| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Combat Training [CEZ4285 - 8] |
0 | 2'12 | Sebastijan Duh | Inexorable & tense. Cinematic orchestra, electric guitar & percussion. | crime movie historical conflict war (movies) disturbing | Dbm | 135 | |||
|
Command Center [CEZ4285 - 19] |
1'56 | Julien Vega | Threatening & minimalist. Agressive & violent @ 0'48. Electronics & | historical conflict action movie aggressive & violent cinematic | Bm | 140 | ||||
|
Command Center Alternate
[CEZ4285 - 33] |
Alt. | 1'57 | Julien Vega | Underscore. War sound effects & urgent. Electronics. | historical conflict aggressive & violent war (movies) percussive | Gbm | 140 | |||
|
Electric Pressure [UBM2271 - 13] |
0 | 1'40 | Daniel Backes, Peter Moslener | Danger, threat, harshness. Ideal for dramatic scenes and to build up | industry science synthesizer disturbing | C | 125 | |||
|
Mystic Marimba [UBM2270 - 11] |
0 | 2'04 | Daniel Backes, Peter Moslener | Reduced track with mystic elements. Obscure and slightly dark. | mysterious interrogative investigation marimba | Gm | 82 | |||
|
From Dublin to Nashville
[CEZ4279 - 34] |
1'34 | Manuel Galvin | Uplifting & bouncy. Country guitar duet. | flat picking guitar bluegrass confident United States of America | Fm | 112 | ||||
|
From Dublin to Nashville [CEZ4279 - 20] |
Alt. | 2'51 | Manuel Galvin | Half Irish & half bluegrass. 1st part calm. Uplifting 2nd part @ | folk guitar confident Ireland Celtic music | F | 155 | |||
|
Battle in Lilliput [CEZ4282 - 11] |
0 | 0'50 | Anne-Sophie Versnaeyen | Determined & serious. Solo alto violin. | viola historical narrative relentless punctuated | Dm | 89 | |||
|
Disco in Cairo [EOS19 - 5] |
0 | 5'34 | Sébastien Saint-Lezin | Noisy & heavy. Synthesizer, sequencing, electronic percussion. | noisy complex driving heavy | Am | 129 | |||
|
Whoop-Whoop [CEZ4278 - 20] |
0 | 1'23 | Gabriel Saban, Philippe Briand | Urban drama. Frightning & psychotic. Synth, fx siren & hip hop rhythm. | insidious cinematic beat crime movie social drama | Gm | 134 | |||
|
Crowd Violence [CEZ4273 - 26] |
0 | 3'21 | Yann Puloch, Morgan Sansous | Heavy metal. Furious, incisive & percussive. Rock band. | aggressive & violent fx distorsion heavy metal extreme & fighting sport | C | 100 | |||
|
In a Frenzy [CEZ4273 - 32] |
0 | 2'10 | Junior Rodriguez | Stoner rock. Obstinate, nervous & percussive. Rock band. | relentless disturbing extreme & fighting sport 1990 | Bm | 80 | |||
|
Touchdown [CEZ4272 - 21] |
0 | 2'14 | Mark Alberts | Punk rock / anthemic rock. Triumphant, driving & wild. Rock band. | team sport driving band distorted electric guitar | A | 111 | |||
|
Rocknrolla [CEZ4271 - 2] |
0 | 2'56 | The Mean Pandas | Electro rock. Cut, energetic & lively. Rock band. | street sports electro rock mechanical sport lively | Fm | 100 | |||
|
Half-Pipe Contest [CEZ4271 - 6] |
0 | 2'46 | Medical Kit | Dubstep. Heavy, percussive & glitchy. Synth & rhythm. | dubstep street sports extreme & fighting sport rhythmic | Fm | 142 | |||
|
Nihil [CEZ4269 - 5] |
0 | 3'16 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Modern Black Metal. Incisive, straight & insistent. Rock band. | black metal adventure game relentless modern | Cm | 128 | |||
|
Sunday Driving 2 [CEZ4261 - 22] |
2'00 | Marlene Caissy Continente, Eric Caissy | Carefree & determined. Folk guitar, banjo & rhythm. | folk (all) folk guitar North America tracking shot | G | 120 | ||||
|
Sunday Driving [CEZ4261 - 5] |
Alt. | 1'59 | Marlene Caissy Continente, Eric Caissy | Folk song. Carefree but determined. Male voice, folk guitar, banjo & Lyrics | male singer North America sung in English folk guitar | G | 120 | |||
|
Enquète à Lusagne [CEO2038 - 4] |
0 | 1'28 | Jérôme Lemonnier | Decided, serious & cyclic. Hang, guitar & bass. | hang drum steady hypnotic relentless | D | 80 | |||
|
Ticking Tingle [UBM2251 - 2] |
0 | 2'11 | Daniel Backes, Peter Moslener | Warm sound of xylophone, ideal for images of citylife: structured, | crime movie investigation time (tick-tock) steady | Dm | 64 | |||
|
Building Bubbles [UBM2251 - 8] |
0 | 2'07 | Daniel Backes, Peter Moslener | Positive sound bubbles, sounds like glockenspiel with synthesizer, | arpeggiator industry mechanical sport video game | Am | 127 | |||
|
Raise Intensity [UBM2251 - 19] |
0 | 1'42 | Daniel Backes, Peter Moslener | Dark, ticking and electronic sound with deep bass, good for sense of | arpeggiator crime movie interrogative investigation | Gbm | 102 | |||
|
No Time Like the Present [UBM2248 - 16] |
0 | 1'24 | Luke Davoll | Fast tempo, energetic, solo piano, works good for quick cuts, fast | arpeggio whirling industry cyclic | C | 140 |