| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Omniverse [CET9001 - 4] |
3'46 | Gabriel Saban, Philippe Briand | Trailer music. Whimsical keyboard arpeggio evolving gradually into an | trailer powerful & imposing cinematic cinematic orchestra | Am | 148 | ||||
|
Omniverse Alternate [CET9001 - 18] |
Alt. | 3'46 | Gabriel Saban, Philippe Briand | Trailer music. Whimsical keyboard arpeggio evolving gradually into an | trailer powerful & imposing cinematic cinematic orchestra | Am | 148 | |||
|
Omniverse Alternate 2 [CET9001 - 19] |
Alt. | 3'46 | Gabriel Saban, Philippe Briand | Trailer music. Whimsical keyboard arpeggio evolving gradually into an | trailer powerful & imposing cinematic cinematic orchestra | Am | 148 | |||
|
Haunting Visions [CEZ4307 - 19] |
0 | 1'43 | Baptiste Thiry | Nature, adventure, trail, environment, wild life. Threatening & | cinematic cinematic orchestra scary horror | Em | 106 | |||
|
Dismemberment [CEZ4291 - 2] |
0 | 3'59 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Tense, under pressure & urgent. Death metal. Rock band. | death metal double bass drum pedal disturbing extreme & fighting sport | Gbm | 172 | |||
|
Repulsion [CEZ4291 - 10] |
0 | 3'05 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Very violent, tormented & frightening. Death metal. Rock band. | death metal aggressive & violent scary trash (texture) | Cm | 185 | |||
|
Nabis [CEZ4281 - 18] |
0 | 1'23 | Marc-Olivier Dupin | Wavering & surreal. Harp, flute & strings. | impressionism fantasy luminous undulating | Abm | 60 | |||
|
The Explosion of Forms [CEZ4281 - 25] |
0 | 1'52 | Marc-Olivier Dupin | Abstract & sudden. Alto sax, piano & percussion. | arty contemporary jazz complex film noir | A | 100 | |||
|
Dark Forest [CEZ4269 - 11] |
0 | 3'19 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Old School Black Metal. Heavy, imposing & changing. Rock band. | black metal heavy distorted electric guitar sport drama | Em | 118 | |||
|
So Little Time [CEZ4267 - 4] |
1'23 | Laurent Couson | Dramatic & threatening. Symphony orchestra. | historical narrative hollywood classic film noir inexorable | G | 140 | ||||
|
So Little Time 2 [CEZ4267 - 18] |
Alt. | 1'20 | Laurent Couson | Urgent & threatening. Symphony orchestra. Constant progression. | hollywood classic symphony orchestra inexorable majestic | Dm | 140 | |||
|
So Little Time 3 [CEZ4267 - 19] |
Alt. | 0'40 | Laurent Couson | Threatening & norcturnal. Symphony orchestra. | fantasy hollywood classic French cinema disturbing | Gm | 78 | |||
|
This is Massive [UBM2234 - 17] |
0 | 3'00 | Axel Coon, Linus Sandberg | Exotic & powerful. Synth, electronic percussion, sampled male's | attitude club trap (music) electro beat | Gbm | 162 | |||
|
Nighttrain [UBM2234 - 20] |
0 | 2'59 | Axel Coon, Linus Sandberg | Powerful & festive. Synth, electronic percussion, electronics. | EDM mechanical sport electronic percussion synthesizer | Gbm | 128 | |||
|
Cinedans [CEO2033 - 11] |
3'26 | Selma Mutal | Serious but uplifting & determined. String orchestra. | unifying neo-classical music driving corporate (all) | D | 134 | ||||
|
Cinedans 2 [CEO2033 - 21] |
Alt. | 3'26 | Selma Mutal | Remastered version. Serious but uplifting & determined. String | unifying neo-classical music corporate convention driving | D | 134 | |||
|
Galactica [CEZ4221 - 1] |
0 | 4'07 | Michel Redolfi | Mysterious & abyssal. Cluster of voices. Cosmic music. | space sci-fi atmospheric mixed choir | Gm | 65 | |||
|
Questionning [CCB1022 - 5] |
0 | 3'41 | Gréco Casadesus | Mysterious then lyrical. Symphony orchestra. Build up gradually until | suspended atmosphere arts calm lyrical | Am | 99 | |||
|
Commotion [CEZ4186 - 5] |
0 | 2'41 | Frédéric Dunis, Bernard Grimaldi | Tragic suspense. Drone & heavy percussion @ 0'55. Build-up & climax & | changing climax cinematic historical conflict | Fm | 96 | |||
|
Cryptic Darkness [CEZ4186 - 6] |
0 | 2'30 | Frédéric Dunis, Bernard Grimaldi | Mysterious & threatening. Drone, distant voices & orchestra. Build-up | atmospheric desolate suspended atmosphere disturbing | Am | 129 | |||
|
Tragic Outcome [CEZ4186 - 28] |
0 | 2'13 | Frédéric Dunis, Bernard Grimaldi | Anguish & mysterious. Drone & strings. Build-up & climax @ 1'08. | climax tragic crescendo disturbing | Dm | 117 | |||
|
Always Faster [CEO2022 - 2] |
0 | 2'25 | Bruno Alexiu | Urgent & serious. Orchestra with horn & choir @ 1'35. Progression. | urgent French cinema politics scansion | A | 112 | |||
|
Penas do Mondego [CEZ4164 - 4] |
0 | 3'01 | Philippe de Sousa | Sad & sentimental. Acceleration. Portuguese & classical guitar duet. | Portugal fado Portuguese guitar classical guitar | Gm | 172 | |||
|
Kaman Tché [CCB1019 - 4] |
0 | 4'16 | Derya Turkan, Renaud Garcia-Fons | Interogative & sad. Kemançe & double-bass. | kemençe Andalusi classical music bowed double bass geopolitics | Gm | 164 | |||
|
Time Flies [CEZ4151 - 1] |
2'10 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. Builds up gradually. String | neo-classical music repetitive music politics corporate video | Am | 136 | ||||
|
Time Flies 2 [CEZ4151 - 15] |
Alt. | 2'10 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. Fast piano arpeggios & string | repetitive music politics corporate video acoustic piano | Am | 136 | |||
|
Time Flies 3 [CEZ4151 - 16] |
Alt. | 1'51 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. String orchestra playing staccato. | steady corporate video neo-classical music politics | Am | 136 | |||
|
Time Flies 4 [CEZ4151 - 17] |
Alt. | 2'10 | Elisabeth Skornik, Guy Skornik | Repetitive & flowing. Fast piano arpeggios. | arpeggio cyclic corporate video flowing | Am | 136 |