| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Drones [UBM2125 - 2] |
0 | 3'51 | Josef Bach, Arne Schumann | Downtempo beats with brass samples and spherical rhodes. | atmospheric changing intermittent urban | C | 110 | |||
|
Buckyballs [UBM2125 - 9] |
0 | 3'01 | Josef Bach, Arne Schumann | Sombre techno mood, sparse ambient beats. | soundscape 1990 changing lively | Gm | 113 | |||
|
Miami Mice [CEZ4091 - 17] |
0 | 3'00 | Gangpol & Mit | Exotic tension. Constant progression. Melody @ 1'38. Electronics. | video game funny scary weird building | Gm | 127 | |||
|
Vernissage [CEZ4092 - 7] |
0 | 2'59 | Hoosky | Acid jazz. Filtered fast beat & vintage synth. | architecture & design jazzy acid jazz fx filter | Gm | 82 | |||
|
Venice Beach [CEZ4092 - 35] |
0 | 3'33 | Hoosky | Changing & fluctuating. Outro with applause. Synth, samples, female | fashion urban abstract hip-hop beat making | Em | 112 | |||
|
Network of Proof [CEZ4090 - 17] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Suspended & mysterious. Pizz, electronics & string Fx. | insidious spy relentless scansion | Ebm | 76 | |||
|
Fooled by Appearancies [CEZ4090 - 24] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Peaceful & intimist. Strings, piano & electronics. | intimate romantic delicate acoustic piano | G | 58 | |||
|
Gallic Wars [CEV3022 - 5] |
0 | 1'34 | Godard Michel | Sudden & warlike. Serpent & zarb. | calls lost civilizations antiquity prehistory | Am | 128 | |||
|
Archon [CEV3022 - 21] |
0 | 1'48 | Hélène Breschand, Didier Petit | Sudden & tragic. Harp & cello. | antiquity lost civilizations cello changing | E | 112 | |||
|
The Ice Age [CEV3021 - 7] |
0 | 2'09 | Pierre Bernard | Cavernous & wind. Electro-acoustic. | prehistory windy lost civilizations natural disaster | Gbm | 152 | |||
|
Birth of Music [CEV3021 - 15] |
0 | 1'59 | Silvano Michelino | Call. Mysterious & primitive. Percussion ensemble. | antiquity lost civilizations prehistory changing | E | 70 | |||
|
Ever-Present Danger [CEV3021 - 35] |
0 | 1'14 | Godard Michel | Call. Plaintive & unusual. Solo conche. | marine conch prehistory lost civilizations antiquity | Bm | 126 | |||
|
Fervour [CEZ4088 - 3] |
0 | 5'33 | Pierre-André Athané | Lively, determined, passionate & spirited. French neo-classical | passionate fiery 1920 impressionism | Gm | 155 | |||
|
For the Ballet of the Shadows [CEZ4088 - 10] |
0 | 5'09 | Pierre-André Athané | Lively, passionate & persistent. French neo-classical music. String | social drama destiny historical movie Twentieth century music | A | 94 | |||
|
Mechanical Ballet [CEZ4081 - 38] |
0 | 2'42 | Arnaud de Buchy | Tragi-comic & determined. Symphony orchestra & percussion. | funny scary tragi-comic magical halloween | C | 120 | |||
|
Negotiations [CEZ4082 - 10] |
0 | 2'26 | Bruno Letort | Insidious. Progression. Symphony orchestra & percussion @ 1'30. | historical movie contemporary serious music (all) historical narrative spy | Db | 111 | |||
|
Rearmement [CEZ4083 - 1] |
0 | 1'48 | Cyrille Aufort | Anguished & tumultuous. Symphony orchestra. | historical movie action movie inexorable original score | Cm | 130 | |||
|
Mojave [CEZ4080 - 27] |
0 | 1'54 | Silvain Vanot | Wandering, panoramic & sparse. Banjo, dobro & echo fx. | arid calm sparse wandering | E | 89 | |||
|
Run That Beat [CEV3012 - 1] |
0 | 3'49 | Jimmy Delsart | Electro funky. Quirky voice fx. Break @ 1'39. | French touch rhythmic club festive | Abm | 120 | |||
|
Chapter 11 [CEZ4074 - 17] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Threatening & uncomfortable. | investigation inexorable disturbing walking | Fm | 136 |