| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Fear in the Mountains [CEO2168 - 13] |
0'58 | Ominous, paranormal & heavy. Synth layers, keys & sound design. | suspense disturbing investigation desolate | Gm | 103 | |||||
|
Fear in the Mountain Edit
[CEO2168 - 55] |
Alt. | 0'15 | 15 second cut | suspense disturbing investigation desolate | Gm | 67 | ||||
|
Fear in the Mountain Edit
[CEO2168 - 57] |
Alt. | 0'30 | 30 second cut | suspense disturbing investigation desolate | Gm | 90 | ||||
|
Anonymous Hacker [UBM2544 - 4] |
0 | 2'47 | Matthew William Rees | In the protection of anonymity, gloved fingers scurry over a worn | cybernetics strict disturbing beds | Em | 89 | |||
|
Digital Fraudster [UBM2544 - 6] |
0 | 2'17 | Matthew William Rees | Eerie, technical electronic score for mystery podcasts and reports on | cybernetics relentless cyclic hypnotic | Dm | 94 | |||
|
Identity Theft [UBM2544 - 8] |
0 | 2'22 | Matthew William Rees | A particularly perfidious form of cybercrime is the theft of personal | cybernetics nocturnal beds disturbing | D | 145 | |||
|
Hostility [ISC075 - 10] |
2'31 | Francesco Bondi | Cinematic Thriller / Horror trailer. Confusing & heavy introduction | relentless cinematic horror disturbing | Fm | 120 | ||||
|
Hostility Alternate [ISC075 - 19] |
Alt. | 2'31 | Francesco Bondi | Underscore version. | relentless cinematic horror disturbing | Fm | 120 | |||
|
Contemplation [AUD034 - 1] |
2'37 | Dominique Grimaldi | Mysterious and stealthy reflective avant-garde jazz. Bass clarinet, | interrogative spy disturbing mysterious | E | 102 | ||||
|
Contemplation Edit [AUD034 - 6] |
Alt. | 0'35 | Dominique Grimaldi | 30 second cut. | interrogative spy disturbing mysterious | Em | 102 | |||
|
Contemplation Alternate [AUD034 - 11] |
Alt. | 5'28 | Dominique Grimaldi | Alternate extended version. | interrogative spy disturbing mysterious | Em | 102 | |||
|
Structural Waves Part 2 [AUD033 - 2] |
2'44 | Bruno Letort | Pulsing and repetitive minimal ambient. Ondes Martenot, Cristal | relentless sci-fi inexorable disturbing | Am | 120 | ||||
|
Structural Waves Part 2 Edit [AUD033 - 7] |
Alt. | 0'24 | Bruno Letort | 20 second cut. | relentless sci-fi inexorable disturbing | D | 114 | |||
|
Hoping Against Hope [CEG5044 - 5] |
2'01 | Eric Daniel | African cinematic. Mysterious, menacing, wandering & panoramic. | wandering geopolitics cinematic disturbing | Gm | 90 | ||||
|
Hoping Against Hope Alternate [CEG5044 - 16] |
Alt. | 1'56 | Eric Daniel | Alternate version without vocals. | geopolitics cinematic mysterious road movie | Gm | 90 | |||
|
Tribal Wars [CEG5044 - 6] |
2'11 | Eric Daniel | African world music. Urgent, tense & warlike. African vocal FX, | chase savanna warlike wild | Em | 155 | ||||
|
Tribal Wars Alternate [CEG5044 - 17] |
Alt. | 2'16 | Eric Daniel | Alternate version without vocals. | warlike savanna urgent percussive | Em | 155 | |||
|
The Dryness of the Wind [CEG5044 - 11] |
2'30 | Eric Daniel | African world music. Desertic, mysterious, enigmatic & interrogative. | arid hot desert geopolitics world music | Dm | 96 | ||||
|
The Dryness of the Wind
[CEG5044 - 18] |
Alt. | 2'25 | Eric Daniel | Alternate version without vocals. | world music arid hot desert anticipation | Dm | 96 | |||
|
AI Warfare [MPMA0026 - 2] |
2'35 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | aggressive & violent trailer cinematic climax | Em | 102 | ||||
|
AI Warfare - 15 Sec (No Choir) [MPMA0026 - 19] |
Alt. | 0'15 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | aggressive & violent trailer cinematic climax | C | 100 | |||
|
AI Warfare - 15 Sec [MPMA0026 - 20] |
Alt. | 0'15 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | aggressive & violent trailer cinematic climax | Em | 101 | |||
|
AI Warfare - 30 Sec (No Choir) [MPMA0026 - 21] |
Alt. | 0'30 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | aggressive & violent trailer cinematic climax | Em | 102 | |||
|
AI Warfare - 30 Sec [MPMA0026 - 22] |
Alt. | 0'30 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | aggressive & violent trailer cinematic climax | Em | 102 | |||
|
AI Warfare - 60 Sec [MPMA0026 - 23] |
Alt. | 1'00 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | aggressive & violent trailer cinematic climax | Em | 102 | |||
|
AI Warfare - 60 Sec (No Choir) [MPMA0026 - 24] |
Alt. | 1'00 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | aggressive & violent trailer cinematic climax | Em | 102 | |||
|
AI Warfare - Main (No Choir) [MPMA0026 - 25] |
Alt. | 2'35 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | aggressive & violent trailer cinematic climax | Em | 102 | |||
|
