| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Slowly Recovering [UBM2222 - 17] |
0 | 2'16 | Daniel Backes, Peter Moslener | Strange & secret. Piano, synth & rhythm. | circus music atmospheric mysterious beds | C | 137 | |||
|
Datenautobahn [UBM2218 - 13] |
0 | 2'11 | Felix Halbe | Urban & nocturnal. Synth & rhythm. | relentless driving social drama nocturnal | E | 90 | |||
|
Halo [MAG6003 - 7] |
0 | 2'32 | DoubtingThomas | Ambiant. Lancinating & industrial. Synth & rhythm. | steady mechanical relentless panoramic | Ebm | 90 | |||
|
On the Deck of the Moon [MAG6003 - 9] |
0 | 3'29 | DoubtingThomas | Downtempo. Hypnotic & circular. Synth, trumpet & rhythm. | hypnotic relentless beds crime movie | D | 163 | |||
|
From Dusk Till Dawn [MAG6003 - 11] |
0 | 3'04 | DoubtingThomas | Ambiant. Square & methodical. Piano, synth & rhythm. | social drama interrogative patient urban landscape | Gm | 162 | |||
|
Subsurface Current [CEZ4171 - 23] |
0 | 2'18 | Christophe Zurfluh | Constant & aquatic. Electronic percussion & synth. | electronic percussion percussive beds investigation | Cm | 90 | |||
|
Moonlight Swim [CEZ4165 - 17] |
0 | 3'45 | Patchworks | Erotic & chillout. Wah-wah guitar, keyboard, Hammond organ & rhythm. | erotic chill-out music sensual striptease | Am | 68 | |||
|
Acceptance [EOS14 - 5] |
0 | 1'58 | Johane Myran | Fragile & derivating. Sanza, strings, synth & glockenspiel. | circus music crystalline suspended atmosphere wandering | Am | 86 | |||
|
Buzz It [MAG6001 - 1] |
0 | 3'13 | Chomsk' | Beatmaking. Chill & groovy. Female sampled voice, electronics & | beat making abstract hip-hop modern catchy | Am | 101 | |||
|
Trapdoor [MAG6001 - 3] |
0 | 3'09 | Chomsk' | Trap. Efficient & powerful. Electronics & rhythm. | trap (music) urban modern club | Cm | 150 | |||
|
Night Flight (Round-Trip) [MAG6001 - 4] |
0 | 4'02 | Chomsk' | House. Catchy & lively. Electronics, female singer & rhythm. | club house catchy fashion | Am | 127 | |||
|
I May Be [MAG6001 - 16] |
0 | 2'19 | Chomsk' | Beatmking. Dark & hypnotic. Pitched male voice, electronics & rhythm. | beat making fashion relentless urban | Cm | 140 | |||
|
Rozel Bay [MAG6002 - 7] |
0 | 3'21 | Rémo | Electronica. Intense & ondulating. Electronics, sampled voices & | electronica urban modern introduction | Ebm | 100 | |||
|
Riddim in Norfolk [MAG6002 - 10] |
0 | 3'39 | Rémo | Electro dub. Grave & distant. Electronics & rhythm. | electro dub modern panoramic urban | Am | 140 | |||
|
A Critical Moment [CEZ4153 - 1] |
0 | 1'21 | Arnaud de Boisfleury | Sudden & disturbing . Cello & synth. | narrative suspense suspended atmosphere spy | A | 111 | |||
|
Locked in His Silence [CEZ4153 - 6] |
0 | 1'36 | Arnaud de Boisfleury | Interrogative & sad. Acoustic guitar & synth. | desolate cold desert suspended atmosphere wandering | Am | 112 | |||
|
The Time Has Come [CEZ4153 - 15] |
0 | 4'56 | Daniel Diaz | Serious & patient. Piano & fx. | patient cold desert fx delay strict | Ebm | 120 | |||
|
Foregone Conclusion [CEZ4153 - 16] |
0 | 2'01 | Julien Vega | Interrogative & disturbing. Vibraphone & synth. Constant progression. | spy interrogative investigation beds | Dm | 120 | |||
|
Spider's Web [CEZ4153 - 18] |
0 | 1'36 | Sophia Domancich | Mysterious & disturbing. Synth. | circus music unstable silence horror | A | 140 | |||
|
Occult Forces [CEZ4154 - 7] |
0 | 3'25 | Morgan Sansous | Powerful & imposing. Epic metal. Rock band. | heavy metal trash (texture) noisy band | Bm | 100 |