| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Grog Kills [CEZ4086 - 36] |
0 | 1'04 | John Greaves | Chaos & complex. Brass Band. | circus music street theatre dissonant carnival | Bm | 143 | |||
|
Land Art [CEZ4087 - 8] |
0 | 3'07 | Two Colors | Tintinnabulating but sombre. Electro acoustic. | spy humid electro organic paranormal | G | 86 | |||
|
The Fear Inside [CEZ4081 - 13] |
0 | 1'40 | Jean-François Vrod | Sinister & scary. Prepared piano solo. | horror sinister muffled nocturnal | B | 91 | |||
|
The Beast Within [CEZ4081 - 26] |
0 | 1'19 | Pierre Bernard | Fiendish & supernatural. Electro-acoustic. | horror fantasy fx explosion paranormal | Fm | 144 | |||
|
Funny Old War [CEZ4082 - 2] |
0 | 2'01 | Bruno Letort | Dramatic & heavy. String orchestra & percussion. Marimba @ 0'56. | historical narrative inexorable walking string orchestra | Gbm | 105 | |||
|
The Machinery of War [CEZ4082 - 20] |
0 | 1'33 | Bruno Letort | Emphatic & insistent. Orchestra & electric distorted guitar @ 1'02. | scansion historical movie relentless historical conflict | Fm | 112 | |||
|
Soviet March [CEZ4082 - 28] |
0 | 1'56 | Marc-Olivier Dupin | Eccentric march. Double bass duo & cello. | proud walking historical movie Twentieth century music | Cm | 91 | |||
|
Ruins [CEZ4083 - 31] |
0 | 2'12 | Marc-Olivier Dupin | Black & sinister. Piano solo. | scary contemporary serious music (all) funereal historical narrative | Cm | 111 | |||
|
Maracatu Geral [CEZ4076 - 18] |
0 | 1'32 | Silvano Michelino | Maracatu. Pernambuco state ritual. Haunting & repetitive. Percussion | maracatu metallophone Northeast Region, Brazil ethnic drum | G | 100 | |||
|
Ponzi Shame [CEZ4074 - 4] |
0 | 2'41 | Elisabeth Skornik, Guy Skornik | Intermittent dramatic progression. Urgent . Breaks @ 0'20, 0'40, 0'59 | politics social drama horror disturbing | Fm | 140 | |||
|
Harbingers [CEZ4074 - 10] |
0 | 1'41 | Elisabeth Skornik, Guy Skornik | Uncertain & tense with sudden effects. Rhythm @ 0'30. | chaotic historical conflict disturbing investigation | Dm | 130 | |||
|
The Empty City [CEZ4074 - 24] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Frightening & desolate. | rumbling disturbing dissonant drone | Gm | 117 | |||
|
Waiting for Better Days [CEZ4074 - 30] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Suspended & uncertain. | social drama disturbing investigation sinister | C | 90 | |||
|
No Changes [CEZ4074 - 31] |
0 | 2'34 | Elisabeth Skornik, Guy Skornik | Hopeful & confident. Constant progression. | crescendo building confident acoustic piano | F | 85 | |||
|
Résonnance/Mouvements [CCB1002 - 1] |
0 | 13'48 | Alain Kremski | Alternately jerky & meditative. Piano, timpany, singing bols & gong. | acoustic piano abstract art primitive art Asia | A | 79 | |||
|
Bad Company [CEZ4067 - 8] |
0 | 2'13 | Vincent Leibovitz | Determined, weighty & punctuated. Piano, rhythm & electronics. | social drama investigation relentless urban landscape | Dm | 80 | |||
|
Casualty [CEZ4067 - 14] |
0 | 1'46 | Nicolas Mizrachi, Jean-Francois Morin | Raw, threatening. Wah wah guitar, electronics & rhythm. | investigation masculine urban landscape sport drama | A | 80 | |||
|
Terre Brûlée [CEV3002 - 29] |
0 | 2'06 | Marc-Olivier Dupin | Oppressive & tormented. Cello & col legno strings. | cello ensemble sinister col legno scary | D | 114 | |||
|
Muted Desire [CEZ4059 - 28] |
0 | 2'49 | Romuald Tual, Christian Zanesi | Collage of samples & human sounds with filtered low groove. Sensual. | 2000 architecture & design electro minimalism disturbing | Abm | 120 | |||
|
No Respect [CEZ4056 - 9] |
0 | 1'52 | Nicolas Mizrachi, Jean-Francois Morin | Increasing Tension. Aggressive guitars & synths with funky Groove. | inexorable investigation disturbing urban landscape | Gm | 94 |