| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Melody of Grace [UBM2268 - 10] |
0 | 2'28 | Bernhard Hering, Matthias Krüger-Wendel | The track works great for the mood of happy anticipation. The slow | calm dreamy vibraphone everyday life | B | 111 | |||
|
Emotional Story [UBM2268 - 11] |
0 | 1'56 | Bernhard Hering, Matthias Krüger-Wendel | Sentimental vibraphone with warm strings sounds like a soundtrack for | calm suspended atmosphere introspective panorama | Dm | 65 | |||
|
Points and Views [UBM2268 - 13] |
0 | 3'37 | Bernhard Hering, Matthias Krüger-Wendel | Vibraphone, marimba and slow strings create harmony and yet | panorama panoramic dreamy vibraphone | C | 75 | |||
|
Distant Dreams [UBM2268 - 15] |
0 | 2'09 | Bernhard Hering, Matthias Krüger-Wendel | Sigmund Freud sends greetings. Vibraphone and strings sound like a | mysterious vibraphone arpeggio desolate | Fm | 83 | |||
|
Manhatten Transfer [UBM2267 - 1] |
0 | 1'50 | Karsten Lipp, Andre Matov | Track with ticking sound, synthesizer, sound effects. Loopable, deep, | spy mysterious electronic percussion police comedy | Cm | 113 | |||
|
Out of Time [UBM2267 - 2] |
0 | 1'29 | Karsten Lipp, Andre Matov | Synthetic, modern soundtrack, ticking, floating, accompanying. | investigation sound design synthesizer steady | Dm | 97 | |||
|
Floater [UBM2267 - 3] |
0 | 2'00 | Karsten Lipp, Andre Matov | Floating sound with claps, scratches, loopable, neutral. | weather report panoramic relaxed synthesizer | Bbm | 67 | |||
|
Mystery Files [UBM2267 - 4] |
0 | 2'18 | Karsten Lipp, Andre Matov | Rhythmic, loopable and reduced catchy tune with beautiful piano | sci-fi steady desolate synthesizer | F | 105 | |||
|
Bubbles [UBM2267 - 5] |
0 | 1'56 | Karsten Lipp, Andre Matov | Electronic, ticking sound with splashes and claps. Reduced in the | arpeggiator retrogaming jerky drum machine | Am | 86 | |||
|
Tokyo Exibition [UBM2267 - 7] |
0 | 2'11 | Karsten Lipp, Andre Matov | Percussive and mysterious track with marimba, bass and synthesizer. | marimba patient polyrhythms everyday life | Bb | 99 | |||
|
White Clearing [UBM2267 - 8] |
0 | 2'16 | Karsten Lipp, Andre Matov | Slow tempo, beautiful piano piece, deep bass, leading track. | desolate suspended atmosphere airy social drama | D | 96 | |||
|
Clouds [UBM2267 - 10] |
0 | 1'46 | Karsten Lipp, Andre Matov | Electronic Track with synthesizer and spheres, electronics. Ideal for | weather report neutral patient sound design | Fm | 115 | |||
|
Swimming Pool [UBM2267 - 14] |
0 | 2'00 | Karsten Lipp, Andre Matov | Warm and content track with with electric guitar, synths and drums | groovy relaxed erotic electric guitar | Gm | 75 | |||
|
Skyglider [UBM2267 - 15] |
0 | 1'56 | Karsten Lipp, Andre Matov | Slow electric guitars, light drums and deep bass create a loopable | electric guitar panorama relaxed daytime TV | Em | 70 | |||
|
Raindrops [UBM2267 - 16] |
0 | 2'00 | Karsten Lipp, Andre Matov | Synths imitates falling drops. A beautiful, bright track, ideal for | weather report dreamy arpeggiator complex | Gm | 105 | |||
|
Dark Turkey [UBM2266 - 1] |
0 | 1'58 | Achim Zweschper | Threatening mood, influenced by turkish music. Cello, percussion, | hot desert mystical beds arid | Bm | 85 | |||
|
Dangerous Path [UBM2266 - 2] |
0 | 3'00 | Achim Zweschper | Gloomy sound, ideal for images of destruction and threat. Percussion. | complex beds intermittent film noir | Gm | 88 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Eerie Wind [UBM2266 - 6] |
0 | 1'27 | Achim Zweschper | Cold, dark sound that conveys the impression of a bitter wind. Saz. | hot desert desolate sound design beds | F | 88 |