| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dark Fantasy [CEZ4250 - 9] |
0 | 3'18 | Luigi Marletta, Morgan Sansous | Haunting, weird & tense. Rock band & electronics. Alternative/nu | alternative metal funny scary epic distorted electric guitar | Am | 86 | |||
|
From the Bottom of my Grave [CEZ4250 - 10] |
0 | 3'56 | Luigi Marletta, Morgan Sansous | Distressing & percussive. Rock band & electronics. Alternative/nu | nu metal scary percussive aggressive & violent | Am | 137 | |||
|
Gotham [CEZ4250 - 11] |
0 | 3'39 | Luigi Marletta, Morgan Sansous | Percussive & agressive. Rock band. Alternative/nu metal. | nu metal aggressive & violent distorted electric guitar percussive | Am | 91 | |||
|
Heavy and Dirty [CEZ4250 - 12] |
0 | 3'56 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'32. Massive & tense. Rock band. Alternative/nu | nu metal aggressive & violent fiery distorted electric guitar | Dbm | 148 | |||
|
Spider Wolf [CEZ4250 - 13] |
0 | 4'12 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'34. Agressive, heavy & worrying. Rock band & | nu metal aggressive & violent action game heavy | Dm | 150 | |||
|
Purity [MAG6016 - 1] |
2'32 | Tin | Electro pop. Dreamy & classy. Synth, female singer & rhythm.Lyrics | electro pop catchy confident fashion | Em | 145 | ||||
|
Purity 2 [MAG6016 - 5] |
Alt. | 2'32 | Tin | Electro pop. Dreamy & classy. Synth & rhythm. | electro pop fashion dreamy confident | Em | 145 | |||
|
The Story Line [CEZ4252 - 6] |
2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Electronics & piano @ 0'43. | time (tick-tock) mysterious cyclic crime movie | Cm | 140 | ||||
|
The Story Line 2 [CEZ4252 - 23] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Electronics & piano @ 0'30. | relentless crime movie mysterious urgent | Cm | 93 | |||
|
Public Opinion [CEZ4252 - 9] |
2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | mysterious crime movie interrogative corporate video | Fm | 162 | ||||
|
Public Opinion 2 [CEZ4252 - 27] |
Alt. | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with | mysterious crime movie interrogative cyclic | F | 161 | |||
|
At the Crossroads [CEZ4252 - 10] |
2'12 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics & strings @ 0'58. | investigation mysterious crime movie social drama | Cm | 90 | ||||
|
At the Crossroads 2 [CEZ4252 - 28] |
Alt. | 2'38 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics, sound design @ 0'42 & strings | investigation mysterious crime movie social drama | Cm | 90 | |||
|
Confidential Information [CEZ4252 - 11] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & interrogative. Electronics & pizzicato | arts & crafts patient politics corporate video | Gm | 98 | |||
|
Shocking Information [CEZ4252 - 12] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Percussive & punctuated. Electronics, sequence & piano @ 0'50. | punctuated heavy historical conflict docu fiction | Gm | 98 | |||
|
Deep Down Inside [CEZ4252 - 13] |
2'28 | Guy Skornik, Elisabeth Skornik | Obstinate, patient & classy. Staccato strings & electronics. | arts & crafts corporate video neo-classical music patient | Cm | 124 | ||||
|
Deep Down Inside 2 [CEZ4252 - 29] |
Alt. | 1'42 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & mischievous. Bassoon & strings. | arts & crafts corporate video neo-classical music patient | Cm | 125 | |||
|
Behind The Scenes [CEZ4252 - 16] |
2'31 | Elisabeth Skornik, Guy Skornik | Interrogative & continuous. Electronics, piano @ 0'39 & strings @ | fx backwards calm architecture & design corporate video | D | 104 | ||||
|
Behind the Scenes 2 [CEZ4252 - 32] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Powerful & continuous. Rhythm, electronics & piano @ 0'37. Underscore. | rhythmic corporate video neutral powerful & imposing | D | 104 | |||
|
According to the Evidence [CEZ4252 - 17] |
2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | mysterious spy interrogative shy | Cm | 100 | ||||
|
According to the Evidence 2 [CEZ4252 - 33] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | investigation mysterious beds punctuated | C | 100 | |||
|
Doll's Dance [CEZ4249 - 3] |
0 | 1'17 | Nicolas Mathuriau | Enchanting & tender. Solo vibraphone. | vibraphone crystalline cold luminous | Dm | 102 | |||
|
Cloud Builders [CEZ4249 - 6] |
0 | 5'58 | Nicolas Mathuriau | Wandering & static. Solo vibraphone. | vibraphone rising crystalline magical | Gbm | 124 | |||
|
Ice Cycles [CEZ4249 - 8] |
0 | 2'36 | Nicolas Mathuriau | Sustained & mysterious. Solo vibraphone. | crystalline cold desert cold luminous | B | 130 | |||
|
Ice Circus [CEZ4249 - 11] |
0 | 1'29 | Nicolas Mathuriau | Joyful & retro. Like in a circus. Solo vibraphone. | circus music circus vibraphone funny | Eb | 97 | |||
|
Into the Void [CEZ4248 - 16] |
0 | 2'26 | Junior Rodriguez | Psyche / garage rock. Hypnotic but sustained. Rock band with organ. | driving garage rock band riff | Dm | 162 | |||
|
Sexy Runway [CEZ4247 - 1] |
0 | 3'33 | Vermair | Electro lounge. Sensual & nocturnal. Synth, female sampled voice & | sensual electro beat modern catchy | Gm | 93 |