| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Clockpulse [UBM2274 - 1] |
0 | 2'32 | Felix Halbe | Time is running and the tension increases. | interrogative time (tick-tock) suspended atmosphere fx tick-tock | Cm | 87 | |||
|
Things Change [UBM2274 - 3] |
0 | 2'03 | Felix Halbe | Metronom and synthesizer create a pensive, thrilling sound. At the | suspense crime movie time (tick-tock) fx tick-tock | Ebm | 80 | |||
|
Cartel [UBM2274 - 5] |
0 | 2'07 | Felix Halbe | Strictly tapped track which can be looped into sequences, ticking | time (tick-tock) suspended atmosphere crime movie relentless | Gm | 90 | |||
|
Observing Thieves at Work [UBM2274 - 6] |
0 | 2'00 | Felix Halbe | Suitable for scenes of thieves in action. Electronics, synthesizer, | suspense interrogative time (tick-tock) suspended atmosphere | Db | 80 | |||
|
Rise of Fundamentalism [UBM2274 - 7] |
0 | 2'09 | Felix Halbe | Ideal for action scenes in the Middle East. Traditional instruments | spy time (tick-tock) tormented suspended atmosphere | Cm | 143 | |||
|
Spycam [UBM2274 - 15] |
0 | 2'17 | Felix Halbe | The danger is imminent. Ideal for exciting thrillers and images of | time (tick-tock) spy suspended atmosphere disturbing | Bm | 120 | |||
|
Cybercrime [UBM2274 - 16] |
0 | 2'39 | Felix Halbe | Smart hackers are at work. Synthesizer, drones, bass, loopable, | interrogative time (tick-tock) suspended atmosphere disturbing | Em | 93 | |||
|
Wait Tense [UBM2274 - 17] |
0 | 1'49 | Felix Halbe | The calm before the storm is audible. The tension increases. | time (tick-tock) suspended atmosphere crime movie interrogative | G | 90 | |||
|
So Far so Close [MAG6027 - 1] |
1'14 | Jumo | Electro / future beat. Arty, intense & luminous. Synth & rhythm. | future beat advertising modern arty | Cm | 65 | ||||
|
So Far so Close (extended) [MAG6027 - 11] |
Alt. | 2'27 | Jumo | Electro / future beat. Arty, intense & luminous. Synth & rhythm. | future beat advertising modern arty | Cm | 65 | |||
|
So Far so Close (extended 2) [MAG6027 - 12] |
Alt. | 3'04 | Jumo | Electro / future beat. Arty, intense & luminous. Synth & rhythm. | future beat advertising modern arty | Cm | 65 | |||
|
Electronic Brain [CEZ4329 - 2] |
0 | 2'14 | Narumi Omori | Electronica. Confident, solar & naive. Analog synth & rhythm. | electronica confident catchy cybernetics | Cm | 115 | |||
|
Waterobics [CEZ4324 - 13] |
0 | 1'59 | Romain Magnan | Upbeat electro. Rigorous but dreamy & mechanical. Synth & rhythm. | modern confident mechanical fashion | Am | 120 | |||
|
So What? [CEZ4320 - 9] |
0 | 1'51 | Gréco Casadesus | TV series. Daily life. Time passing. Interrogative & patient. Pizz, | interrogative pizzicato arts & crafts patient | Em | 94 | |||
|
Augmented Future [CEO2053 - 1] |
0 | 4'03 | Stéphane Lopez | Analog electro. Rigorous, intense & determined. Build up & climax @ | cybernetics sci-fi cyclic space | Em | 140 | |||
|
Sines and Cymbals [CEZ4316 - 19] |
0 | 2'10 | Silvano Michelino | Mysterious & constant. Acoustic & electronic percussion ensemble | industry congas percussion ensemble mechanical | Gbm | 140 | |||
|
Insist on This [CEZ4316 - 25] |
0 | 2'07 | Silvano Michelino | Cyclic & groovy. Acoustic & electronic percussion ensemble (log drum, | percussion ensemble wood drums groovy mechanical | Em | 140 | |||
|
Team Building [CEZ4314 - 5] |
0 | 1'58 | Baptiste Thiry | Corporate. Determined & unifying. Constant progression. Piano, | corporate (all) unifying driving neo-classical music | Gm | 112 | |||
|
Ghetto Box [MAG6025 - 7] |
0 | 2'28 | Yann Kesz | Real hip hop / beatmaking. Cyclic, urban & heavy. Synth & rhythm. | beat making urban landscape street sports modern | Gm | 65 | |||
|
Minds at work [CEZ4312 - 7] |
0 | 2'37 | Elisabeth Skornik, Guy Skornik | Mechanical, dark & reflective. Like a clock. Keyboards, chimes, | social drama pizzicato industry interrogative | Dm | 120 | |||
|
Incognito Mode [CEZ4309 - 7] |
0 | 3'08 | Thierry Caroubi | Analog electro. Intriguing, sinuous & suspenseful. Arpeggiator, | cybernetics arpeggio insidious circus music | Cm | 100 | |||
|
Lunchtime with Lydia [CCB1026 - 3] |
0 | 2'05 | Ray Bartok | Experimental rock / math rock. Mechanical, unstable & rhythmic. Rock | unstable math rock band mechanical | Bbm | 121 |