| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
DNA Evidence [EOS15 - 1] |
0 | 2'59 | Eric Volpatti | Interrogative & floating. Synth, piano & electronic percussion. | weather report airy interrogative mysterious | Ab | 172 | |||
|
Lima By Night [CEO2025 - 7] |
0 | 1'22 | Selma Mutal | Wandering, sparse & lonely. Piano & electronics. | geopolitics urban landscape prepared piano contemporary series | Cm | 69 | |||
|
Waves of Memories [CEO2025 - 17] |
1'33 | Selma Mutal | Panoramic, dark & cold. Synth waves & electronics. | atmospheric abyss synth pad toxic | G | 72 | ||||
|
Waves of Memories 2 [CEO2025 - 22] |
Alt. | 1'08 | Selma Mutal | Introspective & sparse. Synth pads & treated piano @ 0'32. | sinister destiny wandering atmospheric | Gm | 107 | |||
|
Scrambled Code [EOS17 - 9] |
0 | 2'06 | Mathieu Harlaut | Sad & wandering. Synth & rhythm. | noisy wandering desolate social drama | Ebm | 78 | |||
|
Log Out [EOS17 - 11] |
0 | 1'49 | Mathieu Harlaut | Absent & fragmented. Changing @ 0'49. Synth, piano & rhythm. | changing jerky wandering cold | D | 115 | |||
|
Desire Never Stops [EOS16 - 3] |
0 | 2'45 | Laurent Rochelle | Wandering & grave. Piano & guitar. | mysterious desolate social drama wandering | Am | 150 | |||
|
Pharma Crime [UBM2223 - 3] |
0 | 2'27 | Anselm Kreuzer, Queens Road | Wandering then obstinate. Synth, piano & rhythm. | driving disturbing mysterious wandering | Am | 96 | |||
|
Deadly Bubbles [UBM2223 - 7] |
0 | 1'52 | Anselm Kreuzer, Queens Road | Patient & humid. Synth & rhythm. Bubbles & river fx. | patient desolate wandering beds | Am | 98 | |||
|
Lost World [UBM2222 - 11] |
0 | 1'54 | Daniel Backes, Peter Moslener | Wandering & deep. Synth & chimes. | abyss atmospheric wandering rumbling | Bb | 123 | |||
|
Interior Voyage [MAG6003 - 6] |
0 | 2'15 | DoubtingThomas | Dowtempo. Ethereal & nostalgic. Synth, trumpet & rhythm. | crime movie nocturnal urban urban landscape | Ab | 78 | |||
|
France Under Allied Bombs [CEO2021 - 9] |
0 | 1'26 | Bruno Alexiu | Sad & desolate. Orchestra with accordion & clarinet. | desolate French cinema sad suspended atmosphere | E | 86 | |||
|
Night of Ghosts [CEZ4173 - 20] |
0 | 1'45 | Jérôme Lemonnier | Mysterious & spectral. Male & female duet, harp & strings. | fantasy mysterious calm female singer | D | 89 | |||
|
Acceptance [EOS14 - 5] |
0 | 1'58 | Johane Myran | Fragile & derivating. Sanza, strings, synth & glockenspiel. | circus music crystalline suspended atmosphere wandering | Am | 86 | |||
|
Emptiness [EOS14 - 10] |
0 | 3'03 | Johane Myran | Hostile & vaporous. Beds with Japonese bowls. | atmospheric wandering desolate suspended atmosphere | Dm | 108 | |||
|
Silk Moon [CCB1019 - 1] |
0 | 3'39 | Derya Turkan, Renaud Garcia-Fons | Melancholic & refined. Kemançe & double-bass. | kemençe Andalusi classical music geopolitics Iran | Dm | 72 | |||
|
Nishapur [CCB1019 - 11] |
0 | 2'20 | Derya Turkan, Renaud Garcia-Fons | Wandering & mysterious. Kemençe & double-bass bowed pizzicato. | kemençe Armenia Iran Arab world | D | 111 | |||
|
Sierra Torrida [CEZ4163 - 16] |
0 | 3'13 | Julien Vega | Nonchalant & peaceful. Honkey tonk piano, bass, whistling @ 0'21, | United States of America relaxed Italian western wandering | Am | 90 | |||
|
Ringo el Gringo [CEZ4163 - 17] |
0 | 2'27 | Julien Vega | Carefree & relax. Tempo changing @ 1'30. Guitar, banjo, jew's harp, | Italian western jew's harp ballad wandering | Am | 96 | |||
|
Dust and Stones [CEZ4163 - 22] |
0 | 2'01 | Julien Vega | Drone. Suspended & threatening. Guitars, harmonica & electronics. | arid hot desert steady drone | Em | 60 | |||
|
The Last Duel [CEZ4163 - 28] |
2'15 | Claude Samard | Proud & mysterious. Harmonica, banjo, electric guitar, synth & | diatonic harmonica Italian western proud mysterious | Am | 150 | ||||
|
The Last Duel 2 [CEZ4163 - 29] |
Alt. | 2'27 | Claude Samard | Proud & mysterious. Harmonica, banjo, whip fx, electric guitar, synth | diatonic harmonica mysterious building Italian western | Am | 150 |