| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Animation A [UBM2251 - 3] |
0 | 1'42 | Daniel Backes, Peter Moslener | Music for images of abandoned, unpopulated cities and places; nature | contemporary western hot desert crime movie investigation | G | 100 | |||
|
Dark Facts [UBM2251 - 6] |
0 | 2'04 | Daniel Backes, Peter Moslener | Dark and ticking sound with deep bass, good for sense of menace and | suspense crime movie disturbing investigation | Bbm | 97 | |||
|
Explainable [UBM2251 - 7] |
0 | 1'49 | Daniel Backes, Peter Moslener | Positive and motivating sound with xylophone, perfect for a | police comedy steady interrogative introspective | Gm | 93 | |||
|
Testing Results [UBM2251 - 10] |
0 | 1'43 | Daniel Backes, Peter Moslener | Sound with medium-fast tempo, with a clicking sound in the | investigation science steady interrogative | Dm | 96 | |||
|
Childlike Chilling [UBM2251 - 14] |
0 | 1'38 | Daniel Backes, Peter Moslener | Positive track with marimba, ideal for images of playing children and | loop steady cyclic investigation | Am | 86 | |||
|
Flowered Flow [UBM2251 - 15] |
0 | 1'57 | Daniel Backes, Peter Moslener | Fast, atmospheric track with synthesizer and electric guitar, | atmospheric science sound design arpeggiator | Db | 133 | |||
|
Rigid Sketch [UBM2251 - 16] |
0 | 2'09 | Daniel Backes, Peter Moslener | Drums and synthesizer create an atmospheric sound, good for | drums loop steady cold | Gbm | 95 | |||
|
Mechanical Timelapse [UBM2251 - 17] |
0 | 1'53 | Daniel Backes, Peter Moslener | Music for images of business, industry and economic growth: hectic, | arpeggiator retrogaming steady industry | Bm | 135 | |||
|
Melancholic Timelapse [UBM2251 - 18] |
0 | 1'51 | Daniel Backes, Peter Moslener | Music for human portraits, career plans and images of industry as | arpeggiator retrogaming steady industry | Em | 100 | |||
|
Raise Intensity [UBM2251 - 19] |
0 | 1'42 | Daniel Backes, Peter Moslener | Dark, ticking and electronic sound with deep bass, good for sense of | arpeggiator crime movie interrogative investigation | Gbm | 102 | |||
|
Mobilisation [UBM2249 - 1] |
0 | 1'55 | Elias Cadre | Subtle serious electronic underscore for images of dark secrets. | complex sci-fi cold science | G | 122 | |||
|
In Motion [UBM2249 - 6] |
0 | 2'12 | Elias Cadre | Deep bass, fast tempo, electronic bubbles, ideal for documentaries | disturbing interrogative synthesizer steady | Cm | 123 | |||
|
Agitation [UBM2249 - 13] |
0 | 2'58 | Elias Cadre | Technical, scientific, threatening, dark and pulsating sound for | atmospheric police comedy rumbling synthesizer | Dbm | 97 | |||
|
A Near Presence [UBM2248 - 1] |
0 | 1'51 | Luke Davoll | Thought-provoking track; repetitive, positive; works for | driving acoustic piano post-classical simple | Am | 150 | |||
|
Together Again [UBM2248 - 2] |
0 | 1'08 | Luke Davoll | Hopeful, works for images of weddings, family, children or | acoustic piano post-classical calm country & garden | Db | 120 | |||
|
A Glimmer of Hope [UBM2248 - 10] |
0 | 1'36 | Luke Davoll | Positive, hopeful; ideal for pictures of a new beginning. | post-classical relentless acoustic piano introspective | C | 90 | |||
|
Fearless Regression [UBM2248 - 12] |
0 | 1'47 | Luke Davoll | Contemplative, serious melody; medium tempo. Innocent effect and | acoustic piano post-classical calm simple | Abm | 140 | |||
|
Allowed Assumptions [UBM2248 - 15] |
0 | 1'42 | Luke Davoll | Melancholic piano melodies; repetitive; ideal for movie trailers or | acoustic piano post-classical arpeggio simple | F | 117 | |||
|
Childhood [UBM2248 - 17] |
0 | 1'39 | Luke Davoll | Ideal for typical "movies on movies" situations when the protagonist | acoustic piano post-classical melancholic calm | F | 164 | |||
|
A Quiet Descends [UBM2248 - 18] |
0 | 1'42 | Luke Davoll | Hesitant solo piano piece; repetitive; positive; works for images of | acoustic piano post-classical country & garden confident | Dm | 120 |