| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
No Changes [CEZ4074 - 31] |
0 | 2'34 | Elisabeth Skornik, Guy Skornik | Hopeful & confident. Constant progression. | crescendo building confident acoustic piano | F | 85 | |||
|
Road Closed [CEZ4071 - 27] |
0 | 2'02 | Eric Daniel | Dramatic & tense. 6 & 12 string guitars & mandolin. | natural disaster disturbing unstable relentless | Dm | 126 | |||
|
Drilling [CEZ4069 - 25] |
0 | 1'32 | Didier Petit, Hélène Breschand | Dark & abstract. Cello & harp. | complex intermittent horror contemporary art | Abm | 111 | |||
|
Garbage Invasion [CEZ4070 - 27] |
0 | 2'17 | Nicolas Mizrachi, Jean-Francois Morin | Powerful & violent. Electric guitar @ 0'31 & electronics. | urban landscape progressive rock sport drama social drama | Em | 122 | |||
|
Les Jardins de Villandry [CEV3007 - 2] |
0 | 2'38 | Jean-François Vrod | French folk. Panoramic, contemplative & bucolic. Violin & pizz @ 1'17. | pastoral ethnic & traditional (all) French Folk France | Dm | 76 | |||
|
First Aid [CEZ4067 - 16] |
0 | 1'19 | John Greaves | Dramatic & urgent. Electric guitar, violin & electronics. | cinematic rock sport drama distorted electric guitar relentless | E | 77 | |||
|
Granata [CEV3003 - 16] |
0 | 1'25 | Dzijan Emin, Olivier Samouillan | Threatening & oppressive. Timpanies, strings & accordion. | scary historical conflict geopolitics unstable | Am | 63 | |||
|
Game Of Skill [CEZ4059 - 13] |
0 | 2'55 | Arnaud Rebotini | Post-industrial dance. Evolving synth lines/samples with mechanical | cybernetics driving electro industrial pulsation | Dm | 126 | |||
|
Decline & Breakdown [CEZ4056 - 14] |
0 | 2'21 | Nicolas Mizrachi, Jean-Francois Morin | Gnarled & twisted guitars, fx & slow loop @ 0'34. | disturbing investigation social drama urban landscape | Em | 100 | |||
|
Pervert [CEZ4056 - 27] |
0 | 2'39 | Nicolas Mizrachi, Jean-Francois Morin | Uncomfortable & creepy. Filtered drums & slow interweaved drone notes. | urban landscape distorted electric guitar investigation relentless | G | 84 | |||
|
Escola de samba [CEZ4019 - 5] |
0 | 1'10 | Césarius Alvim | Double Basses in re-recording. | double bass ensemble wild Brazil bowed double bass | Dm | 101 | |||
|
Inanga [CEZ4019 - 27] |
0 | 1'10 | Jean-Jacques Birgé | Sampled sounds. | chaotic unclassifiable wild intermittent | Bm | 129 | |||
|
Citizen Band [CEZ4054 - 13] |
0 | 1'58 | Nicolas Mizrachi, Jean-Francois Morin | Hypnotic. Slow & strong rock groove with powerful vibrating guitars. | urban landscape steady proud fx distorsion | Em | 74 | |||
|
Friend or Foe [CEZ4000 - 15] |
0 | 1'12 | Jean Michel Hervé | Intriguiging strings & sound design. | crescendo desolate action movie high seas | B | 136 | |||
|
Zulu [CEZ4047 - 9] |
0 | 1'48 | Césarius Alvim | Primal & intense. Double bass & percussion. | primitive art bowed double bass wild savanna | Ab | 135 | |||
|
Soldiers Fear [CEZ4043 - 10] |
0 | 1'29 | Marc-Olivier Dupin | Aggressive & lonely. Hard solo cello with string drone. | poignant destiny disturbing Twentieth century music | Dm | 96 | |||
|
The Unconscious [CEZ4041 - 36] |
0 | 2'02 | Marc-Olivier Dupin | Ambient & harrowing. Unstable. Creepy string Fx. | psychotic desolate cold contemporary serious music (all) | Bm | 100 | |||
|
Full Destruction [CET9111 - 6] |
2'00 | Kunik, Ilan, Salvador Casais | Hybrid trailer metal. Fierce, powerful & rowdy. Break @ 0'50 with | powerful & imposing trailer trash (texture) urgent | Dm | 120 | ||||
|
Full Destruction Alternate 1 [CET9111 - 42] |
Alt. | 2'00 | Ilan Kunik | Version without percussion | trailer trash (texture) urgent attitude | Dm | 120 | |||
|
Full Destruction Alternate 2 [CET9111 - 43] |
Alt. | 2'00 | Ilan Kunik | Version with percussion only | powerful & imposing trailer trash (texture) urgent | Gm | 120 | |||
|
Full Destruction Alternate 3 [CET9111 - 44] |
Alt. | 2'00 | Ilan Kunik | Version without voices | powerful & imposing trailer trash (texture) urgent | Dm | 120 | |||
|
Full Destruction Alternate 4 [CET9111 - 45] |
Alt. | 2'00 | Ilan Kunik | Bed version | powerful & imposing trailer trash (texture) urgent | Dm | 120 | |||
|
Full Destruction Alternate 5 [CET9111 - 46] |
Alt. | 2'00 | Ilan Kunik | Underscore version | powerful & imposing trailer trash (texture) urgent | Dm | 120 | |||
|
Full Destruction Edit 1 30 sec [CET9111 - 47] |
Alt. | 0'32 | Ilan Kunik | 30 second cut | powerful & imposing trailer trash (texture) urgent | Dm | 120 | |||
|
Full Destruction Edit 2 15 sec [CET9111 - 48] |
Alt. | 0'17 | Ilan Kunik | 15 second cut | powerful & imposing trailer trash (texture) urgent | Dm | 120 | |||
|
Digitalive [CCB1073 - 6] |
1'44 | Xavier Jamaux | Retro Synthwave. 1980s. Technological, futuristic & groovy. Analog | urban landscape relentless rhythmic catchy | Am | 125 | ||||
|
Digitalive Edit 1 (60 sec) [CCB1073 - 33] |
Alt. | 1'00 | Xavier Jamaux | 60 second cut | urban landscape relentless rhythmic catchy | Am | 125 | |||
|
Digitalive Edit 2 (30 sec) [CCB1073 - 34] |
Alt. | 0'30 | Xavier Jamaux | 30 second cut | urban landscape relentless rhythmic catchy | Am | 125 | |||
|
Digitalive Edit 3 (20 sec) [CCB1073 - 35] |
Alt. | 0'20 | Xavier Jamaux | 20 second cut | urban landscape relentless rhythmic catchy | Am | 124 | |||
|
Digitalive Edit 4 (sting) [CCB1073 - 36] |
Alt. | 0'18 | Xavier Jamaux | Sting | urban landscape relentless rhythmic catchy | Dm | 126 | |||
|
Bring the Noise [ISC116 - 2] |
2'37 | Francesco Bondi | Electro. Repetitive, haunting & rough. Synth, riser, claps & beat. | aggressive & violent electro beat lively action movie | Fm | 140 | ||||
|
Bring the Noise Alternate 1 [ISC116 - 13] |
Alt. | 2'37 | Francesco Bondi | Version without percussion. | aggressive & violent electro beat lively action movie | Fm | 70 | |||
|
Bring the Noise Alternate 2 [ISC116 - 14] |
Alt. | 2'37 | Francesco Bondi | Version without lead. | aggressive & violent electro beat lively action movie | Fm | 140 |