| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Threat [UBM2278 - 2] |
0 | 2'38 | Lars Jebsen | Drone-sounds, aggressive, menacing, modern sound, suitable for | suspense anticipation spy disturbing | Cm | 133 | |||
|
Victim [UBM2278 - 3] |
0 | 1'38 | Lars Jebsen | Prudent, hopeful and melancholic beginning, alternating with pushing, | suspense disturbing anticipation spy | Em | 110 | |||
|
Manipulation [UBM2278 - 4] |
0 | 2'07 | Lars Jebsen | Slowly developing, creeping, ticking beats, suitable for images of | anticipation spy insidious suspense | Em | 140 | |||
|
Conditioning [UBM2278 - 5] |
0 | 2'39 | Lars Jebsen | Slow, dramatic piano chords with ticking beats developing into an | suspense spy anticipation inexorable | D | 80 | |||
|
Bias [UBM2278 - 6] |
0 | 2'27 | Lars Jebsen | Neutral, electronic music, suitable for images of business, financial | insidious suspense atmospheric anticipation | Em | 80 | |||
|
Fragile [UBM2278 - 7] |
0 | 2'00 | Lars Jebsen | Spheric, echoing sounds, electronic cool sound reminding of a glass | spy interrogative suspense anticipation | Cm | 161 | |||
|
Hazard [UBM2278 - 8] |
0 | 2'42 | Lars Jebsen | There's danger ahead, modern, distanced sound, ideal for images of | suspense spy relentless anticipation | Cm | 129 | |||
|
Propaganda [UBM2278 - 9] |
0 | 2'06 | Lars Jebsen | Tense, dark sounds evoking images of pressure situations, Big Brother | spy suspense anticipation insidious | Em | 110 | |||
|
Strategy [UBM2278 - 10] |
0 | 2'08 | Lars Jebsen | Piano and strings sounds, with propulsive beats, resolute, dramatic | suspense cyclic anticipation crime movie | Bm | 120 | |||
|
Decision [UBM2278 - 11] |
0 | 2'10 | Lars Jebsen | Creeping, distorted sounds of strings and piano, culminating in | suspense wandering spy atmospheric | A | 70 | |||
|
Tragic [UBM2278 - 12] |
0 | 2'44 | Lars Jebsen | Careful, lonely piano, melancholic, dramatic strings, ideal for | suspense tragic beds investigation | Cm | 110 | |||
|
Hacking [UBM2278 - 13] |
0 | 1'46 | Lars Jebsen | Electronic soundscape suitable for images of cyber-space, new | science suspense spy interrogative | Em | 115 | |||
|
Illusion [UBM2278 - 14] |
0 | 2'01 | Lars Jebsen | Crystal clear electronic sounds for risky deals, ideal for images of | suspense spy insidious investigation | Ab | 93 | |||
|
Lobbyist [UBM2278 - 15] |
0 | 3'00 | Lars Jebsen | Mysterious, secret business, tense, dared sound, suitable for images | suspense anticipation spy disturbing | E | 128 | |||
|
Fear [UBM2278 - 16] |
0 | 2'23 | Lars Jebsen | Increasing tension, scary, propulsive beats, fragile piano, ideal for | suspense interrogative anticipation spy | Am | 120 | |||
|
Treaty [UBM2278 - 17] |
0 | 2'23 | Lars Jebsen | Positive, serious piano, decisive electronic sound, suitable for | suspense anticipation spy interrogative | Cm | 162 | |||
|
Revelation [UBM2278 - 18] |
0 | 2'17 | Lars Jebsen | Tense, accumulating situation, decisions under high pressure, | suspense spy insidious anticipation | Bb | 110 | |||
|
Complot [UBM2278 - 19] |
0 | 2'15 | Lars Jebsen | Sneak attacks, threatening, unforseeable moves, suitable for dynamic | suspense investigation anticipation spy | Cm | 100 | |||
|
Universal [UBM2278 - 20] |
0 | 2'07 | Lars Jebsen | Marimba-sounds, easy, exciting for images of new discoveries and | science anticipation interrogative suspense | Cm | 107 | |||
|
Echelon [UBM2278 - 21] |
0 | 2'12 | Lars Jebsen | Cineastic music with strings for images of turning points in dramatic | suspense anticipation spy inexorable | Am | 110 |