| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Conversation Strategies [CEZ4174 - 13] |
0 | 1'58 | Silvano Michelino | Suspense. Mysterious & nocturnal. Drum, stick & snare drum. | ethnic percussion ensemble beds Africa primitive art | Dm | 100 | |||
|
Always Faster [CEO2022 - 2] |
0 | 2'25 | Bruno Alexiu | Urgent & serious. Orchestra with horn & choir @ 1'35. Progression. | urgent French cinema politics scansion | A | 112 | |||
|
Turn of the Century [CEO2022 - 8] |
0 | 1'05 | Bruno Alexiu | Serious & decided. Orchestra with strings. | newsreel industry scansion mechanical | Cm | 133 | |||
|
The Alps [CEO2022 - 9] |
0 | 1'07 | Bruno Alexiu | Serious, meditative & solemn. Orchestra. | heritage destiny airy moving | Fm | 86 | |||
|
Wahnsinn [UBM2211 - 2] |
0 | 1'56 | Christoph Lienemann | Tense & disturbing. Synth, piano & rhythm. | disturbing interrogative mysterious suspense | Dm | 120 | |||
|
Fear [UBM2211 - 16] |
0 | 1'20 | Christoph Lienemann | Interrogative & tense. Synth & rhythm. | cold insidious interrogative crystalline | F | 120 | |||
|
Jungle Meltdown [CEZ4171 - 20] |
2'21 | Christophe Zurfluh | Rigorous & industrial. Electronic percussion. | electronic percussion percussive industry beds | Gbm | 100 | ||||
|
Jungle Meltdown 2 [CEZ4171 - 35] |
Alt. | 2'00 | Christophe Zurfluh | Fiery & urgent. Electronic percussion. | electronic percussion percussive beds opening credits TV | Gbm | 100 | |||
|
French Resistance [CEO2024 - 12] |
0 | 1'45 | Bruno Alexiu | Serious & moving but hopefully. Orchestra with clarinet. | crescendo driving confident cyclic | Bb | 89 | |||
|
Panzerdivision [CEO2024 - 17] |
0 | 1'06 | Bruno Alexiu | Imposing, combative & waighing. Orchestra with percussion. | war (movies) warlike scansion punctuated | Fm | 140 | |||
|
Tender Is the Night [CEZ4165 - 11] |
0 | 4'35 | Patchworks | Nocturnal & sensual. Progression. Fender Rhodes, strings, male Lyrics | soul Song and theme sung in English male singer | Bm | 113 | |||
|
Indecision [EOS14 - 6] |
0 | 1'44 | Johane Myran | Obsessive & inevitable. Piano, strings, brass & percussion @ 1'06. | steady interrogative inexorable relentless | Dbm | 93 | |||
|
The Medicine Man [CEZ4163 - 8] |
0 | 2'04 | Eric Caissy | Mischievous & joyful. Symphony orchestra. | animation & cartoons ironical & mischievous symphony orchestra funny | Gm | 130 | |||
|
Bandwagon [MAG6002 - 1] |
0 | 3'18 | Rémo | Dubstep. Incisive & spatial. Progression. Electronics & rhythm. | driving heavy modern electro beat | G | 140 | |||
|
Delta Wave [MAG6002 - 11] |
0 | 3'21 | Rémo | Electronica. Organic & solar. Electronics & rhythm. | electronica modern confident wandering | F | 100 | |||
|
The Emotion of Movement 3 [CEZ4151 - 22] |
2'06 | Elisabeth Skornik, Guy Skornik | Constant, lyrical & determined. Piano & string orchestra. | moving corporate video politics strict | Dbm | 162 | ||||
|
The Emotion of Movement [CEZ4151 - 3] |
Alt. | 1'48 | Guy Skornik, Elisabeth Skornik | Passionate & determined. Intro 0'24. String orchestra & woodwind | string orchestra corporate (all) moving neo-classical music | Dbm | 162 | |||
|
The Future Past 2 [CEZ4151 - 30] |
2'02 | Elisabeth Skornik, Guy Skornik | Urgent & determined. Piano, string orchestra & woodwind enesemble @ | neo-classical music trains repetitive music acoustic piano | Am | 172 | ||||
|
The Future Past [CEZ4151 - 7] |
Alt. | 1'47 | Guy Skornik, Elisabeth Skornik | Urgent, mysterious & determined. String orchestra & woodwind | neo-classical music corporate (all) driving string orchestra | Am | 167 | |||
|
Industrial Icon 3 [CEZ4151 - 39] |
2'40 | Elisabeth Skornik, Guy Skornik | Sparse & suspended. Electric guitar, piano & electronics @ 0'52. | desolate social drama suspended atmosphere investigation | D | 110 | ||||
|
Industrial Icon [CEZ4151 - 11] |
Alt. | 2'24 | Elisabeth Skornik, Guy Skornik | Serious & linear. Staccato strings, piano & electronics. | strict corporate (all) industry inexorable | Dm | 110 | |||
|
Pilgrim [CCB1018 - 9] |
0 | 4'10 | Renaud Garcia-Fons | Solemn & serious, then danceable & happy. Solo double bass. | changing solemn virtuoso danceable | G | 126 | |||
|
La Linea del Sur [CCB1017 - 1] |
0 | 6'11 | Renaud Garcia-Fons | Determined & melancholic. Bowed double-bass, flamenco guitar, | world music driving geopolitics bowed double bass | Gm | 83 | |||
|
Berimbass [CCB1016 - 2] |
0 | 6'08 | Renaud Garcia-Fons | Uplifting & moving. Double bass, acoustic guitar & drums. | geopolitics classical guitar double bass bowed double bass | Gm | 90 |