| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
March of the Lost Souls [CEZ4081 - 25] |
0 | 2'07 | Loïs Blanca | Scary & inexorable. Progression with finale. Piano, strings & timpani. | horror inexorable heavy paranormal | Dbm | 120 | |||
|
The Hell Dwellers [CEZ4081 - 31] |
0 | 2'26 | Bruno Alexiu | Frightening & bestial. Electro-acoustic. | horror scary paranormal sci-fi | Cm | 118 | |||
|
Mounting Tension [CEZ4082 - 8] |
0 | 0'59 | Marc-Olivier Dupin | Tense & tormented. Cello trio. | cello ensemble historical narrative jerky tormented | Dm | 166 | |||
|
Harbingers [CEZ4074 - 10] |
0 | 1'41 | Elisabeth Skornik, Guy Skornik | Uncertain & tense with sudden effects. Rhythm @ 0'30. | chaotic historical conflict disturbing investigation | Dm | 130 | |||
|
Water Table [CEZ4070 - 30] |
0 | 2'13 | Didier Petit, Hélène Breschand | Desolate & stripped. Harp & cello. | sinister underground contemporary art desolate | Am | 60 | |||
|
Sequelle [CEZ4067 - 18] |
0 | 1'54 | Daniel Finot, Arnaud Rozenblat | Strange & repetitive. Prepared piano with delay. | natural disaster social drama fx delay interrogative | Bb | 84 | |||
|
Tocsin [CEV3006 - 37] |
0 | 1'07 | Freddy Eichelberger, Godard Michel | Lugubrious & desolate. Serpent & spinet duo. | serpent (instrument) sinister swashbuckler fantasy | Gm | 81 | |||
|
Family Affair 16 [CEO2002 - 16] |
0 | 1'23 | Arnaud de Buchy | Menace & danger. | suspense scary inexorable driving | D | 110 | |||
|
Asynchro [CEZ4059 - 25] |
0 | 2'21 | Ludovic Poulet | Broken rhythmic pattern with static FX & quirky groove. Random. | architecture & design electro minimalism cybernetics electro industrial | Bbm | 120 | |||
|
Eloge du Zarb [CEZ4019 - 31] |
0 | 3'39 | Denis Levaillant | Sampled zarb & digital effects. | rumbling chaotic natural disaster scary | Ebm | 104 | |||
|
L'Imposture 2 [CEZ4012 - 38] |
0 | 1'14 | Marc-Olivier Dupin | Insidious & unstable. Wind & string ensemble. | contemporary serious music (all) abstract art complex woodwind ensemble | D | 90 | |||
|
Recollection [CEZ4046 - 1] |
0 | 2'40 | Christof Déjean | Close & claustrophobic. Muted bass & groove with piano & percussion. | cold contemporary art desolate natural disaster | E | 81 | |||
|
Criminal Profile [CEZ4040 - 33] |
0 | 1'18 | Elisabeth Skornik, Guy Skornik | Unemotional. Solo atonal & prepared piano with FX. | sparse dissonant horror interrogative | Eb | 72 | |||
|
Magnetic Landscapes [CEZ4033 - 2] |
0 | 2'07 | Christian Zanesi | Pure & empty. Constant glassy shimmer with long descending tone. | soundscape falling atmospheric electroacoustic music | Bm | 62 | |||
|
Anxious Degree [UBM2577 - 4] |
0 | 2'07 | Florent Duclos, Benoit Jego | Dark tension bed for unsettling scenes. Uncomfortable, nervous. | investigation suspense spy mysterious | C | 128 | |||
|
A Thrilling Uncertainty
[CEO2172 - 10] |
1'25 | Marc-Olivier Dupin | Alternate version. Solo cello played with tremolo. Suggested for | disturbing mysterious tormented psychological drama | Gbm | 65 | ||||
|
A Thrilling Uncertainty [CEO2172 - 1] |
Alt. | 2'10 | Marc-Olivier Dupin | Fearful, frightening & worried. Cello played with tremolo & alto | psychological drama disturbing mysterious scary | Gbm | 110 | |||
|
Agressive Bend SFX 7 From A
[CSDL1007 - 49] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Pitched up & down alarming bends/braams with | aggressive & violent benders scary horror | Am | 82 | |||
|
Agressive Bend SFX 8 From A
[CSDL1007 - 57] |
0 | 1'13 | Salvador Casais, Thomas Dubreuil | Sound Design element. Long tail reverbered & distorted synth | aggressive & violent benders scary horror | Em | 155 | |||
|
Agressive Bend SFX 9 From A
[CSDL1007 - 65] |
0 | 1'14 | Salvador Casais, Thomas Dubreuil | Sound Design element. Chaotic & disturbing pitched up hitting | aggressive & violent benders horror rumbling | Am | 106 | |||
|
Agressive Bend SFX 10 From A
[CSDL1007 - 73] |
0 | 1'00 | Salvador Casais, Thomas Dubreuil | Sound Design element. Hitting pitched up braam/bends with reverb from | aggressive & violent punctuated benders braams | Am | 118 |