| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Maltreated Creature [UBM2262 - 4] |
0 | 2'24 | Anselm Kreuzer, Sebastian Parche | Loopable beginning with strings. Threatful, pulsating undertone. | film noir interrogative mysterious string quartet | Dm | 86 | |||
|
Sheer Masquerade [UBM2262 - 5] |
0 | 2'32 | Anselm Kreuzer, Sebastian Parche | Magical sound with strings and glockenspiel. Ideal for images of an | circus music fantasy mysterious insidious | Gm | 80 | |||
|
The Burden [UBM2262 - 6] |
0 | 2'18 | Anselm Kreuzer, Sebastian Parche | Track that works for images of dramatic strokes of fate and stressful | film noir disturbing mysterious desolate | Em | 100 | |||
|
Sweet Pain [UBM2262 - 7] |
0 | 2'16 | Anselm Kreuzer, Sebastian Parche | Accentuated by strings and glockenspiel. Violin creates a melancholic | circus music fantasy mysterious insidious | Abm | 80 | |||
|
Parallel Existence [UBM2262 - 8] |
0 | 2'05 | Anselm Kreuzer, Sebastian Parche | Track with sequences of strings that end abruptly and create a | intermittent string orchestra introspective punctuated | Am | 152 | |||
|
Curriculum Vitae [UBM2262 - 9] |
0 | 4'09 | Anselm Kreuzer, Sebastian Parche | Track with a fast beginning that gets more and more dynamic. Ideal | urgent driving time-lapse passionate | Gm | 164 | |||
|
Street to Nowhere [UBM2262 - 10] |
0 | 5'14 | Anselm Kreuzer, Sebastian Parche | Calm beginning with strings. Despair is expressed. Bleak, painful, | intermittent film noir nocturnal string quartet | Gm | 136 | |||
|
Schizophrenia [UBM2262 - 11] |
0 | 3'07 | Anselm Kreuzer, Sebastian Parche | Disturbing with dramatic strings, abrupt breaks and a negative | film noir mysterious intermittent interrogative | Gm | 135 | |||
|
House of Intrigue [UBM2260 - 1] |
0 | 1'47 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Melancholic strings and piano spread a dark premonition. Ideal for | social drama interrogative fantasy string orchestra | Am | 115 | |||
|
Letter from Mom I [UBM2260 - 2] |
0 | 2'53 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow, dramatic strings have a sad sound and the feeling of drama, | mysterious intermittent suspended atmosphere film noir | A | 98 | |||
|
Wounds of Mankind [UBM2260 - 3] |
0 | 3'15 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Fundamental and melancholic cello in the foreground creates an | melancholic passionate cello intermittent | Gm | 164 | |||
|
Constant Threat [UBM2260 - 4] |
0 | 1'44 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Stormy and deep strings that are loopable in sequences accentuate | string orchestra urgent destiny steady | Cm | 110 | |||
|
Still There [UBM2260 - 5] |
0 | 2'06 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow strings create a melancholic and thoughtful atmosphere. Ideal | film noir historical narrative panorama disturbing | E | 110 | |||
|
Deja Vu [UBM2260 - 6] |
0 | 2'34 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow and moving strings touch the emotions of the audience. Perfect | intermittent moving melancholic string orchestra | D | 76 | |||
|
State of Peace [UBM2260 - 7] |
0 | 3'10 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Ideal track for the credits of a moving drama without a happy ending. | moving intermittent introspective panorama | Bm | 78 | |||
|
Take its Course [UBM2260 - 8] |
0 | 2'15 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Cello, string quartet, piano and percussion harmonize in the main | dramedy interrogative string quartet tragi-comic | Abm | 70 | |||
|
Slaves of Globalization [UBM2260 - 9] |
0 | 2'00 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Depressing and sophisticated strings work for images of hopelessness | moving string quartet introspective destiny | Bb | 65 | |||
|
Dull Skies [UBM2260 - 10] |
0 | 2'41 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Deep and slow strings create a profound atmosphere of threat or a | film noir disturbing mysterious string orchestra | Cm | 102 | |||
|
Observe the Freak [UBM2240 - 1] |
0 | 2'01 | Sebastian Parche | Rumbling & mysterious. Synth, strings & rhythm. | spy insidious mysterious desolate | Em | 101 | |||
|
Corpses in the Everglades [UBM2240 - 2] |
0 | 2'19 | Sebastian Parche | Sinister & tense. Synth, strings & rhythm @ 1'49. | sinister beds desolate sparse | D | 88 |