| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Balgin [UBM2301 - 13] |
0 | 3'27 | David Mate | Deep, world music, ethnic, captivating, warm, floating, airy, and | electronic percussion rhythm section synthesizer time-lapse | Dbm | 85 | |||
|
Neutrinos [UBM2301 - 14] |
0 | 4'53 | David Mate | A brisk beginning, then the trippy beat sets in. Atmospheric, warm, | beat making synthesizer time-lapse electronic percussion | D | 88 | |||
|
Space Time [UBM2301 - 16] |
0 | 1'49 | David Mate | Busy, break beat, and energizing. With a frivolous positive vibe. A | downtempo synthesizer time-lapse driving | D | 109 | |||
|
Plasma [UBM2301 - 17] |
0 | 3'08 | David Mate | Intriguing, mysterious atmospheric. Warm synthesizer pads with a | synthesizer time-lapse atmospheric downtempo | Dbm | 121 | |||
|
Diamond Piano [UBM2301 - 18] |
0 | 3'02 | David Mate | Piano opening, then the soft beat starts at 00:22. A nice rolling | drum & bass time-lapse electronic percussion dreamy | Bm | 85 | |||
|
Urban Style [UBM2301 - 21] |
0 | 3'02 | Michael Hornek | A light drum and bass filled composition for a nightly fly over the | percussive arty intermittent architecture & design | G | 152 | |||
|
Sweet Dreams [UBM2521 - 3] |
0 | 6'42 | Hans Guenter Wagener | This slow music box melody will reliably lull even the most alert | lullaby sparse peaceful calm | A | 112 | |||
|
Good Night [UBM2521 - 8] |
0 | 5'11 | Hans Guenter Wagener | Evening atmosphere in Toyland: dolls' eyes close, teddy bears doze, | lullaby peaceful delicate crystalline | G | 96 | |||
|
Soft Pillow [UBM2521 - 9] |
0 | 4'02 | Hans Guenter Wagener | Not just for small children: adults can also meditate and find inner | lullaby crystalline peaceful delicate | Db | 96 | |||
|
Slumberland [UBM2521 - 11] |
0 | 3'40 | Hans Guenter Wagener | The first journey on the night train is a real challenge for the | lullaby calm crystalline peaceful | C | 96 | |||
|
Between Time And Space [CEG5050 - 7] |
0 | 1'53 | Jia | Cinematic Ambient score. Ethereal drone song with shimmering FX, | electro ambient peaceful atmospheric cinematic | G | 70 | |||
|
Elegance Of Thought [UBM2510 - 10] |
0 | 2'27 | Ronnie W Verboom | Melancholy is reflected in every tone. Music that touches the soul | calm destiny acoustic piano sad | Gbm | 86 | |||
|
Remote Life [UBM2510 - 11] |
0 | 2'32 | Ronnie W Verboom | A room disappears into darkness. Only the moon throws its pale light | melancholic acoustic piano calm destiny | Ebm | 63 | |||
|
Waves Of Reflection [UBM2510 - 12] |
0 | 2'29 | Ronnie W Verboom | New life springs from a source just found. This dynamic, urgent piano | introspective acoustic piano moving melancholic | C | 86 | |||
|
Exotic Fun [AMS5039 - 2] |
2'00 | Ilan Kunik | Percussive dramedy. Exotic, playful & quirky. Lively handclaps. Intro | dramedy percussive pop police comedy daytime TV | Gm | 124 | ||||
|
Exotic Fun Alternate 1 [AMS5039 - 17] |
Alt. | 2'00 | Ilan Kunik | No percussion version | dramedy police comedy daytime TV relentless | Gm | 124 | |||
|
Exotic Fun Alternate 2 [AMS5039 - 18] |
Alt. | 2'00 | Ilan Kunik | Percussion only version | dramedy percussive pop police comedy daytime TV | Bm | 124 | |||
|
Exotic Fun Alternate 3 [AMS5039 - 19] |
Alt. | 2'00 | Ilan Kunik | Bed | dramedy percussive pop police comedy daytime TV | Gm | 124 | |||
|
Exotic Fun Alternate 4 [AMS5039 - 20] |
Alt. | 2'00 | Ilan Kunik | Underscore | dramedy percussive pop police comedy daytime TV | Gm | 124 | |||
|
Exotic Fun Alternate 5 [AMS5039 - 21] |
Alt. | 0'30 | Ilan Kunik | 30 seconds cut | dramedy percussive pop police comedy daytime TV | Gm | 124 | |||
