| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Chute Libre [CEO2034 - 7] |
0 | 4'46 | Vincent Leibovitz | Intro with fade in. Pensive, desolate & repetitive. Séquence, piano, | moving desolate introspective trailer | Am | 73 | |||
|
Blood and Concrete [CEZ4225 - 3] |
0 | 1'40 | Baptiste Thiry | Cinematic. Tense & frightening. Tempo changing @ 0'48. Percussion | cinematic percussion percussive scary arid | C | 60 | |||
|
Technical Competence [CEZ4224 - 2] |
0 | 1'51 | Thierry Caroubi | Corporate. Peaceful & airy. Piano, flute & string ensembe. | confident arts & crafts neo-classical music unifying | F | 150 | |||
|
En Douce [CEO2030 - 7] |
0 | 2'53 | Renaud Garcia-Fons | Suspense like in a comedy. Pizzicato & accordion @ 1'12. Tempo | suspense tragi-comic animation & cartoons bandoneon | Gm | 113 | |||
|
Argo [CEZ4222 - 7] |
0 | 4'57 | Christoph Harbonnier, Michel Redolfi | Airy, peaceful & moving. Cosmic choir & electronics. | space magical sci-fi airy | Gm | 72 | |||
|
Planet of Seven Suns [CEZ4222 - 13] |
0 | 2'59 | Michel Redolfi | Spacy & suspended. Synth pads like cosmic waves. | cosmic music space synth pad majestic | C | 78 | |||
|
Delta Vega [CEZ4222 - 17] |
0 | 2'08 | Michel Redolfi | Nebulous, airy & constant. Cosmic electronic sound. | steady space airy drone | Cm | 91 | |||
|
Solar Orbiter [CEZ4221 - 7] |
0 | 4'44 | Michel Redolfi | Calm but with a mystery touch. Outer space. Electronics. Arpeggiator | space abyss calm science | Dm | 123 | |||
|
Interstellar Highway [CEZ4221 - 11] |
0 | 4'19 | Michel Redolfi | Bizarre, abstract & mysterious. Space voices & sound design. | space cosmic music complex fx voice | Am | 77 | |||
|
Diving Into the Void [CEZ4221 - 13] |
0 | 4'44 | Michel Redolfi | Deep & disturbing. Electronics & cosmic sound design. | abyss atmospheric toxic arid | G | 72 | |||
|
Near Yet So Far [CCB1023 - 5] |
0 | 5'08 | François Elie-Roulin, Matthieu Lesenechal | Arid & toxic. Electric fuzz guitar, piano & electronics. | toxic arid desolate natural disaster | Em | 60 | |||
|
Result Contested [CEZ4209 - 11] |
1'55 | Thierry Caroubi | Urgent & dramatic. Strings, electronics & percussion. | investigation spy marimba relentless | Ab | 120 | ||||
|
Result Contested 2 [CEZ4209 - 22] |
Alt. | 1'08 | Thierry Caroubi | Urgent & dramatic. Strings orchestra. | historical narrative string section destiny moving | Fm | 132 | |||
|
Another Approach [CEZ4197 - 12] |
2'32 | Elisabeth Skornik, Guy Skornik | Applied & interrogative. Electronics & strings. | corporate video arts & crafts steady architecture & design | Cm | 164 | ||||
|
Another Approach 2 [CEZ4197 - 42] |
Alt. | 2'20 | Elisabeth Skornik, Guy Skornik | Applied & interrogative. Electronics & strings. No percussion. | corporate video steady architecture & design patient | Cm | 164 | |||
|
Another Approach 3 [CEZ4197 - 43] |
Alt. | 2'09 | Elisabeth Skornik, Guy Skornik | Serious & percussive. Electronic percussion & synth. | corporate video arts & crafts steady architecture & design | Cm | 164 | |||
|
Yesterday as Today [CEZ4197 - 15] |
2'15 | Elisabeth Skornik, Guy Skornik | Nostalgic but peaceful. piano, electronics & strings @ 0'26. | sentimental romantic arts & crafts acoustic piano | D | 76 | ||||
|
Yesterday as Today 2 [CEZ4197 - 48] |
Alt. | 0'55 | Elisabeth Skornik, Guy Skornik | Languorous & melancholic. String quartet. | romantic sentimental 1900 arts & crafts | D | 86 | |||
|
Yesterday as Today 3 [CEZ4197 - 49] |
Alt. | 2'15 | Elisabeth Skornik, Guy Skornik | Melancholic & refined. Solo piano. | refined sentimental romantic arts & crafts | D | 76 | |||
|
Japanese Influence [CEZ4197 - 16] |
2'32 | Elisabeth Skornik, Guy Skornik | Peaceful & restrained. Piano, electronics & female voice @ 1'35. | electro world arts & crafts delicate Japan | Dbm | 70 | ||||
|
Japanese Influence 2 [CEZ4197 - 50] |
Alt. | 1'45 | Elisabeth Skornik, Guy Skornik | Peaceful but punctuated. Electronics & tick tock. | time (tick-tock) arts & crafts steady beds | Gb | 71 | |||
|
Something in the Shadows [CEZ4191 - 11] |
0 | 2'57 | Mathias Delplanque, Denis Levaillant | Absent & interrogative. Pizzicato double-bass, electronics & rhythm. | wandering unstable interrogative electroacoustic music | Gbm | 68 | |||
|
Our Man in Budapest [CEZ4184 - 4] |
0 | 2'06 | Thierry Caroubi | Interrogative & tense. Cymbalum, pizz, strings & electronics. | spy geopolitics Hungary insidious | Dm | 120 | |||
|
Refusenik [CEZ4184 - 7] |
0 | 2'20 | Selma Mutal | Gentle & melancholic. Strings & electronics. | geopolitics Russia destiny melancholic | Cm | 152 | |||
|
Lake Sevan [CEZ4184 - 8] |
1'22 | Cyrille Aufort | Sad & panoramic. Duduk, piano & strings. | Armenia duduk Balkans social drama | Cm | 100 | ||||
|
Lake Sevan 2 [CEZ4184 - 27] |
Alt. | 2'09 | Cyrille Aufort | Sad & desolate. Duduk, clarinet & strings. | destiny geopolitics cinematic orchestra Balkans | Dbm | 67 | |||
|
Crimson Mud Slide [CEZ4184 - 10] |
0 | 2'10 | Selma Mutal | Sad & suspended. Strings & electronics. | cimbalom social drama moving geopolitics | Cm | 101 |