| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Botanical [UBM2251 - 5] |
0 | 2'07 | Daniel Backes, Peter Moslener | Medium fast, at the beginning like a modern tango, quiet and slow | electro ambient disturbing investigation melodica | Dm | 112 | |||
|
Zooming Out [UBM2251 - 9] |
0 | 2'03 | Daniel Backes, Peter Moslener | Atmospheric synthesizer for slow motion pictures or development | electro organic airy loop steady | Cm | 60 | |||
|
Dense Diffusion [UBM2251 - 12] |
0 | 1'51 | Daniel Backes, Peter Moslener | Profound, repetitive structure with xylophone and synthesizer, | arpeggiator investigation sci-fi science | Fm | 62 | |||
|
Turnable [UBM2251 - 20] |
0 | 2'20 | Daniel Backes, Peter Moslener | Fast and driving rhythm determined by synthesizer. Time is ticking. | disturbing loop steady industry | D | 76 | |||
|
Hard Times [UBM2249 - 3] |
0 | 1'59 | Elias Cadre | Frightening and dark soundtrack with electronic ticking, ideal for | sci-fi intermittent film noir disturbing | Am | 108 | |||
|
Questionable Advisor [UBM2249 - 4] |
0 | 1'48 | Elias Cadre | Electronic sound with elements of echo, characterized by modern and | abyss film noir cold mysterious | Dbm | 117 | |||
|
Shady Promotion [UBM2249 - 7] |
0 | 2'57 | Elias Cadre | Mysterious and dangerous sound with electronic ticking for images of | abyss sci-fi science complex | Bbm | 69 | |||
|
Fresh Cash and Pretty Girls [UBM2249 - 8] |
0 | 2'48 | Elias Cadre | Modern, smooth sound with mysterious influence, for scenes of danger, | complex suspended atmosphere abyss muffled | Am | 69 | |||
|
Fumbling in the Dark [UBM2249 - 10] |
0 | 2'14 | Elias Cadre | Synthesizer, bass and echoes create a dynamic sound, ideal for | atmospheric complex muffled rumbling | G | 74 | |||
|
What Makes Him Tick [UBM2249 - 12] |
0 | 2'36 | Elias Cadre | Threatening, criminal, thrilling, frightening, dark sound for secret | complex film noir sci-fi abyss | Bm | 104 | |||
|
Signals From Underground [UBM2249 - 14] |
0 | 1'49 | Elias Cadre | Technical, snarring, threatening, loopable electronic spheres for | sci-fi film noir abyss complex | Ab | 112 | |||
|
Conflict of Interests [UBM2249 - 15] |
0 | 1'44 | Elias Cadre | Dynamic, mid-tempo, loopable, electronic, snarring moments. | film noir sci-fi abyss complex | Dm | 61 | |||
|
Fiction [UBM2249 - 19] |
0 | 1'24 | Elias Cadre | Dark underscore, gloomy, threatening, scary and apocalyptic track for | sci-fi science complex rumbling | A | 61 | |||
|
March for Justice [UBM2249 - 20] |
0 | 2'17 | Elias Cadre | Technical, slow threatening sound, loopable, reduced, subtle with | complex dramedy synthesizer sound design | Fm | 60 | |||
|
It Just is [UBM2248 - 5] |
0 | 1'49 | Luke Davoll | Serious mood, deep sound, medium tempo. Ideal for society, | post-classical melancholic simple calm | C | 89 | |||
|
The Awakening [UBM2248 - 9] |
0 | 1'30 | Luke Davoll | Touching, evokes a feeling of hope. Perfect for images of the | acoustic piano post-classical everyday life tormented | Am | 70 | |||
|
Changes [UBM2248 - 13] |
0 | 1'53 | Luke Davoll | Modern start, fitting for serious and sad topics. Warm, meaningful | acoustic piano post-classical melancholic simple | Gbm | 90 | |||
|
Destiny No.2 [UBM2262 - 1] |
0 | 1'45 | Anselm Kreuzer, Sebastian Parche | Calm, sad, nearly melancholic track that starts with calm strings. | solemn sad intermittent moving | Db | 108 | |||
|
Deep Despair [UBM2262 - 3] |
0 | 2'35 | Anselm Kreuzer, Sebastian Parche | Melancholic track that reminds of images of war zones. Deep sadness. | sad tragic natural disaster social drama | Ebm | 82 | |||
|
Maltreated Creature [UBM2262 - 4] |
0 | 2'24 | Anselm Kreuzer, Sebastian Parche | Loopable beginning with strings. Threatful, pulsating undertone. | film noir interrogative mysterious string quartet | Dm | 86 |