| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Stereoscopy [CEZ4034 - 26] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Hopeful. Busy & exciting groove with science Fx. | industry robotic mechanical sport 1970 | Db | 120 | |||
|
Transition [CEZ4034 - 30] |
0 | 1'27 | Elisabeth Skornik, Guy Skornik | Dark & heavy. Mechanical sound wash with Fx. | abyss strict robotic sound design | B | 91 | |||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 | ||||
|
What Tomorrow Holds - Electro
[CEZ4700 - 18] |
0 | 2'45 | Elisabeth Skornik, Guy Skornik | Electronic version. Percussive, strange, quirky, repetitive, | weird contemporary dance cyclic original score | F | 110 | |||
|
Metamorphosis [EOS147 - 7] |
0 | 2'13 | Simon Gruwé | Whirling, luminous & hypnotic. Strings, electric guitar, piano, | cyclic acoustic piano synthesizer arpeggiator | Am | 133 | |||
|
Sure as Fate [CEO2181 - 5] |
0 | 2'07 | Antoine Glatard | Determined, agitated, serious & dignified. Piano & cello arpeggios. | destiny driving melancholic strict | Fm | 120 | |||
|
With Finesse [CCB1071 - 7] |
2'47 | Jérémy Dirat | Modern baroque. Elegant & busy. Playful & perky pizzicato intro with | arts refined historical narrative heritage | Am | 91 | ||||
|
With Finesse Alternate 1 [CCB1071 - 47] |
Alt. | 2'47 | Jérémy Dirat | Version with strings only | arts refined historical narrative heritage | Am | 91 | |||
|
With Finesse Alternate 2 [CCB1071 - 48] |
Alt. | 2'46 | Jérémy Dirat | Underscore version | uplifting driving neo-classical music advertising | Am | 91 | |||
|
With Finesse Edit 1 20sec [CCB1071 - 49] |
Alt. | 0'20 | Jérémy Dirat | 20 second cut | arts refined historical narrative heritage | Am | 91 | |||
|
With Finesse Edit 2 30sec [CCB1071 - 50] |
Alt. | 0'30 | Jérémy Dirat | 30 second cut | arts refined historical narrative heritage | Am | 91 | |||
|
With Finesse Edit 3 60sec [CCB1071 - 51] |
Alt. | 1'00 | Jérémy Dirat | 60 second cut | arts refined historical narrative heritage | Am | 91 | |||
|
With Finesse Edit 4 sting [CCB1071 - 52] |
Alt. | 0'12 | Jérémy Dirat | Sting | arts refined historical narrative heritage | E | 93 | |||
|
Darkish Projections [CCB1068 - 6] |
2'04 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Threatening, | cybernetics hypnotic repetitive music sci-fi | Ebm | 130 | ||||
|
Darkish Projections Edit 20
[CCB1068 - 25] |
Alt. | 0'20 | Louis-Ronan Choisy | 20 second cut. | cybernetics hypnotic repetitive music sci-fi | Ebm | 129 | |||
|
Darkish Projections Edit 30
[CCB1068 - 26] |
Alt. | 0'30 | Louis-Ronan Choisy | 30 second cut. | cybernetics hypnotic repetitive music sci-fi | Ebm | 130 | |||
|
Darkish Projections Sting [CCB1068 - 27] |
Alt. | 0'11 | Louis-Ronan Choisy | Sting | cybernetics hypnotic repetitive music sci-fi | Ebm | 129 | |||
|
Particle Shower [CCB1068 - 8] |
2'15 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Mathematical, | time-lapse cybernetics science hypnotic | Fm | 130 | ||||
|
Particle Shower Edit 20 sec [CCB1068 - 31] |
Alt. | 0'20 | Louis-Ronan Choisy | 20 second cut. | time-lapse cybernetics science hypnotic | Fm | 130 | |||
|
Particle Shower Edit 30 sec [CCB1068 - 32] |
Alt. | 0'30 | Louis-Ronan Choisy | 30 second cut. | time-lapse cybernetics science hypnotic | Fm | 130 | |||
|
Particle Shower Sting [CCB1068 - 33] |
Alt. | 0'11 | Louis-Ronan Choisy | Sting | time-lapse cybernetics science hypnotic | Fm | 129 | |||
|
Waiting for the Assault [CEO2175 - 6] |
0 | 3'13 | Cinematic/Hybrid orchestra. Suspended, slightly anxious & in | sinister disturbing mysterious historical conflict | Cm | 114 | ||||
|
Thick Fog [UBM2577 - 7] |
0 | 2'18 | Florent Duclos, Benoit Jego | Thick fog, poor visibility. The dubious trio of bankers races along | relentless urgent industry investigation | Em | 120 | |||
