| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Great Strain [UBM2266 - 7] |
0 | 3'17 | Achim Zweschper | Menacing, daunting track with female vocals and oriental music. | hot desert mystical beds windy | D | 117 | |||
|
Mysterious Choir [UBM2266 - 10] |
0 | 3'17 | Achim Zweschper | Sinister, creepy, daunting. Ideal for impressive images and scenes. | synth choir drone complex mysterious | D | 88 | |||
|
Abandoned Site [UBM2266 - 11] |
0 | 2'48 | Achim Zweschper | Oppressive, gloomy track. Ideal to show isolated, lonely places. | mystical desolate rumbling beds | C | 100 | |||
|
Delicate Escape [UBM2266 - 14] |
0 | 3'17 | Achim Zweschper | Dynamic yet threatening and gloomy. Creates a feeling of a secret | beds geopolitics mystical arid | D | 88 | |||
|
Dull Places [UBM2266 - 15] |
0 | 3'04 | Achim Zweschper | Dull, wistful, hollow. Ideal for images of abandoned places and | complex beds desolate horror | Gm | 88 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Deceiving Peace [UBM2266 - 19] |
0 | 1'57 | Achim Zweschper | Ambivalent track. Shifting between emerging hope and threat. Cello, | hunting wild beds tropical forest | Bm | 85 | |||
|
Seeing the Extent [UBM2266 - 20] |
0 | 3'01 | Achim Zweschper | Disillusion, concussion. Suitable for pictures of destruction. | desolate beds complex geopolitics | Gm | 88 | |||
|
Scary Darkness [UBM2266 - 21] |
0 | 3'04 | Achim Zweschper | Total eclipse and bleakness. Desperate, surrendering. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Loneliness [UBM2266 - 22] |
0 | 2'04 | Achim Zweschper | Dreary, sinister. The threat is omnipresent. Creepy ticking. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Recovery [UBM2266 - 26] |
0 | 1'20 | Achim Zweschper | Relief, salvation, relaxation. War is over. Flute, strings. | introspective beds desolate flute | Em | 65 | |||
|
Cloud Choir [UBM2265 - 4] |
0 | 0'45 | Daniel Backes, Peter Moslener | Airy guitar with a full spherical sound. Relaxing, positive. | airy calm relaxation dreamy | F | 67 | |||
|
Banjo Country Bliss [UBM2265 - 5] |
0 | 1'09 | Daniel Backes, Peter Moslener | Calm, optimistic sound, ideal for positive images and vacation. | panoramic everyday life country & garden acoustic organic | G | 150 | |||
|
Dog Detective [UBM2265 - 6] |
0 | 0'52 | Daniel Backes, Peter Moslener | Positive, almost ironic tension is built up. Bass, percussion. | funky police comedy erotic spy | Am | 83 | |||
|
Calm Piano Flow [UBM2265 - 11] |
0 | 1'08 | Daniel Backes, Peter Moslener | Calm, thoughtful piano sound. Mellow and light. | calm panorama arpeggio cyclic | G | 61 | |||
|
Lemon Icetea [UBM2265 - 14] |
0 | 0'51 | Daniel Backes, Peter Moslener | Comforting, refreshing, peaceful. Perfect for advertisement. | calm relaxed chill-out music peaceful | Am | 86 | |||
|
Piano Samba Tune [UBM2265 - 15] |
0 | 1'05 | Daniel Backes, Peter Moslener | Calm Bossa-Nova sound. Relaxation, holiday feeling. Piano, shaker. | relaxed intimate peaceful bossa nova | D | 136 | |||
|
Some Sorrows [UBM2265 - 20] |
0 | 1'11 | Daniel Backes, Peter Moslener | Time ticking away, thoughtful, concerned. Piano. | arpeggio sentimental swaying patient | Em | 101 | |||
|
Mysterious Harp [UBM2264 - 7] |
0 | 0'16 | Daniel Backes, Peter Moslener | Mysterious harp sound evokes a feeling of uncertainty. | animation & cartoons rising harp interrogative | Cm | 83 |