| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Skull of Hate [CEZ4313 - 1] |
0 | 3'20 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Fatal, martial & obstinate. Intro & changing. Metal band. | thrash metal horror distorted electric guitar extreme & fighting sport | E | 142 | |||
|
Bit Rush [CEZ4309 - 14] |
0 | 3'14 | Vincent Leibovitz | Electro beat / hip hop. Precise, urban & percussive. Synth & rhythm. | urban modern corporate video fashion | F | 130 | |||
|
Laboratory Artifact [EOS22 - 12] |
0 | 3'04 | Eric Volpatti | Sound design. Interrogative, undulating & urgent. Piano & | interrogative investigation mysterious nocturnal | Gbm | 162 | |||
|
Voir le Jour Final [CEO2045 - 16] |
0 | 2'44 | Alice Guerlot Kourouklis | Moving, swirling & obstinate. String quartet, electronics & chimes. | everyday life moving lyrical repetitive music | Em | 120 | |||
|
Expo 1911 [UBM2250 - 10] |
0 | 2'10 | Andrea Gattico | Fast track, ideal for images of circus, clowns and coton candy. | circus music blooper happy & joyful diatonic accordion | Ab | 85 | |||
|
Galoppo [UBM2250 - 13] |
0 | 2'29 | Andrea Gattico | Funny, fast and warm track, suitable for children programs, images of | circus music funny comedy funfair | B | 156 | |||
|
The World to Come Alternate
[CEZ4290 - 52] |
2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | opening credits TV contemporary history cinematic orchestra docu fiction | Cm | 120 | ||||
|
The World to Come [CEZ4290 - 27] |
Alt. | 2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | docu fiction cinematic orchestra opening credits TV cinematic percussion | Cm | 80 | |||
|
Cyborg Heart [EOS21 - 8] |
0 | 3'06 | Eric Volpatti | Mysterious & disturbing. Marimba, synth, sequencing. | mysterious disturbing investigation marimba | Bm | 100 | |||
|
Just for the Sake of it [CEZ4289 - 23] |
0 | 1'10 | Timothée Couteau | Passionate & swirling. Solo cello. | cello whirling uplifting arts & crafts | G | 91 | |||
|
Approaching Battle [CEZ4285 - 14] |
0 | 2'28 | Gabriel Saban, Philippe Briand | Determined & frightening. Constant progression. Cinematic orchestra & | historical conflict cinematic war (movies) driving | Fm | 97 | |||
|
Devasted Land [CEZ4285 - 27] |
0 | 1'56 | Gréco Casadesus, Gregory Cotti | Frightening & chaotic. Electronics & percussion. | scary aggressive & violent war (movies) warlike | Ebm | 100 | |||
|
Sinister Groove [UBM2271 - 7] |
0 | 1'50 | Daniel Backes, Peter Moslener | Dark track with a steady threat. Synthesizer, percussion. | disturbing synthesizer time (tick-tock) abyss | D | 130 | |||
|
Buggy Bongo [UBM2264 - 9] |
0 | 0'38 | Daniel Backes, Peter Moslener | Percussion, banjo, plucked bass and tuba work for images of a circus | circus music comedy funny animation & cartoons | Bm | 137 | |||
|
Operation Fox Desert [EOS19 - 10] |
0 | 4'41 | Sébastien Saint-Lezin | Noisy & percussive. Synthesizer, sequencing, electronic percussion, | noisy driving historical conflict intermittent | Bbm | 108 | |||
|
Dark Facts [UBM2251 - 6] |
0 | 2'04 | Daniel Backes, Peter Moslener | Dark and ticking sound with deep bass, good for sense of menace and | suspense crime movie disturbing investigation | Bbm | 97 | |||
|
Explainable [UBM2251 - 7] |
0 | 1'49 | Daniel Backes, Peter Moslener | Positive and motivating sound with xylophone, perfect for a | police comedy steady interrogative introspective | Gm | 93 | |||
|
House of Intrigue [UBM2260 - 1] |
0 | 1'47 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Melancholic strings and piano spread a dark premonition. Ideal for | social drama interrogative fantasy string orchestra | Am | 115 | |||
|
Blindspot [UBM2258 - 1] |
0 | 2'05 | Felix Halbe | Energetic track with piano, synthesizer, strings and a dramatic | disturbing investigation destiny epic | Gm | 161 | |||
|
Endtitles [UBM2258 - 20] |
0 | 2'50 | Felix Halbe | This song with strings, synthesizer and piano starts calmly. Track | final building disturbing investigation | Am | 110 | |||
|
No Consequence [CEZ4244 - 2] |
0 | 1'56 | Lucas Napoleone | Moving & passionate. Solo piano. | post-classical acoustic piano everyday life melancholic | Bm | 137 |