| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Fatalitas [CEO2056 - 2] |
1'04 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Climax with cluster @ 0'45. | final contemporary history investigation news | Gm | 128 | ||||
|
Fatalitas Alternate 1 [CEO2056 - 12] |
Alt. | 0'49 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Piano & string ensemble. | relentless politics jerky punctuated | G | 128 | |||
|
Fatalitas Alternate 2 [CEO2056 - 13] |
Alt. | 0'32 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Piano & rhythm. | punctuated news relentless politics | G | 64 | |||
|
Fatalitas Alternate 3 [CEO2056 - 14] |
Alt. | 0'48 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. String ensemble. | news relentless politics jerky | G | 128 | |||
|
De Sang Froid [CEO2056 - 8] |
1'23 | Elisabeth Skornik, Guy Skornik | Imperious, insistent & punctuated. String orchestra & percussion. | historical conflict war (movies) inexorable politics | F | 141 | ||||
|
De Sang Froid Alternate 1 [CEO2056 - 21] |
Alt. | 1'33 | Elisabeth Skornik, Guy Skornik | Fatal, tragic & punctuated. Timpani & string cluster. | historical conflict inexorable punctuated war (movies) | Em | 94 | |||
|
De Sang Froid Alternate 2 [CEO2056 - 22] |
Alt. | 1'33 | Elisabeth Skornik, Guy Skornik | Fatal, tragic & punctuated. Staccato strings & timpani. | disturbing scansion timpani historical conflict | Fm | 141 | |||
|
Alessandro and Casey [CEO2054 - 1] |
1'39 | Eric Lohrer | Travel. Daylife TV. Joyful & lively. Constant progression. Electric | electric guitar road movie tracking shot driving | Am | 88 | ||||
|
Alessandro and Casey 2 [CEO2054 - 25] |
Alt. | 1'39 | Eric Lohrer | Travel. Joyful & carefree. Electric guitars, sequencing, organ & | geopolitics driving panorama road movie | Am | 143 | |||
|
Alessandro and Casey 3 [CEO2054 - 26] |
Alt. | 1'04 | Eric Lohrer | Melancholic & solitary. Electric guitars & ebow | electric guitar sad atmospheric social drama | Cm | 107 | |||
|
Alessandro and Casey 4 [CEO2054 - 27] |
Alt. | 1'16 | Eric Lohrer | Melancholic & obstinate. Electric guitars & charango. | electric guitar panoramic geopolitics tracking shot | Cm | 162 | |||
|
Going to Gaza [CEO2054 - 9] |
0'55 | Eric Lohrer | Travel. Wide open Space. Cyclic & determined. Electric guitar, | geopolitics tracking shot panorama panoramic | Am | 100 | ||||
|
Going to Gaza 2 [CEO2054 - 32] |
Alt. | 1'55 | Eric Lohrer | Wide open space. Determined & strange. Electric guitar, ebow, | geopolitics introspective panorama tracking shot | Am | 110 | |||
|
Going to Gaza 3 [CEO2054 - 33] |
Alt. | 1'03 | Eric Lohrer | Sad & nervous. Electric guitar, ebow & charango. | panoramic introspective panorama tracking shot | Am | 133 | |||
|
A Dubious Conclusion [CEZ4319 - 8] |
0 | 1'58 | Thierry Caroubi | Investigation. Crime Series. Urgent & interrogative. Sequencing. | interrogative investigation politics cyclic | Cm | 120 | |||
|
Conspiracy Game [CET9003 - 2] |
2'45 | Lucas Napoleone | Ominous piano intro opening.Punctuated strings. Build up to climax | trailer cinematic action movie investigation | Gm | 140 | ||||
|
Conspiracy Game Alternate
[CET9003 - 13] |
Alt. | 2'45 | Lucas Napoleone | Ominous intro opening on punctuated string . Build up to climax with | trailer cinematic action movie investigation | Gm | 140 | |||
|
Breakthrough in Indonesia [CEO2052 - 22] |
0 | 0'59 | Baptiste Thiry | Sudden, mysterious & sad. Sequencing, percussion & strings harmonic. | atmospheric investigation cinematic disturbing | C | 120 | |||
|
Après la Pluie [CCB1028 - 9] |
0 | 3'34 | Kevin Seddiki | Dreamy & melancholic. Solo acoustic guitar. | acoustic guitar folk guitar world music driving | Em | 91 | |||
|
Une Histoire Allemande [CEO2049 - 1] |
0 | 2'13 | Lucas Napoleone | Powerful & exhilarating. String orchestra, sequencing & cinematic | contemporary history historical narrative politics adventure | Am | 123 | |||
|
Legaly Killed [CEZ4313 - 9] |
0 | 3'44 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Powerful & disturbing & frantic. Metal band. | thrash metal horror fx distorsion band | Am | 162 | |||
|
I Saw You [CEO2047 - 3] |
0 | 1'57 | Patrick Franchomme | Restrained & pensive. @ 0'40 obstinate & tense. Piano, heart-beat, | fx heartbeat social drama electro ambient suspended atmosphere | C | 83 | |||
|
Driving in the Fast Lane [CEZ4301 - 7] |
0 | 3'31 | Sham Makdessi, Morgan Sansous | Tense, powerful & fiery. Rock band feat virtuoso lead guitar. Speed | thrash metal double bass drum pedal extreme & fighting sport aggressive & violent | Gbm | 99 | |||
|
Epic Race [CEZ4301 - 8] |
0 | 3'13 | Sham Makdessi, Morgan Sansous | Furious, imposing & trash. Rock band. Speed metal. | thrash metal extreme & fighting sport aggressive & violent distorted electric guitar | Am | 104 | |||
|
D-Day Alternate Version [CEZ4290 - 40] |
2'07 | Gabriel Saban, Philippe Briand | Urgent & exhilarating. Constant progression. Cinematic orchestra & | opening credits TV contemporary history cinematic orchestra docu fiction | Am | 133 | ||||
|
D-Day [CEZ4290 - 18] |
Alt. | 2'07 | Gabriel Saban, Philippe Briand | Urgent & exhilarating. Constant progression. Cinematic orchestra, | cinematic orchestra opening credits TV contemporary history cinematic percussion | Am | 133 | |||
|
Blues Harp Boy [CEZ4293 - 6] |
0 | 2'09 | Urgent & determined. "Rollin' like a train". Solo harmonica. | diatonic harmonica blues solo trains | E | 122 | ||||
|
Travelin' Trailer [CEZ4293 - 19] |
0 | 1'03 | Christian Lancry | Train rhythm. Determined. Solo harmonica. | trains diatonic harmonica blues driving | A | 109 | |||
|
Good Cop Bad Cop [CEZ4295 - 21] |
0 | 3'06 | Chomsk' | Hip hop. Strange, percussive & urban. Synth, sampled female voice & | investigation urban beat making spy | Ebm | 107 | |||
|
Trouble Spots [CEZ4289 - 29] |
0 | 1'21 | Eric Daniel | Sudden, proud & interrogative. Solo cello. | cello punctuated relentless disturbing | C | 126 | |||
|
Après la Pluie [CCB1025 - 7] |
0 | 5'39 | Renaud Garcia-Fons | Sad & moving jazzy ballad. Double-bass, vibes, accordion & percussion. | bowed double bass sad chromatic accordion changing | Am | 105 | |||
|
Les Écoliers [CCB1025 - 10] |
0 | 5'16 | Renaud Garcia-Fons | Unusual, changing & jazzy. Accordion, double-bass & percussion. | chromatic accordion changing bowed double bass bouncy | Dm | 137 |