|
Information Disorder [CEG5054 - 7] |
0 | 2'18 | Jérémy Dirat | Electro beat. Vibrating, lonely & inexorable. Constant progression. | electro beat spy cybernetics insidious | Cm | 99 | |||
|
Bleeding Steel [CEZ4660 - 1] |
2'58 | Léo Natale | Dark Synthwave. Brash, frenetic & powerful. Analog synth, drum | aggressive & violent darksynth powerful & imposing fiery | Dm | 142 | ||||
|
Bleeding Steel Alternate [CEZ4660 - 11] |
Alt. | 3'00 | Léo Natale | Underscore version. | darksynth fiery chase extreme & fighting sport | Dm | 142 | |||
|
Bleeding Steel Edit 1 (15s) [CEZ4660 - 12] |
Alt. | 0'15 | Léo Natale | 15 second cut. | darksynth fiery chase extreme & fighting sport | Gm | 143 | |||
|
Bleeding Steel Edit 2 (30s) [CEZ4660 - 13] |
Alt. | 0'29 | Léo Natale | 30 second cut. | darksynth chase extreme & fighting sport action movie | Gm | 142 | |||
|
Bleeding Steel Edit 3 (60s) [CEZ4660 - 14] |
Alt. | 1'00 | Léo Natale | 60 second cut. | darksynth fiery chase extreme & fighting sport | Dm | 142 | |||
|
Bleeding Steel Edit 4 (sting) [CEZ4660 - 15] |
Alt. | 0'09 | Léo Natale | Sting. | darksynth fiery chase extreme & fighting sport | Dm | 142 | |||
|
Dancing Notes [CEZ4647 - 8] |
1'48 | Wolfgang Lackerschmid, Andreas Suttner | Steady, emphatic, exotic & haunting. Marimba, cello, light electronic | science punctuated arts & crafts interrogative | Dm | 127 | ||||
|
Dancing Notes Alternate 1 [CEZ4647 - 48] |
Alt. | 1'48 | Wolfgang Lackerschmid, Andreas Suttner | Minimal version without rythmic | science punctuated arts & crafts interrogative | Dm | 127 | |||
|
Dancing Notes Alternate 2 [CEZ4647 - 49] |
Alt. | 1'48 | Wolfgang Lackerschmid, Andreas Suttner | Minimal version marimba only | science punctuated arts & crafts interrogative | Dm | 127 | |||
|
Dancing Notes Edit 1 (60sec) [CEZ4647 - 50] |
Alt. | 1'00 | Wolfgang Lackerschmid, Andreas Suttner | 60 second cut | science punctuated arts & crafts interrogative | D | 127 | |||
|
Dancing Notes Edit 2 (30sec) [CEZ4647 - 51] |
Alt. | 0'30 | Wolfgang Lackerschmid, Andreas Suttner | 30 second cut | science punctuated arts & crafts interrogative | D | 128 | |||
|
Dancing Notes Edit 3 (15sec) [CEZ4647 - 52] |
Alt. | 0'15 | Wolfgang Lackerschmid, Andreas Suttner | 15 second cut | science punctuated arts & crafts interrogative | D | 127 | |||
|
Urban Spree [CEG5052 - 10] |
2'37 | Louis Edlinger | Minimal ambient. Repetitive, pulsating & dripping. Synth, electronics | electro minimalism science interrogative relentless | Db | 110 | ||||
|
Urban Spree Alternate 1 [CEG5052 - 31] |
Alt. | 2'30 | Louis Edlinger | Version without rhythm. | electro minimalism science interrogative relentless | Db | 110 | |||
|
Urban Spree Alternate 2 [CEG5052 - 32] |
Alt. | 2'31 | Louis Edlinger | Version without lead synth & hits. | electro minimalism science interrogative cybernetics | Db | 110 | |||
|
Ex Nihilo [ISC086 - 3] |
2'36 | Stanislav Barantsov | Cinematic hybrid trailer. With a powerful rock edge. Ticking intro. | action movie extreme & fighting sport cinematic rock climax | Em | 143 | ||||
|
Ex Nihilo Alternate [ISC086 - 13] |
Alt. | 2'36 | Stanislav Barantsov | Version without percussion | extreme & fighting sport cinematic rock climax powerful & imposing | Em | 143 | |||
|
Structural Change [UBM2570 - 2] |
0 | 1'26 | Christoph Lienemann | The letter in the mailbox is accompanied by a rent increase in the | original score insidious fashion cyclic | Gm | 120 | |||
|
The Informant [UBM2559 - 8] |
0 | 1'33 | Axel Coon, Ralf Goebel | Dodgy dive bars are an ideal cover for the secret eyes and ears of | insidious nocturnal legal drama investigation | Em | 124 |