| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Particle Storm [CCB1027 - 12] |
2'20 | Eric Lohrer, David Taieb | Electro beat. Obstinate, urban & disturbing. Synth & rhythm. | urban electro beat disturbing inexorable | Dbm | 80 | ||||
|
Particle Storm Alternative
[CCB1027 - 20] |
Alt. | 2'39 | Eric Lohrer, David Taieb | Electro. Sinuous, nocturne & spacey. Synth & electric guitar. | sinister social drama grating atmospheric | Dbm | 81 | |||
|
Particle Storm Alternative
[CCB1027 - 21] |
Alt. | 2'40 | Eric Lohrer, David Taieb | Electro. Sinuous, nocturne & spacey. Synth. | scary cold atmospheric industry | Db | 162 | |||
|
Voir le Jour Part 2 [CEO2045 - 13] |
0 | 2'29 | Alice Guerlot Kourouklis | Obstinate, hypnotic & swirling. String ensemble. | repetitive music relentless post-classical driving | C | 110 | |||
|
A Remakable Destiny [CEZ4290 - 12] |
2'03 | Gabriel Saban, Philippe Briand | Determined & moving. Constant progression. Cinematic orchestra & | opening credits TV contemporary history cinematic orchestra docu fiction | Ebm | 90 | ||||
|
A Remakable Destiny Alternate
[CEZ4290 - 35] |
Alt. | 2'03 | Gabriel Saban, Philippe Briand | Determined & moving. Constant progression. Cinematic orchestra. | unifying cinematic orchestra uplifting contemporary history | Bm | 90 | |||
|
The World to Come [CEZ4290 - 27] |
2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | docu fiction cinematic orchestra opening credits TV cinematic percussion | Cm | 80 | ||||
|
The World to Come Alternate
[CEZ4290 - 52] |
Alt. | 2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | opening credits TV contemporary history cinematic orchestra docu fiction | Cm | 120 | |||
|
The World to Come Alternate
[CEZ4290 - 53] |
Alt. | 1'52 | Gabriel Saban, Philippe Briand | Solemn & majestic. Cinematic strings. | neo-classical music solemn driving opening credits TV | Cm | 80 | |||
|
Unwilling Survivor [CEZ4288 - 25] |
0 | 2'35 | Gabriel Saban, Philippe Briand | Gloomy & disturbing. Piano, synth pad & electronics. | social drama investigation drone crime movie | Cm | 60 | |||
|
A Place so Quiet [CEZ4286 - 1] |
0 | 2'33 | Gabriel Saban, Philippe Briand | Strange then determined. Constant progression. Keyboard & electronics. | crime movie investigation social drama politics | Gm | 100 | |||
|
Dissolution [CEZ4289 - 4] |
0 | 0'58 | Eric Daniel | Sudden & tense. Solo cello. | cello strict historical narrative narrative | A | 164 | |||
|
Quitter Paris [CEO2042 - 1] |
0 | 0'54 | Kevin Seddiki | Interrogative & patient. Solo electric guitar. | electric guitar abstract art social drama wandering | Bm | 89 | |||
|
Rivages [CEO2042 - 3] |
0 | 5'44 | Kevin Seddiki | Melancholic & determined. Constant progression. Acoustic guitar, | social drama moving geopolitics classical guitar | B | 112 | |||
|
Partance [CEO2042 - 4] |
0 | 5'52 | Kevin Seddiki | Tracking shot. Sad & determined. Acoustic guitar & percussion (daff). | acoustic guitar geopolitics melancholic Andalusia | Cm | 100 | |||
|
Dusky India [UBM2266 - 12] |
0 | 3'02 | Achim Zweschper | Threatening, dark, dangerous. Creates suspense and fear. Percussion. | complex horror percussive beds | Gm | 88 | |||
|
Recovery [UBM2266 - 26] |
0 | 1'20 | Achim Zweschper | Relief, salvation, relaxation. War is over. Flute, strings. | introspective beds desolate flute | Em | 65 | |||
|
Dusty Road [CEZ4279 - 24] |
0 | 1'20 | Adrien Robert Patterson | Arid & atmospheric. Electric guitar & sound design with backward fx. | fx backwards neutral arid drone | G | 118 | |||
|
The Memory Lingers [CEZ4263 - 5] |
0 | 2'46 | Morgan Sansous | Hip-hop / Beat making. Nostalgic, sad & relentless. Piano, synth & | social drama nocturnal modern urban | Am | 151 | |||
|
Raveau Dessine [CEO2038 - 7] |
0 | 2'38 | Jérôme Lemonnier | Interrogative & suspended. Hang, synth & glockenspiel. | hang drum mysterious sparse disturbing | Em | 81 | |||
|
Traque Dans les Bois [CEO2038 - 8] |
0 | 5'58 | Jérôme Lemonnier | Mysterious & interrogative. Hang, synth & piano. Decided & serious @ | narrative social drama mysterious building | Bm | 88 | |||
|
Le Secret de la Rivière [CEO2038 - 10] |
0 | 1'03 | Jérôme Lemonnier | Circular & tense. Hang, percussion & synth. | hang drum mysterious changing relentless | Ebm | 162 | |||
|
Aussi [MAG6017 - 3] |
0 | 5'39 | Jon Brooks | Repetitive music / Electronica. Hypnotic, nocturne & fatal. Analog | arpeggiator electro organic sci-fi analog synth | Am | 127 | |||
|
According to the Evidence [CEZ4252 - 17] |
2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | mysterious spy interrogative shy | Cm | 100 | ||||
|
According to the Evidence 2 [CEZ4252 - 33] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | investigation mysterious beds punctuated | C | 100 | |||
|
Mind Games [CEZ4240 - 10] |
0 | 2'24 | Christophe Zurfluh | Serious & constant. Electronics. | space science steady interrogative | Am | 60 |