Vigilante [MPMA0026 - 4] |
2'40 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | cinematic cinematic orchestra powerful & imposing trailer | Dm | 120 | ||||
|
Vigilante - 15 Sec [MPMA0026 - 33] |
Alt. | 0'15 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | cinematic cinematic orchestra powerful & imposing trailer | Dm | 120 | |||
|
Vigilante - 30 Sec [MPMA0026 - 34] |
Alt. | 0'30 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | cinematic cinematic orchestra powerful & imposing trailer | Dm | 120 | |||
|
Vigilante - 60 Sec [MPMA0026 - 35] |
Alt. | 1'00 | Luke Gordon | Cinematic, orchestral music fit for any action sequence or montage. | cinematic cinematic orchestra powerful & imposing trailer | Dm | 120 | |||
|
Fire It Up [MPMA0026 - 6] |
2'24 | Samuel Griffiths | Cinematic, orchestral music fit for any action sequence or montage. | cinematic warlike cinematic orchestra trailer | Cm | 95 | ||||
|
Fire It Up - 15 Sec [MPMA0026 - 41] |
Alt. | 0'15 | Samuel Griffiths | Cinematic, orchestral music fit for any action sequence or montage. | cinematic warlike cinematic orchestra trailer | Cm | 93 | |||
|
Fire It Up - 30 Sec [MPMA0026 - 42] |
Alt. | 0'30 | Samuel Griffiths | Cinematic, orchestral music fit for any action sequence or montage. | cinematic warlike cinematic orchestra trailer | Cm | 94 | |||
|
Fire It Up - 60 Sec [MPMA0026 - 43] |
Alt. | 1'00 | Samuel Griffiths | Cinematic, orchestral music fit for any action sequence or montage. | cinematic warlike cinematic orchestra trailer | Cm | 95 | |||
|
Fire It Up - Main (No choir) [MPMA0026 - 44] |
Alt. | 2'24 | Samuel Griffiths | Cinematic, orchestral music fit for any action sequence or montage. | cinematic warlike cinematic orchestra trailer | Cm | 95 | |||
|
Undertow [AUD024 - 5] |
2'16 | Lee Volfoni | Mid-tempo. Dark and weird synthwave. Repetitive, surreal and ominous | sci-fi cybernetics horror insidious | C | 124 | ||||
|
Undertow Alternate [AUD024 - 10] |
Alt. | 0'22 | Lee Volfoni | Alternate short version. | sci-fi cybernetics horror insidious | Cm | 124 | |||
|
New Culprit [AUD022 - 3] |
2'06 | Matthieu Rabaté | Slow to fast tempo - Cautious and accelerating investigation theme. | anticipation electro industrial industry disturbing | Bbm | 127 | ||||
|
New Culprit Alternate 1 [AUD022 - 8] |
Alt. | 0'20 | Matthieu Rabaté | Alternative short version. | anticipation electro industrial industry disturbing | Bbm | 127 | |||
|
New Culprit Alternate 2 [AUD022 - 13] |
Alt. | 2'06 | Matthieu Rabaté | Alternative version without percussion. | anticipation electro industrial industry disturbing | Bbm | 127 | |||
|
Sad Discovery [AUD022 - 5] |
2'07 | Matthieu Rabaté | Medium tempo - Eerie and hypnotic investigation theme. Break @ 1'00. | social drama investigation steady spy | Bbm | 67 | ||||
|
Sad Discovery Alternate 1 [AUD022 - 10] |
Alt. | 0'27 | Matthieu Rabaté | Alternative short version. | social drama investigation steady spy | Bbm | 67 | |||
|
Sad Discovery Alternate 2 [AUD022 - 15] |
Alt. | 2'07 | Matthieu Rabaté | Alternative version without percussion. | social drama investigation steady spy | Bbm | 68 | |||
|
What Cannot Be Seen [CEG5046 - 6] |
2'32 | Xavier Jamaux | Minimal Ambient. Wide, atmospheric, enveloping & panoramic synth pads | electro ambient investigation soundscape atmospheric | Bbm | 90 | ||||
|
What Cannot Be Seen Alternate [CEG5046 - 14] |
Alt. | 2'32 | Xavier Jamaux | Alternate without beat. | electro ambient investigation mysterious soundscape | Bbm | 90 | |||
|
Death or Glory [ISC071 - 2] |
2'48 | Norbert Gobor | Cinematic rock. Distorted guitars, cinematic orchestra & piano. Long, | cinematic rock distorted electric guitar relentless disturbing | Em | 95 | ||||
|
Death or Glory -Alternate [ISC071 - 13] |
Alt. | 2'48 | Norbert Gobor | Alternate without percussion. | cinematic rock distorted electric guitar relentless disturbing | Em | 95 | |||
|
Parabellum [ISC071 - 4] |
2'18 | Norbert Gobor | Cinematic metal. Nocturnal & ominous intro with synth, sound design & | aggressive & violent cinematic rock action movie distorted electric guitar | Dm | 81 | ||||
|
Parabellum Alternate [ISC071 - 15] |
Alt. | 2'18 | Norbert Gobor | Alternate without percussion. | cinematic rock action movie distorted electric guitar relentless | Dm | 108 | |||
|
Dusk [ISC071 - 5] |
2'19 | Norbert Gobor | Cinematic rock. Urgent, determined intro with synth & arpegiator. | cinematic rock fiery distorted electric guitar action game | Fm | 132 | ||||
|
Dusk Alternate [ISC071 - 16] |
Alt. | 2'19 | Norbert Gobor | Alternate without percussion. | cinematic rock distorted electric guitar action game action movie | Fm | 132 |