| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cinematic Reverse SFX 10 [CSDL1013 - 55] |
0'38 | Flaviu Ciocan | Sound design element. 5 tense, powerful, emotional & dark Sci-Fi | cinematic psychological drama horror fx backwards | E | 83 | ||||
|
Cinematic Reverse SFX 10 1 [CSDL1013 - 56] |
Alt. | 0'06 | Flaviu Ciocan | Sci-Fi cinematic reverse FX | cinematic psychological drama horror fx backwards | E | 95 | |||
|
Cinematic Reverse SFX 10 2 [CSDL1013 - 57] |
Alt. | 0'04 | Flaviu Ciocan | Sci-Fi cinematic reverse FX | cinematic psychological drama horror fx backwards | Em | 153 | |||
|
Cinematic Reverse SFX 10 3 [CSDL1013 - 58] |
Alt. | 0'07 | Flaviu Ciocan | Sci-Fi cinematic reverse FX | cinematic psychological drama horror fx backwards | Bbm | 129 | |||
|
Cinematic Reverse SFX 10 4 [CSDL1013 - 59] |
Alt. | 0'07 | Flaviu Ciocan | Sci-Fi cinematic reverse FX | cinematic psychological drama horror fx backwards | E | 135 | |||
|
Cinematic Reverse SFX 10 5 [CSDL1013 - 60] |
Alt. | 0'06 | Flaviu Ciocan | Sci-Fi cinematic reverse FX | cinematic psychological drama horror fx backwards | E | 147 | |||
|
Carry the Herd Above [CEO2163 - 5] |
0 | 1'08 | Song. Ethereal, dreamy, luminous, contemplative & suspended. Male Lyrics | suspended atmosphere peaceful dreamy tender | Am | 106 | ||||
|
Drifting in Dreams [CEO2163 - 7] |
0 | 1'09 | Nostalgic, pensive, intimate & solitary. Strings & electronics. | melancholic poignant sad original score | Am | 61 | ||||
|
The Shepherd's Song [CEO2163 - 8] |
0 | 1'51 | Suspended, lonely, pensive & dreamy. Electric guitar & male voice | intimate introspective country & garden moving | D | 99 | ||||
|
Resonance Forest [EOS120 - 2] |
0 | 2'55 | Raphaël Villeroy | Mysterious, exotic & waiting. Synth. & Fx birds. Suggested for | Ambient (all) cybernetics exotic mysterious | Em | 113 | |||
|
Outbreak of the Pervers
[EOS120 - 6] |
0 | 2'12 | Raphaël Villeroy | Cyclic, toxic & nocturnal. Like a nightmarish ritornello. Synths. | mysterious cybernetics interrogative investigation | F | 133 | |||
|
Gentle Wolf Slayer [EOS120 - 7] |
0 | 1'45 | Raphaël Villeroy | Mysterious then determined & luminous. Synth & rhythmic. | art cybernetics electronic music (all) mysterious | Dm | 146 | |||
|
Under Control [EOS120 - 8] |
0 | 3'10 | Raphaël Villeroy | Ominous intro, then punchy & determined. Synth & rhythmic. | cybernetics electronica industry relentless | Cm | 100 | |||
|
Life Instinct [EOS120 - 9] |
0 | 2'06 | Raphaël Villeroy | Mysterious then confident & bright. Synths. | cybernetics mysterious Ambient (all) atmospheric | Gm | 100 | |||
|
Voice in the Mist [CEO2168 - 14] |
1'14 | Panoramic, airy & atmospheric with a mystical touch. Synth layers, | natural disaster mysterious mystical beds | Dm | 60 | |||||
|
Voice in the Mist Edit (15s) [CEO2168 - 47] |
Alt. | 0'15 | 15 second cut | natural disaster mysterious mystical beds | F | 80 | ||||
|
Voice in the Mist Edit (30s) [CEO2168 - 50] |
Alt. | 0'30 | 30 second cut | natural disaster mysterious mystical beds | A | 62 | ||||
|
Voice in the Mist Edit (60s) [CEO2168 - 52] |
Alt. | 1'00 | 60 second cut | natural disaster mysterious mystical beds | Dm | 60 | ||||
|
Aland [AUD035 - 3] |
2'19 | Gaetan Maire | Moving and dignified. Reflective strings and gentle piano. Noble | moving underwater melancholic orchestral score | Dbm | 62 | ||||
|
Aland Edit [AUD035 - 8] |
Alt. | 0'46 | Gaetan Maire | 40 second cut. | moving underwater melancholic orchestral score | Dbm | 98 | |||
|
Koli [AUD035 - 4] |
1'54 | Gaetan Maire | Heartfelt and elegant. Delicate piano and emotional strings. Cello @ | calm temperate forest orchestral score panorama | Bm | 109 | ||||
|
Koli Edit [AUD035 - 9] |
Alt. | 0'24 | Gaetan Maire | 15 second cut. | calm temperate forest orchestral score panorama | Bm | 110 | |||
|
Condo Me Busques [AUD027 - 1] |
2'05 | Frederic Langlais, Matthieu Rabaté | Medium-fast - Lively and motivational electro-tango. Bandoneon, fat | electro tango relentless bandoneon synth bass | Gm | 118 | ||||
|
Condo Me Busques Edit [AUD027 - 6] |
