| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Stamp of Recollection [CEZ4289 - 7] |
0 | 2'17 | Timothée Couteau | Desolate & sad. Cello trio. | cello intermittent introspective suspended atmosphere | D | 112 | |||
|
Winter Light [CEZ4289 - 9] |
0 | 2'23 | Timothée Couteau | Sad & panoramic. Cello duet. | cello sad destiny social drama | Am | 68 | |||
|
Out of Focus [CEZ4289 - 20] |
0 | 1'05 | Eric Daniel | Solitary & sad. Solo cello. | cello introspective intimate historical narrative | Bm | 88 | |||
|
Mirrors [CEZ4289 - 22] |
0 | 2'07 | Timothée Couteau | Sad & desolate. Cello trio. | cello natural disaster social drama sad | B | 78 | |||
|
The Glass Prison [CEZ4289 - 24] |
0 | 1'09 | Eric Daniel | Interrogative & melancholic. Cello duet. | cello destiny interrogative intermittent | Ebm | 117 | |||
|
Waves of Memory [CEZ4289 - 28] |
0 | 1'31 | Timothée Couteau | Solitary & tormented. Solo cello. | cello tormented rhythm change wandering | Eb | 111 | |||
|
L'Espagne au Loin [CEO2042 - 6] |
0 | 1'00 | Kevin Seddiki | Sad & solitary. Acoustic guitar trio. | melancholic social drama moving country & garden | A | 108 | |||
|
Loneliness is my Friend [CEO2041 - 14] |
0 | 1'12 | Selma Mutal | Pastoral, pensive & melancholic. Solo clarinet. | sparse temperate forest pastoral country & garden | Em | 70 | |||
|
Radiation [CEZ4285 - 25] |
0 | 2'28 | Christophe Zurfluh | Drone. Chaotic, panoramic & nocturnal | toxic historical conflict noisy scary | Dm | 154 | |||
|
Mystic Castle [UBM2271 - 5] |
0 | 2'56 | Daniel Backes, Peter Moslener | Mysterious track that fits any abandoned place with a majestic touch. | airy neutral dreamy sparse | D | 136 | |||
|
Wide and Lost [UBM2271 - 10] |
0 | 1'20 | Daniel Backes, Peter Moslener | Slow, mysterious track with a dark undertone. Perfect for abandoned | desolate ufo abyss horror | Bbm | 101 | |||
|
Disturbed Piano [UBM2270 - 6] |
0 | 1'18 | Daniel Backes, Peter Moslener | Dissonant piano track. Suitable for disturbing images or horror | funny scary unstable scary halloween | Am | 132 | |||
|
Question Marks [UBM2267 - 11] |
0 | 1'45 | Karsten Lipp, Andre Matov | Synthesizer with a dripping, bright sound. Loopable. | sequencing arpeggiator weather report jerky | F | 113 | |||
|
Morning Glory [UBM2267 - 13] |
0 | 2'24 | Karsten Lipp, Andre Matov | Almost sacred at the beginning. Track with deep synths with reverb. | religious celebration suspended atmosphere dreamy airy | C | 101 | |||
|
Dark Turkey [UBM2266 - 1] |
0 | 1'58 | Achim Zweschper | Threatening mood, influenced by turkish music. Cello, percussion, | hot desert mystical beds arid | Bm | 85 | |||
|
Dangerous Path [UBM2266 - 2] |
0 | 3'00 | Achim Zweschper | Gloomy sound, ideal for images of destruction and threat. Percussion. | complex beds intermittent film noir | Gm | 88 | |||
|
Ticking Threat [UBM2266 - 3] |
0 | 2'16 | Achim Zweschper | Dreary, slow, dark, increasing threat. Turkish vocals, oud. | complex toxic beds fx delay | E | 117 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Eerie Wind [UBM2266 - 6] |
0 | 1'27 | Achim Zweschper | Cold, dark sound that conveys the impression of a bitter wind. Saz. | hot desert desolate sound design beds | F | 88 |