| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
International Consortium [CEZ4314 - 9] |
0 | 1'55 | Mathieu Laurent, Isabelle Salmon | Corporate. Determined & serious. Piano, sequencing & rhythm. | corporate (all) unifying driving opening credits TV | Gm | 126 | |||
|
Azur [CCB1028 - 5] |
0 | 5'14 | Bijan Chemirani, Kevin Seddiki | Interrogative & patient. Progression. Acoustic guitar & percussion. | acoustic guitar geopolitics world music 12 st guitar | G | 103 | |||
|
Inner City [MAG6025 - 3] |
0 | 1'33 | Yann Kesz | Real hip hop / beatmaking. Tense, obstinate & urban. Synth, strings, | beat making attitude urban landscape relentless | Dm | 83 | |||
|
Superstructure [MAG6025 - 4] |
3'12 | Yann Kesz | Real hip hop / beatmaking. Bright, percussive & arty. Synth & rhythm. | beat making urban landscape luminous modern | D | 65 | ||||
|
Superstructure (extended) [MAG6025 - 10] |
Alt. | 4'00 | Yann Kesz | Real hip hop / beatmaking with intro. Bright, percussive & arty. Cut | beat making urban landscape luminous modern | D | 65 | |||
|
Ghetto Box [MAG6025 - 7] |
0 | 2'28 | Yann Kesz | Real hip hop / beatmaking. Cyclic, urban & heavy. Synth & rhythm. | beat making urban landscape street sports modern | Gm | 65 | |||
|
On Hold [MAG6025 - 8] |
0 | 2'44 | Yann Kesz | Real hip hop / beatmaking. Interrogative but firm, driving. Synth & | beat making urban landscape rhythmic modern | Abm | 100 | |||
|
Thinking Outside the Box [CEZ4312 - 2] |
2'18 | Elisabeth Skornik, Guy Skornik | Sudden & obstinate but with intermissions. Keyboards, electronics & | investigation geopolitics mysterious science | Dm | 80 | ||||
|
Thinking outside the Box
[CEZ4312 - 17] |
Alt. | 1'52 | Elisabeth Skornik, Guy Skornik | Sudden, interrogative & mysterious. Percussion & electronic keyboards. | investigation interrogative science docu fiction | Dm | 80 | |||
|
Thinking outside the Box
[CEZ4312 - 18] |
Alt. | 1'46 | Elisabeth Skornik, Guy Skornik | Sudden, suspenseful & jerky. Piano & percussion. | suspense investigation mysterious science | D | 80 | |||
|
An Endless Experiment [CEZ4312 - 6] |
2'25 | Elisabeth Skornik, Guy Skornik | Repetitive, confident & steady. Strings & electronic waves. | architecture & design confident steady corporate video | Dm | 120 | ||||
|
An Endless Experiment
[CEZ4312 - 29] |
Alt. | 2'22 | Elisabeth Skornik, Guy Skornik | Constant, obstinate & patient. String orchestra playing staccato. | architecture & design steady corporate video relentless | F | 120 | |||
|
An Endless Experiment
[CEZ4312 - 30] |
Alt. | 1'52 | Elisabeth Skornik, Guy Skornik | Vibrating drone & rhythm @ 0'37. Electronics. | industry architecture & design anticipation corporate video | Dm | 120 | |||
|
Mind the Clock [CEZ4312 - 8] |
0 | 2'11 | Elisabeth Skornik, Guy Skornik | Naked version of tr 7 Mind at Work based on the clock fx. | steady time (tick-tock) destiny anticipation | D | 120 | |||
|
Un Bout de Moi Alternative
[CEO2047 - 9] |
2'41 | Patrick Franchomme | Sad & desolate. Electric guitar & sequencing. | relentless introspective acoustic piano scansion | Am | 105 | ||||
|
Un Bout de Moi [CEO2047 - 4] |
Alt. | 3'41 | Patrick Franchomme | Atmospheric & desolate. Build up. Synth & electric guitar. Drums @ | wandering rock ballad desolate suspended atmosphere | Am | 105 | |||
|
Acapulco [MAG6023 - 6] |
0 | 2'59 | Relayer | Electro pop. Driving, powerful & heavy. Piano, synth & rhythm. | electro pop modern lively celebs | Em | 120 | |||
|
The King of the Forest [CEZ4307 - 6] |
1'57 | Baptiste Thiry | Adventure, wild life. Powerful, urgent & warlike. Climax. Cinematic | adventure cinematic adventure game docu fiction | E | 110 | ||||
|
The King of the Forest
[CEZ4307 - 24] |
Alt. | 1'57 | Baptiste Thiry | Wild life, nature. Powerful & urgent. Solo cinematic percussion. | cinematic orchestra wild percussion ensemble chase | Em | 110 | |||
|
Red Square [CEZ4306 - 4] |
0 | 1'44 | Eric Caissy | History. Majestic & solemn. Build up. Russia. Constant crescendo. | climax hollywood classic introduction triumphant | Am | 89 | |||
|
Travel Rag [CEZ4300 - 1] |
0 | 2'55 | Stan Laferriere | Ragtime. The Golden Age (Early Jazz of the 1910s and 1920s). Joyful & | jazz ragtime 1920 big band jamming | Gm | 162 | |||
|
Perplexed [CEZ4298 - 15] |
0 | 1'47 | Julien Vega | Insidious & interrogative. Pizz & small instrumental ensemble. | pets dramedy interrogative small ensemble | Bbm | 110 | |||
|
Dos Beymeleh [UBM2273 - 14] |
0 | 1'13 | David Bernbach, Traditional | Clear, decisive fading into a swaying piano tune, suitable for images | acoustic piano country & garden melodic acoustic | Gm | 109 | |||
|
Take a Freight Train [CEZ4293 - 16] |
2'19 | Nicolas Moreau | Country blues. Lively & confident. Dobro guitar, harmonica, bass drum | Dobro guitar blues diatonic harmonica United States of America | A | 93 | ||||
|
Take a Freight Train 2 [CEZ4293 - 33] |
Alt. | 1'30 | Nicolas Moreau | Between blues & country. Lively & confident. Solo Dobro guitar slide. | Dobro guitar Country & Western lively United States of America | D | 96 | |||
|
Florida Bound Blues [CEZ4293 - 17] |
0 | 1'18 | Christian Lancry | Delta blues. Simple & confident. Solo acoustic slide guitar. | delta blues acoustic slide guitar Louisiana driving | A | 115 | |||
|
Memphis State of Mind [CEZ4293 - 21] |
0 | 2'01 | Christian Lancry | Relax, simple & lighthearted. Solo slide guitar & footstep. | delta blues acoustic slide guitar United States of America carefree | Em | 108 | |||
|
Forensic Expert [CEZ4295 - 22] |
0 | 2'39 | Powell | Electro. Technologic, sustained & obstinate. Synth, sampled male | investigation rough spy urban landscape | Dbm | 108 |