| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Le Secret de la Rivière [CEO2038 - 10] |
0 | 1'03 | Jérôme Lemonnier | Circular & tense. Hang, percussion & synth. | hang drum mysterious changing relentless | Ebm | 162 | |||
|
Heading Straight [UBM2251 - 1] |
0 | 2'14 | Daniel Backes, Peter Moslener | Music for images of business and industry: hectic, fast, loopable and | synthesizer urgent loop industry | Cm | 133 | |||
|
Busy Things [UBM2251 - 4] |
0 | 2'16 | Daniel Backes, Peter Moslener | Fast ticking track, loopable, suitable for images of rational | arpeggiator sci-fi disturbing investigation | Dm | 105 | |||
|
Building Bubbles [UBM2251 - 8] |
0 | 2'07 | Daniel Backes, Peter Moslener | Positive sound bubbles, sounds like glockenspiel with synthesizer, | arpeggiator industry mechanical sport video game | Am | 127 | |||
|
Busy Week [UBM2251 - 11] |
0 | 1'52 | Daniel Backes, Peter Moslener | Busy track with fast synthesizer, hectic, fast, positive and dynamic. | arpeggiator loop steady retrogaming | Am | 127 | |||
|
Busy Whirl [UBM2251 - 13] |
0 | 2'15 | Daniel Backes, Peter Moslener | Technical and electronic sound like working robots. Ideal for images | steady investigation sequencing sci-fi | Cm | 123 | |||
|
Keys [UBM2248 - 3] |
0 | 1'24 | Luke Davoll | Fast key sequence, positive mood, atmosphere of departure, works for | acoustic piano driving everyday life country & garden | C | 161 | |||
|
Two Steps [UBM2248 - 4] |
0 | 1'49 | Luke Davoll | Music for a serious end of a drama or a tragicomedy. Thoughtful with | acoustic piano post-classical driving everyday life | Am | 90 | |||
|
Three Concepts [UBM2248 - 7] |
0 | 1'51 | Luke Davoll | Music for serious topics, loopable, melancholic, thought-provoking | arpeggio cyclic driving neutral | Gb | 140 | |||
|
Never the Same [UBM2248 - 8] |
0 | 1'29 | Luke Davoll | Contemporary track with similarities to Erik Satie in the beginning, | acoustic piano post-classical driving confident | Dbm | 110 | |||
|
The Way Forward [UBM2248 - 11] |
0 | 1'41 | Luke Davoll | A playful, modern track for topics about children and families; | acoustic piano post-classical jerky happy & joyful | Gb | 142 | |||
|
My First Promise [UBM2248 - 19] |
0 | 1'52 | Luke Davoll | Modern and fast piano piece, avant-garde, energetic; ideal for arts, | acoustic piano post-classical jerky steady | Ebm | 100 | |||
|
House of Intrigue [UBM2260 - 1] |
0 | 1'47 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Melancholic strings and piano spread a dark premonition. Ideal for | social drama interrogative fantasy string orchestra | Am | 115 | |||
|
Constant Threat [UBM2260 - 4] |
0 | 1'44 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Stormy and deep strings that are loopable in sequences accentuate | string orchestra urgent destiny steady | Cm | 110 | |||
|
This is Nra Land [UBM2258 - 4] |
0 | 2'13 | Felix Halbe | Melodic track that reminds of hunting days at the countryside. | Fender rhodes fiery panoramic police comedy | Ebm | 107 | |||
|
Politicians Speak [UBM2258 - 12] |
0 | 1'45 | Felix Halbe | Dramatic sound that works for images of election campaigns. | driving epic cinematic orchestra politics | Am | 128 | |||
|
Special Forces [UBM2258 - 14] |
0 | 1'54 | Felix Halbe | Dynamic track that reminds of marching troops. Track gets faster. The | urgent driving scary epic | Dm | 113 | |||
|
Dark Business [UBM2258 - 15] |
0 | 1'24 | Felix Halbe | Epic track, loopable with synthesizer. | suspense disturbing arpeggiator steady | D | 100 | |||
|
Spys [UBM2258 - 17] |
0 | 1'15 | Felix Halbe | Starts with piano, synthesizer and strings. Flute and rattles set in. | disturbing investigation suspense interrogative | Dm | 115 | |||
|
Endtitles [UBM2258 - 20] |
0 | 2'50 | Felix Halbe | This song with strings, synthesizer and piano starts calmly. Track | final building disturbing investigation | Am | 110 |