Alt. | 0'22 | Frederic Langlais, Matthieu Rabaté | 15 second cut. | electro tango relentless bandoneon synth bass | Gm | 117 | |||
|
Condo Me Busques Alternate [AUD027 - 11] |
Alt. | 2'06 | Frederic Langlais, Matthieu Rabaté | Alternate version. | electronic percussion Argentina double bass social drama | Gm | 118 | |||
|
Unalusion [AUD027 - 3] |
2'07 | Frederic Langlais, Matthieu Rabaté | Medium-fast - Energetic and phat dubstep electro tango. Heavy beat | heavy sport drama electro tango electronic percussion | Fm | 154 | ||||
|
Unalusion Edit [AUD027 - 8] |
Alt. | 0'21 | Frederic Langlais, Matthieu Rabaté | 15 second cut. | heavy sport drama electro tango electronic percussion | Fm | 77 | |||
|
Unalusion Alternate [AUD027 - 13] |
Alt. | 2'08 | Frederic Langlais, Matthieu Rabaté | Alternate version. | heavy sport drama electro tango electronic percussion | Fm | 154 | |||
|
Tangolektro [AUD027 - 4] |
2'08 | Frederic Langlais, Matthieu Rabaté | Fast - Urgent, driving and euphoric electro-tango. Bandoneon, drum | electro tango rhythmic bandoneon synth bass | Am | 132 | ||||
|
Tangolektro Edit [AUD027 - 9] |
Alt. | 0'23 | Frederic Langlais, Matthieu Rabaté | 15 second cut. | electro tango rhythmic bandoneon synth bass | Am | 132 | |||
|
Tangolektro Alternate [AUD027 - 14] |
Alt. | 2'08 | Frederic Langlais, Matthieu Rabaté | Alternate version. | electro tango rhythmic synth bass drum machine | Am | 132 | |||
|
Call of the Locust [CEG5044 - 13] |
2'37 | Eric Daniel | Intense, desolate, wild & panoramic. Reverberated flute & ethnic | hot desert mysterious cinematic geopolitics | Am | 143 | ||||
|
Call of the Locust Alternate [CEG5044 - 20] |
Alt. | 2'39 | Eric Daniel | Alternate version without vocals. | hot desert mysterious cinematic geopolitics | Am | 141 | |||
|
Let's Bounce [CET9097 - 8] |
0 | 2'31 | Simon Pucheu | French House trailer. Lively, festive, relaxed & jerky. Dreamy break | French touch coastline solar synthesizer | Em | 103 | |||
|
trust [EOS110 - 2] |
0 | 2'22 | Joao Antonio Neto Da Silva | Expectant, then romantic & poignant. Climax @ 1'04 with percussion. | building sentimental dreamy cinematic | A | 65 | |||
|
Seeing The World [MPMA0028 - 7] |
2'00 | Francis Mackey, Sarah Todd | A vibrant fusion of pop and funk beats, tailor-made for infusing | teen drama confident daytime TV pop song | Dbm | 141 | ||||
|
Seeing The World - 60 Sec [MPMA0028 - 35] |
Alt. | 1'00 | Francis Mackey, Sarah Todd | A vibrant fusion of pop and funk beats, tailor-made for infusing | teen drama confident daytime TV pop song | B | 143 | |||
|
Seeing The World -
[MPMA0028 - 36] |
Alt. | 2'00 | Francis Mackey, Sarah Todd | A vibrant fusion of pop and funk beats, tailor-made for infusing | teen drama confident daytime TV pop song | Dbm | 140 | |||
|
Seeing The World - 30 Sec [MPMA0028 - 37] |
Alt. | 0'30 | Francis Mackey, Sarah Todd | A vibrant fusion of pop and funk beats, tailor-made for infusing | teen drama confident daytime TV pop song | Dbm | 140 | |||
|
Get Swaggered [MPMA0027 - 3] |
2'38 | Luke Gordon | Anthemic, electronic beats that are a perfect fit for atmosphere of a | cinematic beat team sport hip-hop rock advertising | Em | 152 | ||||
|
Get Swaggered - 60 Sec [MPMA0027 - 17] |
Alt. | 1'00 | Luke Gordon | Anthemic, electronic beats that are a perfect fit for atmosphere of a | cinematic beat team sport hip-hop rock advertising | Em | 152 | |||
|
Get Swaggered - 15 Sec [MPMA0027 - 18] |
Alt. | 0'15 | Luke Gordon | Anthemic, electronic beats that are a perfect fit for atmosphere of a | cinematic beat team sport hip-hop rock advertising | Em | 152 | |||
|
Get Swaggered - 30 Sec [MPMA0027 - 19] |
Alt. | 0'30 | Luke Gordon | Anthemic, electronic beats that are a perfect fit for atmosphere of a | cinematic beat team sport hip-hop rock advertising | Em | 152 | |||
|
Get Swaggered - Underscore [MPMA0027 - 20] |
Alt. | 2'25 | Luke Gordon | Anthemic, electronic beats that are a perfect fit for atmosphere of a | cinematic beat team sport hip-hop rock advertising | Em | 152 |