| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Animal Race [CEZ4042 - 25] |
0 | 1'54 | Silvano Michelino | Exciting and dynamic. Fast @ 0'24. Djembe, darbouka, shakers & | wild urgent driving djembe | Gm | 140 | |||
|
Instinct [CEZ4041 - 33] |
0 | 1'57 | Marc-Olivier Dupin | Dark & primal. Bristling tension. Brooding strings. | tormented rising changing psychological drama | C | 132 | |||
|
Samia ( part 1) [CEZ4036 - 12] |
0 | 1'37 | Baba Toumani Keita, Rico Brinx | Introspective & sparse. Ngouni cora. (Africa) | ngouni Africa primitive art intermittent | Am | 129 | |||
|
Accelerated Growth [CEZ4034 - 21] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Fast and intense. Voice countdown. Crazy arpeggiating synths. | fx countdown team sport 1970 kitsch & cheesy | C | 162 | |||
|
Accelerated Growth [CEZ4034 - 22] |
0 | 1'47 | Elisabeth Skornik, Guy Skornik | Alternate version of tr 21 without countdown voice. | arpeggiator 1970 kitsch & cheesy corporate (all) | C | 162 | |||
|
Hurricane [CEZ4032 - 7] |
0 | 1'37 | Philippe Hersant | Determined, fiery & stormy. | disturbing noisy chaotic fiery | Cm | 111 | |||
|
Comedy King Finale [CEO2112 - 19] |
01'35 | Eric Slabiak | Retro comedy theme. Narrative intro. Joyful, lively & exuberant @ | lively funny French retro comedy confident | Dm | 172 | ||||
|
Comedy King [CEO2112 - 1] |
Alt. | 01'00 | Eric Slabiak | Joyful, lively & exuberant. Retro comedy theme. Ensemble with brass, | funny animation & cartoons blooper comedy | Dm | 172 | |||
|
Wind of Sadness Alternate 1 [CCB1041 - 26] |
4'24 | Nicolas Rezaï | Oriental. Melancholic & peaceful. Determined & serious @ 1'04. Piano | melancholic moving Iran nay | Am | 111 | ||||
|
Wind of Sadness [CCB1041 - 10] |
Alt. | 4'23 | Nicolas Rezaï | Melancholic & peaceful. Determined & serious @ 0'56. Turkish clarinet | introspective Iran Central Asia destiny | Am | 111 | |||
|
In Perfect Time Alternate 2 [CEZ4351 - 45] |
2'02 | Elisabeth Skornik, Guy Skornik | Alternate rhythm version with timer & acceleration. Faster & faster. | contemporary history inexorable time (tick-tock) driving | Cm | 172 | ||||
|
In Perfect Time [CEZ4351 - 18] |
Alt. | 2'30 | Elisabeth Skornik, Guy Skornik | Patient, narrative, serious but confident. Electronics, timer & | strict cyclic contemporary history relentless | Gm | 80 | |||
|
The Wave of Success Alternate
[CEZ4303 - 36] |
1'48 | Gabriel Saban, Philippe Briand | Urgent & unifying. String orchestra. | corporate video destiny unifying advertising | Bbm | 118 | ||||
|
The Wave of Success [CEZ4303 - 14] |
Alt. | 2'18 | Gabriel Saban, Philippe Briand | ☆ Nominated "Best Use in Online Ad 2023" @Production Music Awards | corporate convention neo-classical music advertising moving | Db | 118 | |||
|
Another Story Line 3 [CEZ4252 - 25] |
1'45 | Elisabeth Skornik, Guy Skornik | Obstinate, intermittent & serious. Piano & percussion @ 0'27. | neo-classical music mysterious cyclic intermittent | Cm | 140 | ||||
|
Another Story Line [CEZ4252 - 7] |
Alt. | 1'41 | Elisabeth Skornik, Guy Skornik | Cyclic & serious. Staccato strings. | neo-classical music string quartet staccato cyclic | Cm | 140 | |||
|
Metalloid 2 [CEZ4194 - 18] |
3'32 | Luigi Marletta, Morgan Sansous | Moody & suspended intro. Violent & loud. Rock band & electronic loops. | dubstep metal fx distorsion powerful & imposing distorted electric guitar | Gbm | 128 | ||||
|
Metalloid [CEZ4194 - 11] |
Alt. | 3'04 | Luigi Marletta, Morgan Sansous | Violent & massive. Rock band & electronic loops. | thrash metal aggressive & violent fx distorsion heavy | Dbm | 128 | |||
|
The Calm Before the Storm 2 [CEZ4186 - 32] |
1'06 | Frédéric Dunis, Bernard Grimaldi | Tumultuous. Evocation of tempest. String cluster. Build-up & climax. | cluster natural disaster scary horror | D | 152 | ||||
|
The Calm Before the Storm [CEZ4186 - 4] |
Alt. | 1'59 | Frédéric Dunis, Bernard Grimaldi | Calm & moving. Windy & tormented @ 0'54. Orchestra & electronics. | building atmospheric adventure changing | D | 62 | |||
|
Make Your Ideas Real 3 [CEZ4160 - 24] |
1'06 | Thierry Caroubi | Confident & delicate. Solo piano. | acoustic piano corporate convention destiny interrogative | C | 125 | ||||
|
Make Your Ideas Real [CEZ4160 - 10] |
Alt. | 2'24 | Thierry Caroubi | Interrogative & urgent. Constant progression. Flute, piano & string | corporate video confident destiny unifying | F | 125 | |||
|
The Future Past 4 [CEZ4151 - 32] |
0'44 | Elisabeth Skornik, Guy Skornik | Urgent. Short version. Intro with reverse fx. String orchestra. | neo-classical music politics strict final | Am | 166 | ||||
|
The Future Past [CEZ4151 - 7] |
Alt. | 1'47 | Guy Skornik, Elisabeth Skornik | Urgent, mysterious & determined. String orchestra & woodwind | neo-classical music corporate (all) driving string orchestra | Am | 167 | |||
|
Tatu Salvaje [CCB1007 - 25] |
1'31 | Daniel Diaz, Raùl Barboza | Mysterious & dreamy. Double bass & percussion. | chromatic accordion scary wandering tropical forest | Bm | 88 | ||||
|
Tatu Carreta [CCB1007 - 3] |
Alt. | 2'28 | Daniel Diaz, Raùl Barboza | Mysterious & playful. Accordion, double bass & percussion. | tropical forest South America chromatic accordion Central America | Bm | 88 | |||
|
Fancy Footwalk 3 [CEZ4107 - 16] |
1'35 | Daniel Diaz | Swaggerer ! Heavy & comical. Tempo changing @ 1'02. Solo bowed double | bowed double bass tragi-comic Argentina slapstick | E | 103 | ||||
|
Fancy Footwalk [CEZ4107 - 14] |
Alt. | 2'22 | Daniel Diaz | Accentuated & melancholic. Bowed Double bass, trumpet & piano. | trumpet Argentina retro cabaret bowed double bass | Am | 82 |