| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Zombie Run [CEZ4139 - 7] |
1'53 | Mark Alberts | Psychobilly revisited. Urgent & agressive. Electric guitar, organ & | extreme & fighting sport urgent cinematic action movie | Em | 178 | ||||
|
Zombie Run 2 [CEZ4139 - 43] |
Alt. | 1'46 | Mark Alberts | Psychobilly revisited. Urgent & agressive. Electric guitar, organ & | cinematic lively fx delay water sport | Em | 90 | |||
|
Zombie Run 3 [CEZ4139 - 44] |
Alt. | 1'01 | Mark Alberts | Psychobilly revisited. Mysterious & urgent @ 0'31. Synths, electric | cinematic lively atmospheric drums | Em | 89 | |||
|
Zombie Run 4 [CEZ4139 - 45] |
Alt. | 0'17 | Mark Alberts | Link. Suspense. Synths & piano. | link disturbing instrumental investigation | E | 105 | |||
|
Zombie Run 5 [CEZ4139 - 46] |
Alt. | 0'13 | Mark Alberts | Link. Urgent. Electric guitar, organ & drums. | link drums electric guitar disturbing | E | 117 | |||
|
Suspicion or Paranoia 2 [CEZ4139 - 64] |
2'36 | Mark Alberts | Patient & interrogative. Electric guitar, drums & synths @ 0'36. | patient drums electric guitar interrogative | B | 62 | ||||
|
Suspicion or Paranoia [CEZ4139 - 12] |
Alt. | 3'19 | Mark Alberts | Patient & interrogative. Electric guitar, synths & drums. | progressive rock punctuated rock ballad distorted electric guitar | Abm | 62 | |||
|
Lost and Lonely Night 2 [CEZ4139 - 78] |
1'54 | Mark Alberts | Smooth & desolate. Electric guitar & synths. | airy desolate suspended atmosphere fx delay | Em | 62 | ||||
|
Lost and Lonely Night [CEZ4139 - 15] |
Alt. | 2'56 | Mark Alberts | Bewitching & Wandering. Electric guitar, synths & drums. | sport drama social drama wandering post-rock | Em | 60 | |||
|
Tech Center [CEZ4133 - 4] |
0 | 2'41 | Claude Samard | Weird & mysterious. Electronics, Erhu (violon chinois) & voice FX. | China electro world kung fu erhu | A | 119 | |||
|
Nevermore [CEZ4124 - 20] |
3'03 | Hugues Tabar-Nouval | Pensive but obstinate. String & woodwinds. | chamber orchestra oboe historical narrative driving | Am | 94 | ||||
|
Nevermore #2 [CEZ4124 - 40] |
Alt. | 1'23 | Hugues Tabar-Nouval | Pensive & refined. Cello, oboe & clarinet. | intimate impressionism country & garden delicate | Em | 82 | |||
|
Infony (part 10) [CEZ4014 - 10] |
0 | 0'16 | Bernard Parmegiani | Link. Percussion & electronic sound. | link metallic suspense industry | Abm | 110 | |||
|
L'heure Africaine [CEZ4014 - 83] |
0 | 0'24 | Bruno Letort | Wild & haunting. African percussion ensemble. | ethnic percussion ensemble link tam tam Africa | Ab | 109 | |||
|
Petite Sirene [CEZ4014 - 98] |
0 | 0'41 | Louis Dandrel | Parodic & falsely sentimental. Piano & wave fx. | fx waves kitsch & cheesy Ondes Martenot underwater | Bb | 139 | |||
|
Hibakusha 2 [CEO2013 - 5] |
2'53 | Alain Kremski | Dark & moving. Drone. Organ. | atmospheric drone funereal docu fiction | Eb | 63 | ||||
|
Hibakusha [CEO2013 - 4] |
Alt. | 1'43 | Alain Kremski | Waiting & sparse. Piano & organ. | suspended atmosphere sparse geopolitics atmospheric | Eb | 74 | |||
|
Hydro Power [UBM2184 - 8] |
0 | 2'17 | Daniel Backes, Peter Moslener | Modern, technological, clear. | beds atmospheric industry undulating | Cm | 124 | |||
|
Chocolate Hill [CEZ4121 - 2] |
0 | 2'03 | Imade Saputra | Childish & carefree. Bamboo orchestra & bass flutes. | bamboo orchestra Philippines traditional instrumental ensemble geopolitics | F | 144 | |||
|
The Bible [CEO2017 - 6] |
0 | 4'48 | Armand Frydman | Tragic & haunting. Cello ensemble & double-bass. | cello ensemble tormented Israel sinister | Fm | 100 | |||
|
Endless Legend [CEO2017 - 13] |
0 | 2'55 | Armand Frydman | Peaceful & intimate. Solo concert flute. | Middle-East & Maghreb antiquity suspended atmosphere concert flute | Cm | 72 | |||
|
Naga [CEZ4115 - 5] |
0 | 2'00 | Imade Saputra | Interrogative & dreamy. Solo pee jum (Thai flute). | Thailand ethnic & traditional (all) pee jum tropical forest | Dbm | 107 | |||
|
Night Trail [CEZ4111 - 19] |
0 | 2'21 | Silvano Michelino | Urgent, tense & mysterious. Constant crescendo. Percussion ensemble & | geopolitics Africa panorama undefined percussion | Am | 110 | |||
|
Forced Exile [CEZ4111 - 21] |
0 | 2'16 | Eric Daniel | Desolated & heavy. Acoustic guitar, percussion & electronics. | geopolitics Africa inexorable historical narrative | Dm | 80 | |||
|
Termite City [CEZ4111 - 28] |
0 | 2'35 | Hélène Breschand, Didier Petit | Bustling & urgent. Prepared harp imitating the kora. | bustling Africa free improvisation changing | F | 120 | |||
|
Woman in White [CEO2011 - 6] |
0 | 2'32 | Bruno Alexiu | Moving & bewitching. Female voice, strings & harp. | moving airy bazantar suspended atmosphere | Dm | 110 | |||
|
Before The End [CEO2011 - 20] |
0 | 1'31 | Bruno Alexiu | Deep & dark drone. Electronics. | toxic abyss atmospheric drone | Db | 82 | |||
|
Run Don't Walk [CEZ4109 - 17] |
1'01 | Paul Martin Pritchard | Threatening, interrogative & urgent @ 0'24. Vibraphone, brass, piano | B movie cinematic jazz spy film noir | Fm | 104 | ||||
|
Run Don't Walk 2 [CEZ4109 - 18] |
Alt. | 1'22 | Paul Martin Pritchard | Tense & urgent. Walking bass, vibraphone, organ & drums. | B movie cinematic jazz spy film noir | Fm | 105 |