|
Exotic Fun Alternate 6 [AMS5039 - 22] |
Alt. | 0'15 | Ilan Kunik | 15 seconds cut | dramedy percussive pop police comedy daytime TV | Gm | 123 | |||
|
Always Fresh [AMS5039 - 7] |
2'04 | Ilan Kunik | Corporate dramedy. Bright, magical & upbeat. Repetitive guitar | daytime TV advertising driving original score | G | 164 | ||||
|
Always Fresh Alternate 1 [AMS5039 - 47] |
Alt. | 2'04 | Ilan Kunik | No percussion version | daytime TV advertising driving original score | G | 164 | |||
|
Always Fresh Alternate 2 [AMS5039 - 48] |
Alt. | 2'04 | Ilan Kunik | Percussion only version | daytime TV advertising driving original score | B | 164 | |||
|
Always Fresh Alternate 3 [AMS5039 - 49] |
Alt. | 2'04 | Ilan Kunik | Bed | daytime TV advertising driving original score | G | 164 | |||
|
Always Fresh Alternate 4 [AMS5039 - 50] |
Alt. | 2'04 | Ilan Kunik | Underscore | daytime TV advertising driving original score | G | 164 | |||
|
Always Fresh Alternate 5 [AMS5039 - 51] |
Alt. | 0'30 | Ilan Kunik | 30 seconds cut | daytime TV advertising driving original score | G | 164 | |||
|
Always Fresh Alternate 6 [AMS5039 - 52] |
Alt. | 0'15 | Ilan Kunik | 15 seconds cut | daytime TV advertising driving original score | G | 163 | |||
|
Advertise Me [AMS5039 - 9] |
2'00 | Ilan Kunik | Corporate jazz funk. Happy, bouncy & playful. Build-up with piano, | daytime TV lively percussive pop original score | Fm | 112 | ||||
|
Advertise Me Alternate 1 [AMS5039 - 59] |
Alt. | 2'00 | Ilan Kunik | No percussion version | daytime TV lively original score confident | F | 112 | |||
|
Advertise Me Alternate 2 [AMS5039 - 60] |
Alt. | 2'00 | Ilan Kunik | Percussion only version | daytime TV lively percussive pop original score | Em | 112 | |||
|
Advertise Me Alternate 3 [AMS5039 - 61] |
Alt. | 2'00 | Ilan Kunik | Bed | daytime TV lively percussive pop original score | Fm | 112 | |||
|
Advertise Me Alternate 4 [AMS5039 - 62] |
Alt. | 2'00 | Ilan Kunik | Underscore | daytime TV lively percussive pop original score | Fm | 112 | |||
|
Advertise Me Alternate 5 [AMS5039 - 63] |
Alt. | 0'30 | Ilan Kunik | 30 seconds cut | daytime TV lively percussive pop original score | Fm | 112 | |||
|
Advertise Me Alternate 6 [AMS5039 - 64] |
Alt. | 0'15 | Ilan Kunik | 15 seconds cut | daytime TV lively percussive pop original score | Fm | 112 | |||
|
The Law of Chance [CEC8056 - 7] |
3'17 | Pei Zhao, Haojie Zheng | Electronic score. Ethereal, mellow & shimmering. Spacey intro with | anticipation hypnotic downtempo spy | Bm | 150 | ||||
|
The Law of Chance Edit 1 (60
[CEC8056 - 37] |
Alt. | 1'00 | Pei Zhao, Haojie Zheng | 60 second cut | anticipation hypnotic downtempo spy | Bm | 150 | |||
|
The Law of Chance Edit 2 (30
[CEC8056 - 38] |
Alt. | 0'30 | Pei Zhao, Haojie Zheng | 30 second cut | anticipation hypnotic downtempo spy | Bm | 150 | |||
|
The Law of Chance Edit 3 (15
[CEC8056 - 39] |
Alt. | 0'15 | Pei Zhao, Haojie Zheng | 15 second cut | anticipation hypnotic downtempo spy | Bm | 149 | |||
|
Evidence is Mounting [CEG5048 - 4] |
1'51 | Antoine Glatard | Disturbing, punctuated, expectant, mysterious & serious. Strings & | politics anticipation interrogative investigation | Gm | 104 | ||||
|
Evidence is Mounting Alternate [CEG5048 - 19] |
Alt. | 1'52 | Antoine Glatard | Alternate minimalist version | original score social drama anticipation politics | G | 104 | |||
|
Professional Networks [UBM2536 - 6] |
0 | 2'07 | Christoph Lienemann | Job networks are the dating portals of the business world. A | synthesizer confident electro pop luminous | A | 109 |