| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Mont Athabasca [CEZ4264 - 6] |
2'18 | Eric Lohrer, Baptiste Thiry | Panoramic & powerful. Constant progression. Cinematic orchestra with | uplifting panorama panoramic triumphant | A | 120 | ||||
|
Mont Athabasca 2 [CEZ4264 - 30] |
Alt. | 2'21 | Eric Lohrer, Baptiste Thiry | Airy, panoramic & serious. Electric guitars & synth. | panorama cinematic uplifting panoramic | A | 120 | |||
|
Charges of Corruption [CEO2039 - 5] |
0 | 1'12 | Tragic, Threatening & punctuate. Cinematic orchestra. | scansion investigation historical conflict symphony orchestra | Dm | 72 | ||||
|
The one That Turns me on [CEZ4261 - 15] |
2'06 | Eric Caissy | Folk song. Catchy & groovy. Female voice, folk & electric guitars & Lyrics | sung in English 1970 Song and theme folk song | A | 104 | ||||
|
The one That Turns me on 2 [CEZ4261 - 23] |
Alt. | 2'06 | Marlene Caissy Continente, Eric Caissy | Carefree & peaceful. Folk guitar, celesta, synth & tambourine. | 1970 folk rock tracking shot North America | A | 104 | |||
|
He is a Real Teaser [UBM2235 - 42] |
0 | 0'24 | Vincent Nguyen, Sebastian Parche | Tongue-in-cheek, slow tempo, classical cartoon sound. | drunk comical animation & cartoons circus music | Dm | 105 | |||
|
Ending I [UBM2235 - 74] |
0 | 0'06 | Vincent Nguyen, Sebastian Parche | Drums and final chord. | short talk-show animation & cartoons final | Gbm | 97 | |||
|
Bohemian Polka [CEZ4257 - 12] |
0 | 1'57 | Julien Vega | Polka alternately melancholic & serious. Solo piano. | Russia salon music romantic music 1900 | Bbm | 148 | |||
|
The Last Glass of Vodka [CEZ4257 - 14] |
0 | 2'10 | Julien Vega | Tragic & lazy. Accordion, balalaika & piano. | Russia retro cabaret geopolitics chromatic accordion | Fm | 82 | |||
|
Proletariat on the March [CEZ4256 - 3] |
1'53 | Gilles Maugenest | Solemn & moving. Symphony orchestra & piano. | Soviet Russia patriotism historical narrative symphony orchestra | Dm | 105 | ||||
|
Proletariat on the March 2 [CEZ4256 - 29] |
Alt. | 1'55 | Gilles Maugenest | Solemn & moving. String orchestra & balalalïka. | Soviet Russia balalaïka string orchestra country & garden | Gm | 143 | |||
|
Roussalka [CEZ4256 - 9] |
0 | 2'03 | Gilles Maugenest | Solemn & funny march. Symphony orchestra. | Soviet Russia march (dance) symphony orchestra heavy | Gm | 100 | |||
|
Baliachi [CEZ4256 - 20] |
1'33 | Gilles Maugenest | Patriotic & accentuated march. Male choir & symphony orchestra.Lyrics | Soviet Russia patriotism men's chorus symphony orchestra | Am | 80 | ||||
|
Baliachi 2 [CEZ4256 - 31] |
Alt. | 1'27 | Gilles Maugenest | Patriotic & accentuated march. String orchestra & trumpet | Soviet Russia patriotism historical narrative inexorable | Am | 80 | |||
|
History's Watching us [CEZ4256 - 21] |
0 | 1'54 | Eric Caissy | Solemn & patriotic. Male choir & brass.Lyrics | Soviet Russia communism patriotism men's chorus | Bb | 75 | |||
|
Forward March Comrade! [CEZ4256 - 23] |
2'14 | Julien Vega | Solemn & patriotic. Male choir & symphony orchestra.Lyrics | Soviet Russia patriotism men's chorus proud | Dm | 89 | ||||
|
Forward March Comrade! 2 [CEZ4256 - 32] |
Alt. | 2'14 | Julien Vega | Solemn & patriotic. Symphony orchestra. | symphony orchestra Soviet Russia crescendo historical narrative | Dm | 90 | |||
|
Ghost Factory [CEZ4251 - 10] |
0 | 3'34 | Sham Makdessi, Morgan Sansous | Fiery & funny scarry. Rock band & electronics. Industrial metal. | industrial metal horror distorted electric guitar punctuated | Em | 140 | |||
|
Can of Worms [CEZ4250 - 8] |
0 | 3'51 | Luigi Marletta, Morgan Sansous | Determined, tense & percussive. Rock band. Alternative/nu metal. | alternative metal team sport driving disturbing | Am | 95 | |||
|
Confidential Information [CEZ4252 - 11] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & interrogative. Electronics & pizzicato | arts & crafts patient politics corporate video | Gm | 98 | |||
|
Turning Back the Time 2 [CEZ4252 - 22] |
2'30 | Elisabeth Skornik, Guy Skornik | Emotional & passionate. Regular pulsation, guitar, backwards fx @ | social drama moving docu fiction sentimental | Cm | 60 | ||||
|
Turning Back the Time [CEZ4252 - 5] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Emotionnal & passionate. Strings & electronics. | social drama moving docu fiction synth pad | Cm | 60 | |||
|
According to the Evidence 2 [CEZ4252 - 33] |
2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | investigation mysterious beds punctuated | C | 100 | ||||
|
According to the Evidence [CEZ4252 - 17] |
Alt. | 2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | mysterious spy interrogative shy | Cm | 100 | |||
|
Haven of Solitude [CEZ4244 - 25] |
0 | 2'07 | John Greaves | Sparse & interrogative. Solo piano. | mute piano social drama narrative sparse | E | 100 | |||
|
Counting the Days 2 [CEZ4244 - 26] |
1'59 | Lucas Napoleone | Wandering & melancholic. Solo piano. | post-classical social drama simple sad | Bb | 67 | ||||
|
Counting the Days [CEZ4244 - 19] |
Alt. | 1'57 | Lucas Napoleone | Wandering & melancholic. Piano & electronics. | everyday life sad social drama wandering | Bbm | 67 | |||
|
Heavy Hit [UBM2205 - 10] |
0 | 1'34 | Daniel Backes, Peter Moslener | Powerful & determined. Cinematic percussion, synth. | percussive chase urgent driving | Cm | 90 |