Chinese rap. Relaxed & casual. A song about love for rap: "I don't Chinese rap. Relaxed & casual. A song about love for rap: "I don't want to wake up from the dream, the Chinese Rap's dream.Lyrics
never finish the dream
I don't want to wake up from the dream
Chinese Rap's dream
In my dream I always win
dream
dream
make a big dream
With a hip hop swing
Dogc
night makes me happier
Staying up late makes me loose all sense of time
Advance my progress in the dark
I keep my dream so that I still have a chance
but sometimes I still cry
So I dream more often
Wrapped in a old blanket
The attitude of not wanting to be a looser makes me work harder
all night all night all night
Non-stop over and over in my mind all night
all right all right all right
All the inspiration is there
Dreams will take me to Miami
Then I went to Japan to eat vasaqi
There is a gap between reality and dreams
Close the gap and keep dreaming
hook
never finish the dream
I don't want to wake up from the dream
Chinese Rap's dream
In my dream I always win
dream
dream
make a big dream
With a hip hop swing
the Ray
too many worries
don't be jealous
We're not rich, but bit by bit
collecting data
Dreams are exaggerated in dreams
Wake me up and everything collapses
Walking out of that dream is very confusing
The original decision to leave home
Time makes me sink in the ocean of knowledge
The flow also needs to be improved
not aime to waste in the lazy bed
It's like a toffee stuffed in your mouth
The old will always be replaced
The new ones will be buried sooner or later
Don't always confess to yourself in your dreams
just do it and you will have new expectations
hook
never finish the dream
I don't want to wake up from the dream
Chinese Rap's dream
In my dream I always win
永远都做不完dream 也不想醒来的dream Chinese Rap的 dream 梦里我一直都win dream
dream make a big dream With a hiphop swing
Dogc
夜晚使我更加幸福 熬夜让我时间没有定数 在黑夜里推进我成功的进度 keep my dream 也不一定会输 但有时会哭 加强了做梦的倍数 盖上了曾经的被褥 不想做废物的态度让我更加的在乎 all night all night all night 整晚都不停出对策 all right all right all right 所有的灵感都备着 梦会带着我去迈阿密 接着去日本吃了vasaqi 现实和梦想有差距 缩短了差距把梦想做下去
hook
永远都做不完dream 也不想醒来的dream Chinese Rap的 dream 梦里我一直都win dream
dream make a big dream With a hiphop swing
Ray
太多的顾虑 注意 不要在妒忌 虽然不富裕 陆陆续续 收集着数据 梦想在梦里很夸张 叫醒我瞬间就塌方 走出那梦境很迷茫 当初的决定要离开了家乡 时间叫我沉淀在知识的海洋 flow也要改良 没那么多机会在懒床 嘴里就像是被塞了块奶糖 旧的总会被淘汰 新的也早晚会被掩埋 别总在梦里跟自己表白 just do it会有新的期待
hook
永远都做不完dream 也不想醒来的dream Chinese Rap的 dream 梦里我一直都win dream
Chinese rap. Nostalgic & introspective. Sung in Chinese Mandarin. A Chinese rap. Nostalgic & introspective. Sung in Chinese Mandarin. A song about loneliness: "I don't know when I became lonely...".Lyrics
I don't know when I became lonely
Born in 1990, looking for a way out at 30
I don't know when I started to become lonely
I understand that if you want to love, you must give
Still looking for a home
friends are growing up fast
Time becomes a rope and strangles me
Only my spiritual pillar is left
regret regret always confused
I don't know when I became lonely
I don't know when I became lonely
I don't know when I became lonely
I don't know when I became lonely
solitude and time
connect in a long line
Like a lonely boat deviating from its course
run away from parents
Now want to be able to sit next to them
Chatting or eating supper
Can spend the Lantern Festival with the girl I love
Really don't have to sing lonely shit alone
If time can be turned back, even if we meet only once
life starts to get better
Sincerity has become less and less
feelings become bad
I'm really mad
Only memories and rhymes remain
the night just talking about you
When the whole atmosphere becomes special chill
Only to realize that life is not enough
Maybe persistence can undo the curse of loneliness
oh
not helpless
oh
try to accept
I don't know when I became lonely
Born in 1990, looking for a way out at 30
I don't know when I started to become lonely
I understand that if you want to love, you must give
Still looking for a home
friends are growing up fast
Time becomes a rope and strangles me
Only my spiritual pillar is left
regret regret always confused
I don't know when I became lonely
I don't know when I became lonely
I don't know when I became lonely
I don't know when I became lonely
I don't often call when I leave my hometown
I can't say I'm disappointed.
Don't say disappointment, tell yourself that you are powerful
Life needs to experience growth to make you change
Those who remember me will always remember
Those who don’t remember will always forget that there is always a parting
Anyway, you can't be strong and you can't be weak
Life goes on, maybe or?
