| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
La Route du Rosé [CEG5030 - 22] |
0 | 1'23 | Pablo Pico | Characteristic rhythm of detective films. Double-bass, snaps, vibes & | mysterious relaxed double bass lazy | Em | 120 | |||
|
The Things I Love [CEG5030 - 24] |
0 | 3'23 | André Charlier, Benoît Sourisse | Late night out in town.Relaxed but a little disturbing. Jazz quartet | jazz club urban landscape relaxed tenor saxophone | Cm | 129 | |||
|
The Setup [CEG5030 - 26] |
0 | 1'38 | Daniel Diaz | Night wandering, mysterious & questioning. Walking bass & snaps. | walking lazy mysterious jazzy | Em | 108 | |||
|
Our Man in Miami [CEG5030 - 27] |
0 | 1'37 | Daniel Diaz | Night time suspense with an exotic feel. Hi-hat cymbal, bass guitar, | percussive suspense electric bass drums | Em | 156 | |||
|
Brush Basics [CEG5030 - 30] |
0 | 2'06 | Simon Goubert | Standard jazz rhythm (chabada) from detective films played with | snare drum with brushes mysterious police comedy crime movie | A | 120 | |||
|
High Altitude Clouds [CEZ4476 - 6] |
0 | 2'15 | Baptiste Thiry | Bright, repetitive, airy & neutral. Piano, keyboard arpeggio, strings | weather report neutral luminous Ambient (all) | Ebm | 113 | |||
|
Showers in the Afternoon [CEZ4476 - 7] |
0 | 2'33 | Elisabeth Skornik, Guy Skornik | Waiting, evolving & neutral. Electronics & keyboard with delay fx. | weather report neutral patient airy | C | 120 | |||
|
Waiting for the Rain [CEZ4476 - 16] |
0 | 1'49 | Baptiste Thiry | Indecisive, waiting, cyclic & neutral. Marimba & kalimba sequences, | weather report patient rain steady | Am | 152 | |||
|
Nimbus Cloud [CEZ4476 - 19] |
0 | 2'08 | Benoit Cimbé | Delicate, sparse, contemplative & undulating. Electronics, strings & | sparse weather report suspended atmosphere peaceful | C | 119 | |||
|
Impact on the Weather [CEZ4476 - 20] |
0 | 2'25 | Friso Luecht | Anticipating, repetitive, neutral & informative. Electronics with | weather report loop intermittent anticipation | Gbm | 108 | |||
|
Tropical Weather [CEZ4476 - 24] |
0 | 1'53 | Baptiste Thiry | Constant, exotic, narrative & sustained with an African touch.. Steel | exotic weather report steel drum steady | Am | 125 | |||
|
Indian Ocean Weather [CEZ4476 - 26] |
0 | 1'30 | Baptiste Thiry | Neutral, calm & narrative with an Indian influence. Tabla, | weather report mysterious neutral tabla | Am | 130 | |||
|
Gentle Burden [EOS68 - 2] |
0 | 1'20 | Lone Kent | Post-rock. Mysterious, nocturnal & introspective. Electric guitar, | social drama sparse wandering electric guitar | Dm | 106 | |||
|
The Bullet Tooth [EOS68 - 6] |
0 | 2'22 | Lone Kent | Post-rock. Nostalgic, introspective & narrative. Electric guitar, | introspective wandering electric guitar post-rock | Gm | 91 | |||
|
Good Day for Flying [EOS68 - 8] |
0 | 3'09 | Lone Kent | Post-rock. Aerial, peaceful then confident but a bit nostalgic. | wandering electric guitar melancholic post-rock | B | 106 | |||
|
In Pasture [EOS68 - 9] |
0 | 1'59 | Lone Kent | Quiet & pastoral. Acoustic guitars. | intimate peaceful folk guitar narrative | G | 144 | |||
|
It is the Question [EOS68 - 11] |
0 | 1'45 | Lone Kent | Post-rock. Calm but mysterious almost strange. Electric guitar, | sparse wandering electric guitar introspective | Am | 129 | |||
|
Cool Down [EOS68 - 16] |
0 | 3'14 | Lone Kent | Post-rock. Introspective & complaining. Electric guitar, distorted | introspective social drama wandering electric guitar | Em | 128 | |||
|
We Plant We Grow [EOS68 - 18] |
0 | 2'28 | Lone Kent | Peaceful, suspended & hopeful. Acoustic guitar, delayed electric | introspective electric guitar post-rock dreamy | Am | 162 | |||
|
Nothing to Hide [EOS68 - 19] |
0 | 2'47 | Lone Kent | Post-rock. Anticipating then rebellious & wide. Electric guitar, | electric guitar interrogative post-rock driving | B | 110 |