| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Lost and Lonely Night [CEZ4139 - 15] |
2'56 | Mark Alberts | Bewitching & Wandering. Electric guitar, synths & drums. | sport drama social drama wandering post-rock | Em | 60 | ||||
|
Lost and Lonely Night 2 [CEZ4139 - 78] |
Alt. | 1'54 | Mark Alberts | Smooth & desolate. Electric guitar & synths. | airy desolate suspended atmosphere fx delay | Em | 62 | |||
|
Lost and Lonely Night 3 [CEZ4139 - 79] |
Alt. | 0'16 | Mark Alberts | Link. Desolate. Electric guitar. | link electric bass desolate social drama | Em | 67 | |||
|
Lost and Lonely Night 4 [CEZ4139 - 80] |
Alt. | 0'10 | Mark Alberts | Sting. Desolate. Electric guitar. | sting desolate distorted electric guitar instrumental | E | 65 | |||
|
Lost and Lonely Night 5 [CEZ4139 - 81] |
Alt. | 0'12 | Mark Alberts | Sting. Suspended. Electric guitar. | sting distorted electric guitar instrumental interrogative | Em | 98 | |||
|
Valle De La Luna [CCB1007 - 15] |
0 | 2'38 | Daniel Diaz, Raùl Barboza | Sad & lonely. Accordion, double bass & electronics. | wandering panorama panoramic sad | Em | 60 | |||
|
El Arroyo [CCB1007 - 16] |
0 | 2'01 | Daniel Diaz, Raùl Barboza | Mysterious & insolite. Accordion, percussion & fx delay. | tropical forest panorama insidious mysterious | E | 94 | |||
|
Camino A Tucuman [CCB1007 - 18] |
2'18 | Daniel Diaz, Raùl Barboza | Peaceful & dreamy. Accordion, double bass & percussion. | chromatic accordion South America suspended atmosphere mysterious | E | 88 | ||||
|
La Quebrada Seca [CCB1007 - 28] |
Alt. | 2'03 | Daniel Diaz, Raùl Barboza | Atmospheric & mysterious. Percussion & bowed double bass. | tropical forest bowed double bass mysterious relentless | E | 88 | |||
|
Tafi Del Valle [CCB1007 - 20] |
0 | 2'25 | Daniel Diaz, Raùl Barboza | Peaceful & mysterious. Accordion, birdcall & percussion. | tropical forest South America mysterious atmospheric | E | 66 | |||
|
Starfall [CEZ4129 - 16] |
1'24 | Baptiste Thiry | Drifting & powerful. Slow motion. Electronic percussion & synth pad. | slow motion undulating atmospheric powerful & imposing | Eb | 119 | ||||
|
Starfall 2 [CEZ4129 - 49] |
Alt. | 1'24 | Baptiste Thiry | Drifting & luminous. Slow motion. Synth pads. | slow motion atmospheric magical flash back | Eb | 60 | |||
|
An Ordinary Day [CEZ4128 - 4] |
0 | 1'35 | Mathias Delplanque | Electro chill. Relaxed & cosy. Electronics, acoustic guitar, | chill-out music relaxed beds confident | Bm | 89 | |||
|
Against the Odds [CEZ4128 - 10] |
0 | 1'30 | Eric Daniel, Sophia Domancich | Sad & desolate. Keyboard, electronics & snare drum roll. | investigation atmospheric desolate social drama | Dm | 95 | |||
|
Search and Destroy [CEZ4127 - 6] |
0 | 1'30 | Sophia Domancich | Suspense. Interrogative & nocturnal. Keyboard & electric guitar. | investigation building suspense suspended atmosphere | Gm | 117 | |||
|
Staircase Dealing [CEZ4127 - 15] |
0 | 1'34 | Eric Daniel, Sophia Domancich | Suspense. Interrogative & restrained. Electric guitar, keyboard & | interrogative investigation mysterious suspense | Dm | 90 | |||
|
Induced Coma [CEZ4127 - 18] |
0 | 2'45 | Alice Guerlot Kourouklis | Ambient electro. Sad & desolate. Electronics. | patient electro ambient investigation science | Bm | 95 | |||
|
Deja Vu [CEZ4127 - 20] |
0 | 2'35 | Nicolas Mizrachi, Jean-Francois Morin | Underscore. Desolate & barren. Electric guitar wuth fx. | desolate effects unit social drama suspended atmosphere | C | 103 | |||
|
Sense of Urgency [CEZ4126 - 7] |
0 | 2'24 | Eric Lohrer | Electro. Scary & tumultuous. Electronics & rhythm. 158 BPM. | urgent horror jerky chaotic | Dm | 158 | |||
|
Mechanical Puppet [CEZ4125 - 13] |
0 | 2'18 | Piotr Moss | Delicate, naive & old-fashioned. Piano, cello & celesta. | circus music childhood delicate magical | Gm | 76 | |||
|
Metallic Sand [EOS06 - 4] |
0 | 3'49 | Olivier Samouillan, Eric Volpatti | Electro ambient. Serious & interrogative. Electronics, pizzicati, | sparse science beds steady | C | 156 | |||
|
Frontline Position [CEZ4124 - 10] |
0 | 1'01 | Baptiste Thiry | Progressive & panoramic tension. String staccato. | staccato historical conflict relentless inexorable | Bm | 103 | |||
|
Dead Land [CEZ4124 - 25] |
2'17 | Gréco Casadesus | Desolate, threatening & sad. Cello, percussion & electronics. | desolate natural disaster panorama tragic | Em | 66 | ||||
|
Dead Land #2 [CEZ4124 - 42] |
Alt. | 2'19 | Gréco Casadesus | Desolate & sad. Cello & electronics. | natural disaster wandering cello desolate | Em | 62 | |||
|
A Mother's Tears [CEZ4124 - 26] |
0 | 4'03 | Gréco Casadesus | Sad & moving. Harp, cello, accordion, clarinet & strings. | sad sentimental cello atmospheric | Am | 63 | |||
|
In a Picardy Field [CEZ4124 - 27] |
3'44 | Alice Guerlot Kourouklis | Sad & lazy. Cello, accordion, pizz & string. | melancholic intimate patient calm | Dbm | 68 | ||||
|
In a Picardy Field #2 [CEZ4124 - 43] |
Alt. | 3'45 | Alice Guerlot Kourouklis | Sad & lazy. Cello, pizz & string. | country & garden social drama melancholic intimate | Dbm | 68 | |||
|
Honeymoon in Paris [CEZ4117 - 1] |
0 | 1'40 | Baptiste Thiry | Slow Waltz. Peaceful & romantic. String orchestra, piano & flute. | hollywood classic romantic romantic comedy sentimental | Gm | 122 |