| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Last Goodbye [CEZ4105 - 7] |
3'00 | Mark Alberts | Brit-pop ballad. Uplifting & determined. Progression. Pop band with | rock ballad brit rock beds England | G | 154 | ||||
|
The Last Goodbye 2 [CEZ4105 - 29] |
Alt. | 3'05 | Mark Alberts | Brit-pop ballad. Uplifting & determined. Progression. Pop band with | rock ballad beds pop ballad confident | G | 154 | |||
|
Another Day [CEZ4105 - 10] |
0 | 2'32 | Mark Alberts | Psychedelic-pop ballad with a touch of 70's. Progression. Pop band | psychedelia 1970 pop art pop ballad | G | 144 | |||
|
Soul Searching [CEZ4105 - 14] |
0 | 3'39 | Mark Alberts | Anthemic soul-rock ballad. Powerful & positive. Progression. Rock | rock ballad electric guitar building soft rock | G | 126 | |||
|
Atlantic City Limits [CEZ4105 - 15] |
0 | 4'14 | Mark Alberts | Soul/Rhythm n' Blues ballad in the spirit of the 60's. Introspective | 1960 slow (dance) rock ballad rhythm and blues | A | 122 | |||
|
Wings of Chance [CEZ4105 - 17] |
0 | 3'11 | Mark Alberts | Country-pop ballad. Sentimental & melancholic. Guitar & pedal steel | country ballad pedal steel guitar United States of America panoramic | D | 117 | |||
|
Lonesome Street [CEZ4105 - 18] |
0 | 2'42 | Mark Alberts | Cinematic ballad with a touch of 70's. Lead guitar & mellotron. | tracking shot pop ballad rock ballad melancholic | Dbm | 124 | |||
|
Wave After Wave [CEZ4105 - 19] |
0 | 2'42 | Mark Alberts | Brit-pop ballad. Introspective but powerful. Rock band with lead | England rock ballad brit rock fx distorsion | E | 78 | |||
|
Tears of Joy [CEZ4105 - 20] |
2'56 | Mark Alberts | Anthemic heavy/FM rock ballad. Uplifting & proud. Rock band with lead | soft rock slow (dance) rock ballad uplifting | G | 97 | ||||
|
Tears of Joy 2 [CEZ4105 - 31] |
Alt. | 2'56 | Mark Alberts | Anthemic heavy/FM rock ballad. Underscore. Uplifting & proud. Rock | soft rock slow (dance) rock ballad uplifting | G | 130 | |||
|
Steely Eyes [CEZ4105 - 23] |
0 | 3'01 | Mark Alberts | Heavy-metal ballad. Powerful & imposing. Cinematic. Rock band with | rock ballad uplifting hard rock epic | Bm | 76 | |||
|
Idea Dawning [CEZ4103 - 1] |
0 | 2'37 | Elisabeth Skornik, Guy Skornik | Cosmic & majestic overture. Electronics, orchestra & fx. | space introduction corporate convention docu fiction | D | 86 | |||
|
The Key Idea [CEZ4103 - 6] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Introspective & pensive. Piano & electronics. Backwards fx. | patient atmospheric interrogative suspended atmosphere | Gbm | 70 | |||
|
A Litlle Patience [CEZ4103 - 13] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Ralentendo fx. Constant. Electronics & strings. | patient beds unclassifiable science | Bbm | 65 | |||
|
A Vague Idea [CEZ4103 - 15] |
2'24 | Elisabeth Skornik, Guy Skornik | Bizarre & interrogative. Piano, harp & strange voices. | unclassifiable architecture & design fx voice interrogative | Cm | 82 | ||||
|
A Vague Idea 2 [CEZ4103 - 16] |
Alt. | 2'24 | Elisabeth Skornik, Guy Skornik | Weird & interrogative. Piano, harp & strings. | arts & crafts suspended atmosphere undulating underwater | Cm | 82 | |||
|
Unresolved [CEZ4103 - 17] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Suspended & interrogative. Bass guitar, strings & electronics. | beds social drama night activity destiny | B | 70 | |||
|
Esoteric Science [CEZ4103 - 18] |
0 | 2'52 | Elisabeth Skornik, Guy Skornik | Aery & mystical. Pads, strings & overtone voice. | shamanistic Mongolia mystical new age | A | 72 | |||
|
Reversatile [CEZ4103 - 19] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Mysterious & unstable. Backwards fx, electronics, strings & | flash back fx backwards investigation cyclic | Bb | 92 | |||
|
Deep Thinking [CEZ4103 - 20] |
2'18 | Elisabeth Skornik, Guy Skornik | Disturbing & mysterious. Electronics, strings & drop fx. | abyss flowing underwater underground | Fm | 74 | ||||
|
Deep Thinking 2 [CEZ4103 - 21] |
Alt. | 2'18 | Elisabeth Skornik, Guy Skornik | Disturbing & mysterious. Electronics & strings. | beds atmospheric mysterious sequencing | Fm | 74 | |||
|
In The Back of the Mind [CEZ4103 - 22] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Toxic, inexorable & insidious. Piano & drone. Rhythm @ 1'20. | abyss historical conflict suspended atmosphere inexorable | Am | 60 | |||
|
Synaptic System [CEZ4103 - 23] |
0 | 2'11 | Elisabeth Skornik, Guy Skornik | Loud, alarming & bizarre. Treated voices, percussion & electronics. | scary fx phasing heavy scansion | Em | 70 | |||
|
Empirical Research [CEZ4103 - 24] |
0 | 2'22 | Guy Skornik, Elisabeth Skornik | Doubtful & melancholic. Piano, electronics, strings, pizz & glitch. | investigation beds destiny electro glitch | Am | 60 |