| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Imminent Danger [CEZ4081 - 23] |
0 | 2'34 | Pierre Bernard | Scary & disturbing. Strings, percussion & electronics. | disturbing scary drone suspended atmosphere | Ebm | 68 | |||
|
The Beast Within [CEZ4081 - 26] |
0 | 1'19 | Pierre Bernard | Fiendish & supernatural. Electro-acoustic. | horror fantasy fx explosion paranormal | Fm | 144 | |||
|
Decisions [CEZ4082 - 9] |
0 | 1'38 | Bruno Letort | Tense & uncomfortable. String orchestra. Vibes @ 0'28. | disturbing Twentieth century music insidious historical narrative | Bm | 103 | |||
|
State Secret [CEZ4082 - 12] |
0 | 1'34 | Bruno Letort | Sudden, insidious & suspended. Symphony orchestra. | anticipation contemporary serious music (all) historical narrative psychotic | E | 104 | |||
|
Wrong Track [CEZ4082 - 36] |
0 | 1'57 | Philippe Hersant | Unstable & disturbing. Viola duo. | insidious unstable viola natural disaster | Gm | 82 | |||
|
The Watchtower [CEZ4083 - 8] |
0 | 2'30 | Bruno Letort | Menacing & inexorable. Constant progression. Symphony orchestra with | disturbing suspense action movie insidious | E | 151 | |||
|
Infiltration [CEZ4083 - 14] |
0 | 1'27 | Marc-Olivier Dupin | Insidious & mysterious. Piano solo. | scary historical movie disturbing contemporary serious music (all) | Gb | 118 | |||
|
Excessive Risks [CEZ4074 - 3] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Heavy, percussive & tense. Muted electric guitar & cinematic | heavy suspense historical conflict anticipation | C | 116 | |||
|
Fatal Spiral [CEZ4074 - 13] |
0 | 2'03 | Elisabeth Skornik, Guy Skornik | Violent, sudden & dark. Constant progression. | fx heartbeat pulsation historical conflict disturbing | Em | 120 | |||
|
Domino Effect [CEZ4074 - 27] |
0 | 1'53 | Elisabeth Skornik, Guy Skornik | Insidious & threatening. Stereo & delay effects. | disturbing cybernetics insidious paranormal | Fm | 88 | |||
|
Biotope [CEZ4070 - 20] |
0 | 2'40 | Daniel Diaz | Drone. Determined & accentuated. Double bass ensemble & electronics. | natural disaster bowed double bass cybernetics fx delay | A | 154 | |||
|
Silent Witness [CEZ4067 - 13] |
0 | 3'44 | Laurent Rochelle | Tormented & repetitive. Piano, violin, bass clarinet & rhythm @ 1'59. | social drama crime movie tormented cyclic | Bbm | 165 | |||
|
Félonie [CEV3006 - 41] |
0 | 1'51 | Pierre Bernard | Insidious & mysterious. Flute, cello & strings. | insidious mysterious sad swashbuckler | A | 77 | |||
|
Dilemma [CEZ4065 - 22] |
0 | 1'24 | Piotr Moss | Sparse & enigmatic. Solo clarinet. | suspended atmosphere sparse interrogative silence | Am | 89 | |||
|
The Last Combat [CEZ4064 - 10] |
0 | 1'11 | Bernard Becker | Powerful, fiery & imposing. Orchestra. | adventure epic fantasy orchestral score | Bbm | 103 | |||
|
The Prince With Two Faces [CEZ4064 - 12] |
0 | 2'04 | Bernard Becker | Enchanting & peaceful. Sombre & menacing @ 0'46. Orchestra & choir. | fantasy orchestral score building animation & cartoons | Em | 115 | |||
|
Family Affair 30 [CEO2002 - 30] |
0 | 0'55 | Arnaud de Buchy | Suspense. Step by step in the dark. | suspense insidious falling symphony orchestra | Gm | 86 | |||
|
Berlin 1933 [CEZ4060 - 15] |
0 | 3'38 | Teddy Lasry | Worrying & menacing. Bass drone & accordion. Bass-clarinet played | sinister historical conflict disturbing drone | E | 108 | |||
|
The Question of Violence [CEZ4056 - 1] |
0 | 2'09 | Nicolas Mizrachi, Jean-Francois Morin | Hard & Threatening. Nasty. Dark, thick beats with distorted guitars. | investigation driving distorted electric guitar muffled | Em | 100 | |||
|
Eyes in the night [CEZ4055 - 10] |
0 | 0'59 | Pierre Bernard | Organic, mysterious & abstract. Percussion. | tropical forest mysterious primitive art shamanistic | E | 126 |