| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Moda Bossa [CEZ4076 - 6] |
0 | 1'58 | Silvano Michelino, Acelino de Paula | Lounge bossa . Sensual & warm. Guitar, flugelhorn @ 0'52, percussion | bossa nova Brazil easy listening (all) intimate | E | 148 | |||
|
Construindo [CEZ4076 - 7] |
0 | 2'12 | Silvano Michelino | Capoeira. Industrial & heavy. Berimbau, pandeiro & treated strings. | geopolitics metallic mysterious Brazil | Am | 110 | |||
|
Market Logic [CEZ4074 - 6] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Inexorable & serious. Constant progression. Break @ 0'52. | anticipation scansion insidious walking | Em | 70 | |||
|
Danger Zone [CEZ4074 - 12] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Fateful & weird. Constant progression. Rhythm @ 1'18 | investigation spy disturbing psychotic | E | 99 | |||
|
Time is Money [CEZ4074 - 29] |
0 | 1'56 | Elisabeth Skornik, Guy Skornik | Determined & punctuated. | fx heartbeat suspense sport drama spy | Fm | 111 | |||
|
No Changes [CEZ4074 - 31] |
0 | 2'34 | Elisabeth Skornik, Guy Skornik | Hopeful & confident. Constant progression. | crescendo building confident acoustic piano | F | 85 | |||
|
The Yak Fleece [CEV3011 - 33] |
0 | 1'34 | Imade Saputra | Lively & rhythmic. Solo dra-nyen (lute). (Tibet) | dranyen ethnic & traditional (all) Tibet driving | Bm | 114 | |||
|
Bosphore [CEZ4073 - 1] |
0 | 4'52 | Renaud Garcia-Fons | Panoramic & inspired. Pizz & bowed double bass. | bowed double bass Middle-East & Maghreb geopolitics panorama | G | 118 | |||
|
Mambo Bar [CEZ4075 - 18] |
0 | 2'18 | André Charlier, Benoît Sourisse | Bolero. Late night & sensual. Piano, accordion, clarinet & percussion. | country ball exotic 1950 bolero | Cm | 114 | |||
|
Great Lakes Silo [CEZ4071 - 9] |
0 | 1'42 | Eric Daniel | Serious & obstinate. 12 string guitar, fretless bass, percussion & | geopolitics adventure road movie cyclic | D | 108 | |||
|
Going Nowhere [CEZ4071 - 12] |
0 | 2'09 | Eric Daniel | Positive & carefree. Solo folk guitar. | folk guitar country & garden confident folk (all) | A | 110 | |||
|
Oil Derrick Dance [CEZ4071 - 25] |
0 | 2'46 | Eric Daniel | Circular & obstinate. Acoustic guitars, percussion & fretless bass @ | arts & crafts steady cyclic folk guitar | Gm | 127 | |||
|
Lampedusa [CEZ4072 - 14] |
0 | 2'25 | Renaud Garcia-Fons | Solemn & sad. Recorder, accordion, double bass, lute, clarinet & zarb. | geopolitics melancholic social drama moving | Dm | 60 | |||
|
Elevation [CEZ4069 - 8] |
0 | 3'30 | Line Adam | Calm & contemplative. String ensemble. | historical narrative airy destiny flowing | A | 120 | |||
|
Education [CEZ4068 - 9] |
0 | 2'19 | Selma Mutal | Positive & warm. Piano, vibes, marimba & glockenspiel. | country & garden pastoral delicate uplifting | G | 135 | |||
|
Dizzy Machine [CEZ4068 - 18] |
0 | 2'33 | Hélène Breschand, Didier Petit | Ethnic & bizarre. Prepared harp. | insects cyclic primitive art steady | E | 135 | |||
|
Dream Catcher [CEZ4068 - 19] |
0 | 1'42 | Paul Pasquier | Child-like & playful. Marimba & vibraphone | science architecture & design sparkling crystalline | Em | 126 | |||
|
The Commitment [CEZ4070 - 14] |
0 | 2'43 | Daniel Diaz | Serious and determined. Bass guitar & electronics. | social drama strict corporate video investigation | Am | 100 | |||
|
The Call of the Mountain [CEV3009 - 9] |
0 | 1'30 | Imade Saputra | Rural & lonely. Solo jew's harp. (Nepal) | jew's harp ethnic & traditional (all) Nepal confident | F | 84 | |||
|
Children's Game [CEV3009 - 16] |
0 | 1'27 | Imade Saputra | Child-like & light. Solo flute. Nepali style. | ethnic & traditional (all) ethnic flutes (all) Nepal naive | Abm | 114 |