| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Burning the Midnight Oil
[CEO2044 - 52] |
1'02 | Gréco Casadesus | Interrogative & disturbing. String ensemble. | destiny high seas string orchestra panorama | B | 91 | ||||
|
Burning the Midnight Oil [CEO2044 - 16] |
Alt. | 1'03 | Gréco Casadesus | Interrogative & peaceful. Swaying. String orchestra & keyboard. | insidious string orchestra destiny suspended atmosphere | Em | 91 | |||
|
Paradise Bay [CEZ4292 - 5] |
0 | 2'39 | Colo Colo | Dream pop / pop rock. Energetic, atmospheric & driving. Electric | open air everyday life dream pop pop rock | D | 83 | |||
|
Ecosystem [CEO2043 - 5] |
0 | 1'27 | Gregory Cotti | Underscore. Suspended & peaceful. Electric guitar & electronics. | suspended atmosphere interrogative panorama beds | D | 70 | |||
|
Roses [CEO2043 - 10] |
0 | 1'38 | Gregory Cotti | Mysterious & panoramic. Ney, percussion, strings & electronics. | geopolitics hot desert mysterious disturbing | Dm | 94 | |||
|
South Side Chicago [CEO2041 - 1] |
0 | 1'36 | Selma Mutal | Introspective, desolate & suspended. Piano & strings. | introspective social drama suspended atmosphere contemporary series | Dm | 91 | |||
|
Combat Training [CEZ4285 - 8] |
0 | 2'12 | Sebastijan Duh | Inexorable & tense. Cinematic orchestra, electric guitar & percussion. | crime movie historical conflict war (movies) disturbing | Dbm | 135 | |||
|
Killed in Action [CEZ4285 - 12] |
0 | 2'12 | Lucas Napoleone | Sad & desolate. Constant progression. Cinematic orchestra, trumpet @ | desolate social drama tragic sad | C | 94 | |||
|
War Orphan [CEZ4285 - 21] |
0 | 2'04 | Lucas Napoleone | Drone. Threatening & sudden. Music box & electronics. | historical conflict sinister drone scary | Gm | 100 | |||
|
A Page Turns [CEZ4284 - 16] |
0 | 2'10 | Julien Baril | Introspective, sparse & sad. Electric guitar & synth pads. | atmospheric social drama suspended atmosphere introspective | Am | 100 | |||
|
Happy Ghosts [UBM2271 - 1] |
0 | 2'00 | Daniel Backes, Peter Moslener | Thoughtful piano, synthesizer creates a ghostlike atmosphere without | underwater synth pad acoustic piano dreamy | Db | 75 | |||
|
Engrossed in Thought [UBM2271 - 2] |
0 | 1'37 | Daniel Backes, Peter Moslener | Pensive piano with choir. Ideal for documentaries or drama. Slow. | synth choir cold hypnotic synth pad | Bm | 63 | |||
|
Wide and Lost [UBM2271 - 10] |
0 | 1'20 | Daniel Backes, Peter Moslener | Slow, mysterious track with a dark undertone. Perfect for abandoned | desolate ufo abyss horror | Bbm | 101 | |||
|
Confident Tune [UBM2270 - 18] |
0 | 1'37 | Daniel Backes, Peter Moslener | Confident and propulsive song. Uplifting and warm. Strings, piano. | confident uplifting string section everyday life | D | 167 | |||
|
Melody of Grace [UBM2268 - 10] |
0 | 2'28 | Bernhard Hering, Matthias Krüger-Wendel | The track works great for the mood of happy anticipation. The slow | calm dreamy vibraphone everyday life | B | 111 | |||
|
Growing Live [UBM2268 - 14] |
0 | 3'40 | Bernhard Hering, Matthias Krüger-Wendel | Staccato strings and minimal Vibraphone create a mood of magic and | interrogative vibraphone fantasy string section | Bbm | 89 | |||
|
Question Marks [UBM2267 - 11] |
0 | 1'45 | Karsten Lipp, Andre Matov | Synthesizer with a dripping, bright sound. Loopable. | sequencing arpeggiator weather report jerky | F | 113 | |||
|
Raindrops [UBM2267 - 16] |
0 | 2'00 | Karsten Lipp, Andre Matov | Synths imitates falling drops. A beautiful, bright track, ideal for | weather report dreamy arpeggiator complex | Gm | 105 | |||
|
Dark Turkey [UBM2266 - 1] |
0 | 1'58 | Achim Zweschper | Threatening mood, influenced by turkish music. Cello, percussion, | hot desert mystical beds arid | Bm | 85 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 |