| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Fifth Column [CEZ4082 - 37] |
0 | 1'27 | Marc-Olivier Dupin | Suspense. Sombre & mysterious. Piano solo. | German realism historical narrative steady funereal | Gb | 92 | |||
|
Concealment [CEZ4083 - 12] |
0 | 1'00 | Marc-Olivier Dupin | Secretive & grating. Piano solo. | scary historical narrative Twentieth century music acoustic piano | Cm | 155 | |||
|
Ruins [CEZ4083 - 31] |
0 | 2'12 | Marc-Olivier Dupin | Black & sinister. Piano solo. | scary contemporary serious music (all) funereal historical narrative | Cm | 111 | |||
|
Business Cycle [CEZ4074 - 5] |
0 | 1'33 | Elisabeth Skornik, Guy Skornik | Informative & determined. | breaking news politics strict driving | D | 120 | |||
|
The End of the Tunnel [CEZ4074 - 34] |
0 | 2'02 | Elisabeth Skornik, Guy Skornik | Part 1 tuning & crescendo Orchestra. Part 2 @ 0'57 determined | fx orchestra tuning up complex disturbing rising | Gm | 128 | |||
|
Mountain Road [CEV3011 - 21] |
0 | 2'12 | Imade Saputra | Solemn & determined. Percussion ensemble. (Tibet) | ethnic & traditional (all) Tibet undefined percussion wild | Dbm | 154 | |||
|
Bekaa [CEZ4073 - 6] |
0 | 2'53 | Renaud Garcia-Fons | Mysterious & inexorable. Pizz & bowed double bass, tanbur (Central | bowed double bass geopolitics Middle-East & Maghreb double bass | C | 105 | |||
|
Les Portes du Nil [CEZ4073 - 9] |
0 | 4'48 | Renaud Garcia-Fons | Martial & solemn. Bowed double basses, tars (Persan lute), bouzouki, | Maghreb Middle-East & Maghreb peplum antiquity | Dm | 70 | |||
|
Meander [CEZ4071 - 16] |
0 | 2'14 | Eric Daniel | Obstinate & questioning. Classical & 12 string guitars & percussion. | folk guitar strict tormented geopolitics | Em | 145 | |||
|
Aigues-Mortes [CEZ4072 - 10] |
0 | 2'25 | Renaud Garcia-Fons | Inexorable & moving. Double bass & lutes. | double basses (all) natural disaster geopolitics duet | Am | 70 | |||
|
Gallipoli [CEZ4072 - 15] |
0 | 1'18 | Renaud Garcia-Fons | Wandering & sad. Accordion, clarinet & double bass. | geopolitics sad social drama Italian cinema | Em | 73 | |||
|
Sarajevo [CEZ4072 - 17] |
0 | 3'02 | Renaud Garcia-Fons | Serious & inexorable. Solo accordion. | geopolitics chromatic accordion Balkans strict | Am | 108 | |||
|
The Infernal Machine [CEZ4069 - 26] |
0 | 1'41 | Hélène Breschand, Didier Petit | Strange & abstract. Solo cello | mechanical industry disturbing free improvisation | Gm | 98 | |||
|
Non Recyclable [CEZ4070 - 25] |
0 | 1'51 | Vincent Leibovitz | Errant & désolé. Electronics avec effet reverse. Cordes & rythmique | social drama sequencing slow motion desolate | G | 99 | |||
|
Never Understood [CEV3010 - 36] |
0 | 2'37 | Pierrick Hardy | Dark & inexorable. Cello duo. | sad desolate cello ensemble poignant | Gb | 86 | |||
|
De Steden van Papier [CCB1003 - 23] |
0 | 2'38 | Line Adam | Tense & insidious. Small ensemble with basson & oboe @ 0'44. | temperate forest cyclic bassoon country & garden | Cm | 76 | |||
|
Jadis et Naguère [CEV3006 - 14] |
0 | 2'03 | Renaud Garcia-Fons | Doomed & inexorable. Theorbo & double bass. | swashbuckler 17th century 18th century double bass | Am | 65 | |||
|
In Memoriam [CEV3006 - 36] |
0 | 2'44 | Godard Michel | Dark & tragic. Serpent & percussion duo. | serpent (instrument) swashbuckler funeral march middle-Ages | C | 100 | |||
|
Artha [CEV3005 - 14] |
0 | 2'08 | Imade Saputra | Threatening & mysterious. Tablas & tampura. (India) | India tabla takatak ethnic & traditional (all) | Gm | 93 | |||
|
Family Affair 13 [CEO2002 - 13] |
0 | 0'53 | Arnaud de Buchy | Chase & tension. | adventure spy historical narrative driving | Em | 140 |