| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Devil's Staircase [CCB1058 - 13] |
2'49 | Rémo | Dark ambient, experimental electro. Evil, dark & sinister. Like a | falling atmospheric horror inexorable | Gbm | 71 | ||||
|
The Devil's Staircase
[CCB1058 - 21] |
Alt. | 2'49 | Rémo | Alternate no FX. | atmospheric falling horror inexorable | Gbm | 71 | |||
|
Suspense Thickens [CEZ4502 - 2] |
0 | 2'12 | EE HOON | Suspense. Stripped, sinister, mysterious & disturbing. Descending fx. | Korean drama falling disturbing insidious | Cm | 120 | |||
|
Descent into the Catacombs [CEC8025 - 3] |
2'44 | Gabriel Saban, Bo Tian | Weird, suspenseful & eerie. Descent effect. Constant & obsessive | falling inexorable suspense cinematic | Am | 136 | ||||
|
Descent into the Catacombs
[CEC8025 - 12] |
Alt. | 2'44 | Gabriel Saban, Bo Tian | Alternate without percussion. | horror disturbing cinematic falling | Am | 136 | |||
|
Deeper and Deeper [CEO2137 - 7] |
2'04 | Gréco Casadesus | Suspended & enigmatic in a descent movement. Electronics. Low rhythm | falling underwater mysterious suspended atmosphere | D | 81 | ||||
|
Deeper and Deeper Alternate [CEO2137 - 17] |
Alt. | 2'06 | Gréco Casadesus | Alternate without percussion. | falling underwater synthesizer suspended atmosphere | D | 81 | |||
|
Here Comes the Fall [CEZ4321 - 6] |
0 | 3'53 | Vincent Leibovitz | Obstinate, frantic & frightening. Electronics, satanic voice & sound | falling scary space sci-fi | C | 101 | |||
|
Drop Down [MAG6001 - 24] |
0 | 2'12 | Chomsk' | Beat making. Implacable & acid. Synth, samples & rhythm. | falling celebs modern beat making | Dm | 88 | |||
|
Magnetic Landscapes [CEZ4033 - 2] |
0 | 2'07 | Christian Zanesi | Pure & empty. Constant glassy shimmer with long descending tone. | soundscape falling atmospheric electroacoustic music | Bm | 62 | |||
|
Down into Hell [CEZ4611 - 23] |
1'55 | Anselm Kreuzer, Andreas Suttner | Waiting, descending, interrogative, regular, obsessive, enigmatic & | disturbing falling insidious investigation | D | 105 | ||||
|
Down into Hell Alternate [CEZ4611 - 24] |
Alt. | 1'53 | Anselm Kreuzer, Andreas Suttner | Alternative version without melodic keys & cello. | disturbing falling insidious investigation | D | 105 | |||
|
The City Below [CEZ4570 - 11] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Mysterious intro then staccato @ 0'32. Uncertain insidious & tense. | urban landscape social drama legal drama panoramic | C | 120 | |||
|
The City Below Variation [CEZ4570 - 12] |
0 | 2'13 | Elisabeth Skornik, Guy Skornik | Light tension. Obstinate, constant & menacing. Drone, piano & | urban landscape social drama punctuated legal drama | C | 120 | |||
|
Waterfall of Light [ISC023 - 7] |
0 | 2'31 | Rémi Gernet | Classical music. Shimmering, sophisticated & delicate. Solo piano. | falling luminous acoustic piano waterfall | C | 152 | |||
|
Constant Endeavor Variation [CEZ4486 - 11] |
0 | 2'44 | Elisabeth Skornik, Guy Skornik | Continuous descending movement. Punctuated & tenacious. Piano, | science falling interrogative investigation | Gm | 120 | |||
|
Technical Expertise [CEZ4304 - 12] |
2'24 | Mathieu Laurent | Corporate, craft time. Determined & mechanical. Build up. Piano, | arts & crafts relentless corporate video mechanical | Cm | 172 | ||||
|
Technical Expertise Alternate
[CEZ4304 - 29] |
Alt. | 1'59 | Mathieu Laurent | Mechanical & determined. Hang, piano, electronics & rhythm @ 1'12. | hang drum relentless electronics patient | Cm | 86 | |||
|
The Next World [MAG6018 - 14] |
0 | 4'04 | Tenkah | Electro world. Inevitable, sad & falling. Changing @ 0'57. Synth, | modern falling electro world social drama | Cm | 133 | |||
|
The Corridors of Power [CEO2039 - 6] |
0 | 1'21 | Suspensful, tense & ambiguous. Piano & string orchestra. | suspense falling horror disturbing | Cm | 111 | ||||
|
An Element of Doubt [CEZ4254 - 5] |
0 | 2'06 | John Greaves | Interrogative & cyclic. Electronics. | beds investigation steady falling | Gm | 101 | |||
|
Rain of Gold [CEZ4249 - 1] |
0 | 2'22 | Nicolas Mathuriau | Fluid & magical. Solo vibraphone. | vibraphone waterfall crystalline luminous | Abm | 115 | |||
|
Infinite Darkness [CEZ4206 - 15] |
1'44 | Selma Mutal | Underscore. Desolate & solitary. Electronics. | falling desolate beds atmospheric | Gm | 68 | ||||
|
Infinite Darkness 2 [CEZ4206 - 38] |
Alt. | 1'50 | Selma Mutal | Underscore. Desolate & solitary. Electronics & rhythm. | falling beds atmospheric social drama | Gm | 86 | |||
|
Court-Circuit (part 1) [CEZ4014 - 86] |
0 | 0'26 | Jean-Claude Risset | Liaison. descending fx. Weird. Electronics & bell tree @ 0'16. | falling link scary horror | Em | 127 | |||
|
Spires of Dream [CEZ4110 - 5] |
0 | 2'26 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Constant & haunting. Descending effect @ 1'03. Bass guitars with | falling suspended atmosphere science fretless bass | Dm | 148 |