(so what)
past a childish age
time to calm down
Sometimes the firm belief of the past tense is really missing
Technology is very advanced, people's hearts are not that closed anymore like before
feeling upset
no one even talks
Maybe loneliness is just looking at the stars alone
孤独和时间 连成一条长线 像是一片孤舟偏离了航线 小时候逃离父母的身边 现在又想能够坐在他们旁边 聊聊天或是吃宵夜 能和爱的女孩过元宵节 真的不用独自在唱lonely shit 如果时光能够倒流哪怕见一面 生活开始变的越来越好 真情实意却变的越来越少 感情变的蹩脚 真心的都被气跑 只留下回忆还有残留韵脚 the night Just talking about you 当整个气氛都变的特别chill 才意识到人生都还没活够 也许坚持才能解开孤独的魔咒 oh
Famous gospel/folksong known since the second half of the 19th Famous gospel/folksong known since the second half of the 19th century about a plaintive soul on the journey through life "I am a poor wayfering stranger". Moving & sad. Male voice in a soul spirit, chimes & synth layers. Instrumental tr-15.Lyrics
Soul ballad in a spirit of brotherhood based on the late 18th century Soul ballad in a spirit of brotherhood based on the late 18th century Scottish & Irish folksong The Wild Mountain Thyme. "Well, not so long ago, I had the sweetest dream, I will never forget the feeling, people walking hand in hand...". Male singer & electric guitar. Baritone guitar & bass @ 1'11. Instrumental tr-20.Lyrics
Traditional American ballad of the late 19th century originating from Traditional American ballad of the late 19th century originating from South Appalachian area also known as Black Girl or My Girl. "In the pines, in the pines, where the sun never shines, And you shiver when the cold winds blow". Male country singer, double-bass, slide dobro, banjo & e-bow guitar @ 0'54. Instrumental tr-21 & 22.Lyrics
Work song in a gospel/blues spirit. Inspired & meditative. Humming Work song in a gospel/blues spirit. Inspired & meditative. Humming blues vocal, percussion, banjo @ 0'25, choir & drums @ 0'48. Mandolin @ 1'12. Instrumental tr-23.
Aura Lea" (sometimes spelled "Aura Lee") American Civil War ballad Aura Lea" (sometimes spelled "Aura Lee") American Civil War ballad about a maiden. "Aura Lee! Aura Lee! Maid of golden hair, sunshine came along with thee and swallows in the air." Male singer in a country & western spirit, mandolin à l'unisson, lap-steel, banjo, e-bow guitar & acoustic guitar. Instrumental tr-24.Lyrics
Folksong that became popular during the social movements of the 50s Folksong that became popular during the social movements of the 50s and 60s. Also known as Bahamian Lullaby. "All my trials, Lord, Soon be over." Lead vocal & choir in a gospel spirit. Organ @ 0'55. Percussion & ebow guitar @ 1'23. Instrumental tr-27.Lyrics
Country/folk version of track-1. Introduction with a cappella male Country/folk version of track-1. Introduction with a cappella male singer. Ukulele @ 0'33, strings & bass @ 1'05. Banjo @ 1'37.
Instrumental version of tr-1. Inspired, panoramic & meditative. Lead Instrumental version of tr-1. Inspired, panoramic & meditative. Lead electric guitar & synth layers.
Instrumental version of tr-5 in an Americana spirit. Reflective & Instrumental version of tr-5 in an Americana spirit. Reflective & hopeful. Mandolin, electric guitar, slide dobro & rhythm section. Lead lap steel @ 2'13.
Alternate version of tr-7 in an early blues spirit. Rural, meditative Alternate version of tr-7 in an early blues spirit. Rural, meditative & rough. Slide Dobro, banjo @ 0'26 & ukulele @ 1'12.
Alternate version of tr-8. Ballad in an Americana spirit. Romantic & Alternate version of tr-8. Ballad in an Americana spirit. Romantic & nostalgic. Introduction with Dobro slide & lap steel. Mandolin, folk guitar & ebow guitar @ 0'42.
Alternate version of tr-11. Meditative & narrative. 1st part : Lead Alternate version of tr-11. Meditative & narrative. 1st part : Lead slide Dobro, mandolin & guitar. 2nd part : Cymbals & ebow guitar @ 1'26.
Another altrenate version of tr-12. Narrative & contemplative. Solo Another altrenate version of tr-12. Narrative & contemplative. Solo slide Dobro guitar played rubato.
Nostalgic, thoughtful & tender in a Scandinavian folk spirit. Nostalgic, thoughtful & tender in a Scandinavian folk spirit. Accordeon, piano, violin, cello & folk guitar. Suggested for Nordic landscapes.
Delicate, melancholic, moving & inspired in a Scandinavian folk Delicate, melancholic, moving & inspired in a Scandinavian folk spirit. Violin, piano, flute, folk guitar & double bass. Suggested for Nordic landscapes.