| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cryptic Trypic [UBM2248 - 6] |
0 | 1'53 | Luke Davoll | Fast tempo, dynamic, hopeful, works for time lapses in documentaries | acoustic piano post-classical whirling arpeggio | F | 100 | |||
|
Destiny No.2 [UBM2262 - 1] |
0 | 1'45 | Anselm Kreuzer, Sebastian Parche | Calm, sad, nearly melancholic track that starts with calm strings. | solemn sad intermittent moving | Db | 108 | |||
|
Unchangeable Rules [UBM2262 - 2] |
0 | 3'11 | Anselm Kreuzer, Sebastian Parche | Track starts with strings. The mood develops from sad to threatful | passionate poignant sad violin | Fm | 114 | |||
|
Deep Despair [UBM2262 - 3] |
0 | 2'35 | Anselm Kreuzer, Sebastian Parche | Melancholic track that reminds of images of war zones. Deep sadness. | sad tragic natural disaster social drama | Ebm | 82 | |||
|
The Burden [UBM2262 - 6] |
0 | 2'18 | Anselm Kreuzer, Sebastian Parche | Track that works for images of dramatic strokes of fate and stressful | film noir disturbing mysterious desolate | Em | 100 | |||
|
Street to Nowhere [UBM2262 - 10] |
0 | 5'14 | Anselm Kreuzer, Sebastian Parche | Calm beginning with strings. Despair is expressed. Bleak, painful, | intermittent film noir nocturnal string quartet | Gm | 136 | |||
|
Still There [UBM2260 - 5] |
0 | 2'06 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow strings create a melancholic and thoughtful atmosphere. Ideal | film noir historical narrative panorama disturbing | E | 110 | |||
|
Slaves of Globalization [UBM2260 - 9] |
0 | 2'00 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Depressing and sophisticated strings work for images of hopelessness | moving string quartet introspective destiny | Bb | 65 | |||
|
Love Unlimited [CEZ4232 - 9] |
0 | 1'23 | Grand David | Soul. Sensual & cheesy. Wah-wah guitar, strings & rhythm. | 1970 blaxploitation kitsch & cheesy soul | Bm | 76 | |||
|
Morning Sun [UBM2234 - 5] |
0 | 3'03 | Axel Coon, Linus Sandberg | Carefree & urban. Synth, electronic percussion, acoustic guitar, | EDM electronic percussion open air synthesizer | Gbm | 120 | |||
|
Slow Backbeat [UBM2205 - 13] |
0 | 2'18 | Daniel Backes, Peter Moslener | Neutral & constant. Percussion, shaker, synth, drums, bass. | steady neutral loop patient | Ab | 83 | |||
|
Secret Garden [UBM2246 - 11] |
0 | 2'02 | Karsten Lipp, Andre Matov | Meditative electric guitar with lots of sustain. Pensive and utterly | calm sparse electric guitar dreamy | D | 108 | |||
|
Desert Camp [CEZ4231 - 15] |
0 | 2'18 | Christophe Zurfluh | Sad & desolate. Ud, duduk, female voice & electronics. | Arab world Non Arab Middle East Central Asia geopolitics | Cm | 61 | |||
|
The Waves [MAG6008 - 1] |
0 | 3'59 | Powell | Intense & solar. Synth & rhythm. | coastline synthwave catchy luminous | Em | 136 | |||
|
Logarhythms [CEZ4182 - 11] |
0 | 1'48 | John Greaves | Joyful & cyclic. Piano, organ, harp & synth. | repetitive music science crystalline naive | Ebm | 93 | |||
|
Escher's Stairwell [CEZ4182 - 15] |
0 | 2'20 | John Greaves | Strange & cyclic. Synth & synth pads | contemporary art hypnotic patient steady | Eb | 120 | |||
|
Time and Tides [CEZ4182 - 16] |
0 | 3'02 | John Greaves | Interrogative & joyful. Constant progression. Pizz & strings. | arts charming arts & crafts confident | Abm | 95 | |||
|
Will to Live [UBM2174 - 13] |
0 | 1'34 | Anselm Kreuzer | Alive, eventful, determined; somewhat mystic. | interrogative adventure game driving marimba | Gbm | 140 | |||
|
Bright Day [UBM2174 - 20] |
0 | 2'02 | Anselm Kreuzer | Cheerful; relaxed yet bubbly. | confident happy & joyful triumphant uplifting | Ab | 130 | |||
|
Style Factory [CEZ4168 - 16] |
0 | 3'53 | Arno Riva | Dark & percussive. Synth & rhythm. | fashion lively synthwave 1990 | Ebm | 118 |