| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Little Shul [CEZ4123 - 3] |
0 | 1'23 | Marc-Olivier Dupin | Tender, childlike & mischievious. Yiddish. Solo cello. | cello Yiddish lullaby Judaism | E | 90 | |||
|
Why ? Why Not ? [CEZ4123 - 7] |
0 | 1'29 | Marc-Olivier Dupin | Introspective & poignant. Yiddish. Solo cello. | cello destiny Judaism Yiddish | A | 108 | |||
|
Particle Collider [UBM2119 - 16] |
0 | 2'06 | Daniel Backes, Peter Moslener | Vibrating pad & dance-style melody. | soundscape beds kitsch & cheesy mysterious | Dm | 133 | |||
|
Bush Warbler [CEZ4121 - 18] |
0 | 1'29 | Imade Saputra | Mysterious & panoramic. Solo tongali (nose flute). | kudyapi Philippines atmospheric suspended atmosphere | Dbm | 105 | |||
|
Titan [EOS01 - 13] |
0 | 3'22 | David Poirier | Mysterious & insidious. Violin, viola, mandolin, tampura, accordion & | desolate suspended atmosphere cold atmospheric | A | 120 | |||
|
Spires of Dream [CEZ4110 - 5] |
0 | 2'26 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Constant & haunting. Descending effect @ 1'03. Bass guitars with | falling suspended atmosphere science fretless bass | Dm | 148 | |||
|
Stay on the Line [CEZ4110 - 7] |
0 | 2'52 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Urgent but positive. Bass guitars. Melody played fretless. | electric bass fretless bass industry water sport | Em | 154 | |||
|
Relaxing Hands [CEZ4115 - 19] |
0 | 2'10 | Imade Saputra | Mysterious & bewitching. Solo pia (Thai zither). | Thailand pia traditional instrumental ensemble ethnic & traditional (all) | Eb | 61 | |||
|
North Threat [CEZ4111 - 15] |
0 | 2'22 | Matteo Michelino | Disturbing & determined. Electric guitars, percussions, bass & | geopolitics Maghreb Middle-East & Maghreb Africa | A | 104 | |||
|
The Art Of Recycling [CEZ4111 - 27] |
0 | 1'32 | Hélène Breschand, Didier Petit | Careful & changing. Prepared harp imitating the kora. | Africa country & garden harp unstable | Em | 129 | |||
|
The Visit [CEO2011 - 14] |
0 | 0'43 | Bruno Alexiu | Mystical & bewitching. female vocal & percussion. | primitive art lost civilizations geopolitics hypnotic | Ebm | 65 | |||
|
In A Better World [CEZ4109 - 4] |
0 | 1'54 | Sophia Domancich | Sad & introspective. Solo piano. | intimate jazz ballad contemporary jazz introspective | E | 91 | |||
|
Knife Edge [CEZ4109 - 7] |
0 | 2'18 | Vincent Leibovitz | Nocturnal, urban & disturbing. Electronics. | electronica investigation nocturnal sequencing | Am | 89 | |||
|
Mellow Link [CEZ4109 - 34] |
0'29 | Paul Martin Pritchard | Wandering & desolate. Muted trumpet, organ & bass. | jingle beds acoustic bass retro cinema | Am | 82 | ||||
|
Mellow Link 2 [CEZ4109 - 35] |
Alt. | 0'18 | Paul Martin Pritchard | Sting. Sad & wandering. Organ, double bass & vibraphone. | jingle beds retro cinema double basses (all) | Em | 142 | |||
|
Mellow Link 3 [CEZ4109 - 36] |
Alt. | 0'35 | Paul Martin Pritchard | Interrogative & solitary. Vibraphone, saxophone, organ & double bass. | jingle beds acoustic retro cinema | F | 149 | |||
|
Film Noir [CEZ4107 - 1] |
0 | 0'45 | Paul Martin Pritchard | Mysterious & sophisticated. Saxophone, trumpet, vibes & rhythm. | film noir tenor saxophone nocturnal B movie | Gm | 108 | |||
|
Fedora Shadow [CEZ4107 - 12] |
0 | 0'50 | John Greaves | Lazy & melancholic. Piano & trumpet. | jazzy B movie film noir investigation | Gm | 76 | |||
|
Getting Ready 2 [CEZ4106 - 21] |
0'28 | Eric Lohrer, Didier Malherbe | Threatening & sparse. Bansouri flute & 12 strings guitar. | bansuri suspended atmosphere sparse world music | A | 126 | ||||
|
Getting Ready [CEZ4106 - 20] |
Alt. | 2'10 | Eric Lohrer, Didier Malherbe | Threatening, powerful & determined @ 1'08. Bansouri flute, cymbalum, | percussive wild world music bansuri | D | 133 | |||
|
Steely Eyes [CEZ4105 - 23] |
0 | 3'01 | Mark Alberts | Heavy-metal ballad. Powerful & imposing. Cinematic. Rock band with | rock ballad uplifting hard rock epic | Bm | 76 | |||
|
Unexpected Result [CEZ4103 - 25] |
0 | 2'37 | Elisabeth Skornik, Guy Skornik | Unstable & mysterious. Electronics, electric guitar @ 0'32, strings & | beds scary electro glitch sequencing | Dm | 90 | |||
|
Aporia [CEZ4103 - 26] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Interrogative & wandering. Piano, strings & harp. | tormented beds suspended atmosphere unstable | Bb | 92 |