| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Straight to the Beat [CEZ4216 - 32] |
0 | 2'26 | Rupert Cross, Timothee Paris | Big beat. Tonic & cut-up. Bass, male sampled voice & rhythm. | breakbeat lively team sport driving | Am | 110 | |||
|
Cut the Mustard [CEZ4193 - 17] |
0 | 3'40 | Pascal Macaigne | Tough & dynamic. Rock band with synth. Alarm @ 1'12.Lyrics | mechanical sport England sung in English team sport | A | 119 | |||
|
Hurry Up and Wait [CEZ4193 - 19] |
2'19 | Pascal Macaigne | Massive & busy. Rock band with male singer.Lyrics | England brit rock male singer lively | Dm | 150 | ||||
|
Hurry Up and Wait 2 [CEZ4193 - 38] |
Alt. | 2'19 | Pascal Macaigne | Massive & busy. Instrumental rock band. | England brit rock lively band | Dm | 150 | |||
|
Youth Eternal [CEZ4168 - 6] |
0 | 3'00 | Arno Riva | Organic & intense. Synth & rhythm. | gimmick electro pop 1980 celebs | C | 116 | |||
|
Style Factory [CEZ4168 - 16] |
0 | 3'53 | Arno Riva | Dark & percussive. Synth & rhythm. | fashion lively synthwave 1990 | Ebm | 118 | |||
|
Down Memory Lane [CEZ4105 - 26] |
2'06 | Mark Alberts | Brit-pop. "Beatles-esque". Positive & lively. Pop band with guitars & | brit rock England 1990 rock ballad | A | 85 | ||||
|
Down Memory Lane 2 [CEZ4105 - 33] |
Alt. | 2'04 | Mark Alberts | Brit-pop. "Beatles-esque". Positive & lively. Pop band with guitars. | England brit rock 1990 rock ballad | A | 85 | |||
|
Heart Massage [UBM2154 - 1] |
0 | 2'03 | Christoph Lienemann | Spacy; atmospheric yet energetic. | 1990 investigation interrogative relentless | Gm | 120 | |||
|
Synthetic Evolution [UBM2154 - 3] |
0 | 3'33 | Christoph Lienemann | Biting, insistent, serious. | 1990 1980 lively rhythmic | Gm | 110 | |||
|
Space Traveller [UBM2154 - 5] |
0 | 3'29 | Christoph Lienemann | Sparkling, enthused, glowing. | 1990 driving sequencing synthesizer | Ebm | 117 | |||
|
Walking on the moon [UBM2154 - 6] |
0 | 3'06 | Christoph Lienemann | Uplifting, optimistic, not too fast. | 1980 1990 sequencing kitsch & cheesy | Am | 112 | |||
|
End to end [UBM2154 - 11] |
0 | 2'09 | Christoph Lienemann | Dreamy, beautiful, nightly. | 1990 1980 confident panoramic | Gb | 95 | |||
|
Countdown [UBM2154 - 12] |
0 | 2'04 | Christoph Lienemann | Dark, propulsive, energetic. | 1990 1980 sequencing extreme & fighting sport | Eb | 128 | |||
|
Grandma's Dance [UBM2154 - 13] |
0 | 3'18 | Christoph Lienemann | Scurrile, harsh yet amorous. | 1990 sequencing danceable lively | Bm | 110 | |||
|
Universe [UBM2154 - 14] |
0 | 3'14 | Christoph Lienemann | Warm, anticipating, propulsive. | 1990 1980 kitsch & cheesy sequencing | E | 126 | |||
|
Jupiter Calling [UBM2154 - 15] |
0 | 2'08 | Christoph Lienemann | Enlightened, decided, prospective; modern news. | 1990 sequencing mechanical sport synthesizer | Ebm | 128 | |||
|
Tombstone [UBM2154 - 16] |
0 | 3'19 | Christoph Lienemann | Pensive, grounded, cool-headed. | 1990 1980 sequencing synthesizer | Abm | 95 | |||
|
Waves [UBM2154 - 18] |
0 | 3'19 | Christoph Lienemann | Cool, competent, spy flair. | 1990 kitsch & cheesy sequencing synthesizer | Gm | 108 | |||
|
Lost In Loneliness [UBM2128 - 12] |
0 | 2'22 | Daniel Backes, Peter Moslener | From loneliness to happiness, beautiful guitar layers. | 1990 1980 romantic comedy kitsch & cheesy | A | 100 | |||
|
First Heartache [UBM2128 - 19] |
0 | 3'10 | Daniel Backes, Peter Moslener | Optimistic piano and acoustic guitar, wide string arrangement & light | kitsch & cheesy 1990 sentimental peaceful | C | 154 | |||
|
Love Heroes [CEV3024 - 23] |
0 | 2'36 | Mark Alberts | Anthemic rock ballad. Break @ 0'58. Progression. | road movie rock ballad United States of America tracking shot | G | 152 |