| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dark Business [UBM2258 - 15] |
0 | 1'24 | Felix Halbe | Epic track, loopable with synthesizer. | suspense disturbing arpeggiator steady | D | 100 | |||
|
Green Solitude 3 [CEO2035 - 12] |
2'56 | Bruno Alexiu | Desolate, suspended & airy. Drone. Electronics. | natural disaster drone suspended atmosphere synth pad | D | 60 | ||||
|
Green Solitude [CEO2035 - 2] |
Alt. | 1'43 | Bruno Alexiu | Calme, suspended & interrogative. Piano & electronic pads. | natural disaster suspended atmosphere airy desolate | D | 79 | |||
|
Reality Fight [UBM2204 - 2] |
0 | 1'25 | Citokid, Anselm Kreuzer | Determined & powerful. Cinematic orchestra. String section, electric | action movie cinematic driving explosive | Dm | 104 | |||
|
Red Light District [UBM2204 - 3] |
0 | 1'43 | Citokid, Anselm Kreuzer | Triumphant & determined. Cinematic orchestra. String section, | action movie extreme & fighting sport cinematic driving | Cm | 92 | |||
|
Dangerous Uncertainty [UBM2244 - 17] |
0 | 2'11 | Tony Delmonte, Anselm Kreuzer | Mysterious & scary. Underscore. Strings, bassoon, synth & electronics. | horror mysterious abyss dissonant | Gm | 152 | |||
|
Chemical Weapons [CEZ4231 - 24] |
0 | 4'36 | Vincent Leibovitz | Electro Middle East. Dark & desolate. Electronics. | atmospheric desolate disturbing relentless | A | 135 | |||
|
Game Frenzy [CEZ4225 - 12] |
0 | 1'35 | Baptiste Thiry | Cinematic. Urgent & minimalist. Stop watch & electronics. | relentless time (tick-tock) inexorable chase | Am | 106 | |||
|
Pulsar Glitches [CEZ4221 - 14] |
0 | 1'46 | Michel Redolfi | Abstract & noisy. Electronics & cosmic sound design. | sound design sci-fi space underwater | Gm | 68 | |||
|
Misty Mountains Haze [CEZ4186 - 19] |
0 | 1'58 | Frédéric Dunis, Bernard Grimaldi | Panoramic, moving & airy. String orchestra & choir. Build-up & | desolate docu fiction atmospheric climax | Am | 118 | |||
|
Mystery of the Depth [CEZ4186 - 20] |
0 | 2'45 | Frédéric Dunis, Bernard Grimaldi | Disturbing scansion. Timpanies, strings, ethnic flute @ 1'07 & choir | underwater heavy adventure climax | Cm | 72 | |||
|
Uncanny Danger [UBM2222 - 2] |
0 | 1'59 | Daniel Backes, Peter Moslener | Heavy & inevitable. Electric guitar, synth & rhythm. | atmospheric steady inexorable investigation | Bbm | 72 | |||
|
Lost World [UBM2222 - 11] |
0 | 1'54 | Daniel Backes, Peter Moslener | Wandering & deep. Synth & chimes. | abyss atmospheric wandering rumbling | Bb | 123 | |||
|
Mer Blanche [CCB1013 - 4] |
0 | 1'28 | Renaud Garcia-Fons | Obstinate & abstract. Spectral chase. Accordion, double-bass & | bowed double bass trains chromatic accordion chaotic | Fm | 126 | |||
|
Ashes to Ashes [CEO2020 - 38] |
0 | 1'32 | Gréco Casadesus | Desolate & dark. String orchestra. | scary string orchestra sinister horror | Gb | 114 | |||
|
Tschernobyl [UBM2183 - 20] |
0 | 2'33 | Felix Halbe | Scary, toxic, mean. | fx heartbeat pulsation atmospheric insidious | Em | 120 | |||
|
Winter of War [CEO2012 - 39] |
0 | 0'54 | Arnaud de Boisfleury | Sad & restrained. String orchestra. | historical narrative string orchestra destiny sinister | Gm | 60 | |||
|
Field of Ruins [CEO2012 - 40] |
0 | 0'55 | Arnaud de Boisfleury | Fatal & tragic. Symphonic orchestra. | string section historical conflict destiny suspended atmosphere | A | 111 | |||
|
Synaptic System [CEZ4103 - 23] |
0 | 2'11 | Elisabeth Skornik, Guy Skornik | Loud, alarming & bizarre. Treated voices, percussion & electronics. | scary fx phasing heavy scansion | Em | 70 | |||
|
Source [CEZ4023 - 19] |
0 | 2'06 | Denis Levaillant | Agitated & bizarre. Piano & electronics. Chaotic finale. | unstable flowing disturbing insidious | Em | 154 | |||
|
Wounds [CEZ4023 - 48] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Martial & jerky. Percussions, synth & electronics. | disturbing investigation paranormal spy | C | 111 |