||
|
Etude africaine n°3 [CEZ4019 - 6] |
0 | 2'14 | Denis Levaillant | Concert Piano. | chaotic complex fiery disturbing | Ebm | 101 | |||
|
Adieu Moscou 1 [CEZ4012 - 5] |
0 | 1'38 | Marc Marder | Martial & parodic. Honki-tonk piano. | silent movie honky-tonk piano tragi-comic slapstick | Gm | 111 |